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All Journal Pendas : Jurnah Ilmiah Pendidikan Dasar Jurnal Arjuna : Publikasi Ilmu Pendidikan, Bahasa dan Matematika Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain
Roy JM. Hutagalung
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Arts Education Health Professions Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Teknik Permainan Hasapi Pada Lagu Buku Ende No. 585.’’Somba Ma Jahowa” Dalam Ibadah Minggu Di Gereja HKBP Bahal Batu I” Handoco Rumahorbo; Robert KA. Simangunsong; Roy JM. Hutagalung; Boho P. Pardede; Aprinaldi Simarangkir
Jurnal Arjuna : Publikasi Ilmu Pendidikan, Bahasa dan Matematika Vol. 2 No. 3 (2024): Juni : Jurnal Arjuna : Publikasi Ilmu Pendidikan, Bahasa dan Matematika
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/arjuna.v2i3.802

Abstract

This research examines the technique of playing hasapi to accompany the song Buku Ende No. 585.Somba Ma Jahowa Debata. Through a literature study approach and direct observation, this thesis presents various basic and advanced techniques used by hasapi players. First, this thesis describes how to hold and pluck hasapi strings, as well as basic techniques for producing clear and resonant sound. Next, it discusses the use of melodic and rhythmic variations in playing hasapi, including ornamentation and improvisation techniques which are generally used in traditional Batak music performances. This research also outlines the important role of learning and knowledge in the hasapi playing community. The results of this research show that a deep understanding of hasapi playing techniques requires consistent practice and a deep understanding of the cultural context. Apart from that, this thesis concludes that the development of hasapi playing techniques not only enriches Batak cultural heritage, but is for the glory of God.
Aransemen Lagu pada Buku Ende No. 212 Haholongan Na Badia dalam Kuartet Saxophone pada Ibadah Minggu di HKBP Pardomuan Silangkitang Tapanuli Utara Jeverwandi Sitohang; Boho Parulian Pardede; Testi Bazarni Zebua; Monang Asi Sianturi; Roy JM. Hutagalung
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 5 (2024): September : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i5.338

Abstract

The purpose of this study is to develop the song "Haholongan Na Badia" in the Saxophone Quartet. The motif in this song still uses the original melody of the song but there is a slight change in tempo and. It aims to be more wise and pleasant to listen to and adjust to the conditions of worship. This study uses qualitative research, namely by describing the Song Arrangement in the Ende Book No. 212 "Haholongan Na Badia" in the Saxophone Quartet at Sunday Worship at HKBP Pardomuan This research was carried out in July - August 2024. By observing, literature and with several sources related to saxophone instruments and the HKBP Pardomuan Church in writing and unwritten. The result of this research is that the Song in the Ende Book No.212 "Haholongan Na Badia" is a very wise song and has a meaning and message in its verses This form of arrangement is a new concept and presentation of the song Tu Jolom O Debatang Ku in the form of a saxophone quartet arrangement. This thesis discusses the presentation, arrangement process of the Saxophone Quartet in the song of the book Ende No. 212 "Haholongan na badia" in accompanying Sunday worship at HKBP Pardomuan. For the rhythm sign, the author uses the 3/4 rhythm which is in the original score of the 4/4 song and the basic note Bb = do and with the tempo of Adagio MM 70.
TEKNIK TONGUING DAN VIBRATO SAXOPHONE ALTO PADA LAGU BE. NO 720 NAENG MARSINONDANG NGOLUNGKU DI GEREJA HKBP LUMBAN SIAGIAN Bobby Lumban Tobing; Robert KA. Simangunsong; Boho Parulian Pardede; Roy JM. Hutagalung
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 01 (2026): Volume 11 No. 01 Maret 2026 Public
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i01.43913

Abstract

This study aims to describe and analyze the application of playing techniques, specifically tonguing and vibrato, on the alto saxophone in performing the song Buku Ende (BE) No. 720 "Naeng Marsinondang Ngoluku" at the HKBP Lumban Siagian Church. The main focus of this research is how these techniques are utilized to strengthen the musical expression and spiritual message contained within the song. The research method employed is qualitative with a descriptive approach. Data were collected through field observations, in-depth interviews with the musician (saxophone player), and documentation in the form of audio recordings and musical score studies. The results of the study indicate that: (1) The dominant tonguing technique used is soft tonguing to produce clear yet smooth articulation, aligning with the solemn character of the song. (2) The vibrato technique is applied selectively on long notes to provide emotional emphasis and more vibrant dynamics. (3) The combination of these two techniques at HKBP Lumban Siagian Church is proven effective in supporting a solemn worship atmosphere and assisting the congregation in internalizing the meaning of the song more deeply.
Co-Authors Aprinaldi Simarangkir Bobby Lumban Tobing Boho P. Pardede Boho Parulian Pardede Handoco Rumahorbo Jeverwandi Sitohang Monang Asi Sianturi Robert KA. Simangunsong Testi Bazarni Zebua