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All Journal Sinar Kasih: Jurnal Pendidikan Agama dan Filsafat Jurnal Nakula: Pusat Ilmu Pendidikan, Bahasa Dan Ilmu Sosial Coram Mundo: Jurnal Teologi dan Pendidikan Agama Kristen Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain SAMBARA: Jurnal Pengabdian Kepada Masyarakat Jurnal Budi Pekerti Agama Kristen dan Katolik
Monang Asi Sianturi
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Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Education Immunology & microbiology Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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Teknik Permainan Appogiatura Piano Pada Lagu “Waltz In A Minor, B.150, Op.Posth” Karya Frederic Chopin Yoseph Fransiscus Sihombing; Testi Zebua; Aprinaldi Simorangkir; Monang Asi Sianturi; Rowilson Nadeak
Jurnal Nakula : Pusat Ilmu Pendidikan, Bahasa dan Ilmu Sosial Vol. 1 No. 6 (2023): November : Jurnal Nakula : Pusat Ilmu Pendidikan, Bahasa dan Ilmu Sosial
Publisher : Asosiasi Riset Ilmu Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/nakula.v1i6.268

Abstract

This research aims to determine the techniques for playing appogiatura piano in the song "Waltz in a minor, B.150, Op.Posth" by Frederic Chopin. The author uses descriptive qualitative methods. The object of this research is the score for Waltz in a minor, B.150, Op.Posth" by Frederic Chopin. The data analysis techniques used are data reduction, data presentation, and data conclusions. The results and discussion of this research are Frederic Chopin's "Waltz in a minor, B.150, Op. Posth" which is a solo performance that uses playing techniques such as Appoggiatura and is equipped with techniques such as mordent, trill, triplet-quintuplet, and legato, as well as dynamics so that what is produced in part A1, wants to describe a sad atmosphere because of the legato technique which makes it lilting, then in part B with appoggiatura and legato techniques wants to describe a cheerful atmosphere as if there is hope, supported by a Major chord at the beginning, variations melodies, and lots of appoggiatura, triplet-quintuplet ornaments as sweeteners. Next, section A' again depicts a sad atmosphere, but the modulation to A Major makes hope even more visible. But in section A2, the sweet dance atmosphere, the hopes built in sections B and A' return to an atmosphere of sadness which then in the Coda section ends with an ornamental trill at the end of the song so that it can depict an atmosphere of decline.
Aransemen “Saya Mau Ikut Yesus” pada Permainan Ansambel Quarted Band dalam Ibadah di Gereja GPdI Agave Bangun Yefta Sihombing; Boho P. Pardede; Aprinaldi Simorangkir; Monang Asi Sianturi; Roy Josep Hutagalung
Sinar Kasih: Jurnal Pendidikan Agama dan Filsafat Vol. 2 No. 2 (2024): Mei : Jurnal Pendidikan Agama dan Filsafat
Publisher : Sekolah Tinggi Teologi Injili Arastamar (SETIA) Ngabang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/sinarkasih.v2i2.320

Abstract

The scientific paper with the title arranging the song I want to follow Jesus in the quarted band ensemble playing in the GPdI Agave Bangun Service is research that discusses how to apply the branch of arrangement, namely reharmonization, to the composition I want to follow Jesus. This research uses qualitative research methods using observation, interviews and documentation. Arrangement comes from the Dutch word Arrangement, which means adjusting a musical composition to the number of singers' voices or musical instruments based on an existing composition so that the essence of the music does not change. The arrangements influence the formation of the rhythm and harmony produced by the quarted band ensemble at GPdI Agave Bangun. The results of the research show that the problem of this research is that the drum and bass, which are the main components in the quarted band ensemble, are out of sync between the two instruments which will affect the quality of the arrangement. The piano is often melodic but can also be an accompaniment instrument, the piano playing pattern becomes a rhythmic fulcrum that will change the character and dynamics of the song. Reharmonization of the piano chords is the main reason the writer arranged the song I want to follow Jesus by changing the character of the song from sad to straightforward. Substitution chord theory, voicing and slash chord techniques are the main ingredients for researchers in composing. The type of research used in this research is qualitative research, with the data collection techniques used are observation, interviews and documentation. The final result of this research is as reference material for church musicians to increase their repertoire of playing variations to accompany worship in the church.
Aransemen Lagu Buku Ende No. 741 “Nang Ro Pe Haba-haba I” Menggunakan Aplikasi Sibelius dalam Iringan Ibadah di Gereja HKBP Siabal abal Resort Sipahutar Epsan Harianja; Monang Asi Sianturi; Roy J. M. Hutagalung
Coram Mundo: Jurnal Teologi dan Pendidikan Agama Kristen Vol. 6 No. 2 (2024): Coram Mundo : Jurnal Teologi dan Pendidikan Agama Kristen
Publisher : Sekolah Tinggi Teologi Injili Arastamar (SETIA) Ngabang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/corammundo.v6i2.396

Abstract

The aim of this research is to find out how the song "Nang Ro Pe Haba-haba I" is arranged using the concept of using the Sibelius application and to increase the insight of the writer and especially church musicians who are learning to deepen the principles of arrangement. Arrangement is the activity of rewriting an existing piece of music or work to use an instrument or voice in harmony or addition to the original work, which is made to beautify the work. Currently, musicians, including church musicians, also arrange current church songs. The young musicians dared to create something new in their musical performance by arranging the church song by adding a variety of creative accompaniments. This arrangement refers to a church music arrangement taken from the song Buku Ende HKBP No. 741 “Nang Ro Pe Haba-haba I”. This song is played with a Moderato tempo or around 104 BPM. This song was created by Vernon J. Charlesworth with the title The Lord's Our Rock, in Him we hide which was later translated into Indonesian Batak by Bonaria Hutabarat. Meanwhile, the form of arrangement presented leads to mixed ensemble music playing using the music application, namely Sibelius. The Sibelius application is a music application that is used to create song scores, arrange songs and there are several other features to make it easier for musicians to express their works. In this research, the author used the Sibelius application to arrange church songs to accompany worship. This research was conducted at the HKBP Siabal Abal Ressort Sipahutar church with the aim of motivating the church music players to be more enthusiastic in accompanying worship at the church. The author presents the results of the arrangement using audio-visual media.
Penerapan Sound System dalam Ibadah Liturgi Minggu di HKI Perumnas Pagar Beringin Sipoholon Tapanuli Utara Monang Asi Sianturi; Lamtulus Nainggolan
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i3.344

Abstract

This research aims to determine the role of the Sound System in the liturgy of Sunday services at church. The sound system in a church is an electronic device that is used to amplify and regulate sound so that it can be heard clearly by the congregation. The method used in this research is descriptive qualitative method. The stages of research implementation were carried out through observation, application, interviews and documentation. The object of this research was carried out at the HKI Perumnas Pagar Beringin Sipoholon, North Tapanuli church. In the research process, the author carried out research on the sound system in the church for 3 months, namely from June to September 2024. The stages carried out by the researcher to regulate the role of the Sound System so that it functions according to its use are: recognizing the devices in the Sound System, finding problems with the Sound System , organizing and arranging the Sound System according to its role. The results of this research show that the implementation of the use of the Sound System at the HKI Perumnas Pagar Beringin Sipoholon North Tapanuli church is functioning and can be heard clearly and well, where previously the sound system often occurred storing or buzzing. Based on this research, the author suggests that sound system operators in churches prepare sound system equipment before the Sunday worship program begins.
Penerapan Teknik Vokal Artikulasi pada Lagu Indahnya Saat Teduh oleh Pemimpin Pujian di Gereja Methodist Indonesia Sukarame Baru Resort Sukasari Labuhan Batu Utara Tahun Pembelajaran 2023/2024 Helmalia Diwani Lumban Tobing; Eben Haezarni Telaumbanua; Monang Asi Sianturi
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 5 (2024): September : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i5.336

Abstract

This research aims to find out good vocal training techniques for singing for worship leaders by applying articulatory vocal techniques. Articulated vocal technique is the pronunciation of the words in the song lyrics clearly and correctly so that the message and meaning of the song being sung can be heard clearly to the listener. The method used in this research stage is descriptive qualitative method. The stages of research on the application of vocal articulation techniques carried out include observation, interviews and documentation. The objects of this research were five worship leaders at GMI Sukarame Baru Resort Sukasari Labuhan Batu Utara. In the implementation process, researchers held six meetings providing material and singing practice according to correct vocal technique. In this research process, the worship leader practiced articulation repeatedly singing the song "The Beauty of Teduh Time" with examples and practice provided by the researcher during the research, so that in the end the worship leader could understand the material presented by the researcher. The results of this research show that the application of articulatory vocal techniques can improve the singing ability of praise leaders at GMI Sukarame Baru Resort Sukasari Labuhan Batu Utara so that the pronunciation of the words in the song lyrics can be heard clearly when leading praise. Based on this research, the author suggests that GMI Sukarame Resort Sukasari Labuhan Batu Utara Baru continue to develop vocal technique training for worship leaders so that the quality and ability of singing increases.
Aransemen Lagu pada Buku Ende No. 212 Haholongan Na Badia dalam Kuartet Saxophone pada Ibadah Minggu di HKBP Pardomuan Silangkitang Tapanuli Utara Jeverwandi Sitohang; Boho Parulian Pardede; Testi Bazarni Zebua; Monang Asi Sianturi; Roy JM. Hutagalung
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 5 (2024): September : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i5.338

Abstract

The purpose of this study is to develop the song "Haholongan Na Badia" in the Saxophone Quartet. The motif in this song still uses the original melody of the song but there is a slight change in tempo and. It aims to be more wise and pleasant to listen to and adjust to the conditions of worship. This study uses qualitative research, namely by describing the Song Arrangement in the Ende Book No. 212 "Haholongan Na Badia" in the Saxophone Quartet at Sunday Worship at HKBP Pardomuan This research was carried out in July - August 2024. By observing, literature and with several sources related to saxophone instruments and the HKBP Pardomuan Church in writing and unwritten. The result of this research is that the Song in the Ende Book No.212 "Haholongan Na Badia" is a very wise song and has a meaning and message in its verses This form of arrangement is a new concept and presentation of the song Tu Jolom O Debatang Ku in the form of a saxophone quartet arrangement. This thesis discusses the presentation, arrangement process of the Saxophone Quartet in the song of the book Ende No. 212 "Haholongan na badia" in accompanying Sunday worship at HKBP Pardomuan. For the rhythm sign, the author uses the 3/4 rhythm which is in the original score of the 4/4 song and the basic note Bb = do and with the tempo of Adagio MM 70.
Makna Lagu Buku Ende No. 17 "Raja Natumimbul" Di GKLI Amborgang Resort Parlilitan Kabupaten Humbang Hasundutan Amri Tumanggor; Monang Asi Sianturi; Tezti Bazarni Zebua; Eben Haezarni Telaumbanua; Rowilson Nadeak
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 1 No. 5 (2024): September : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v1i5.341

Abstract

This study focuses on the study to find out the meaning of the Ende Book Song No. 17 "Raja Natumimbul" and the way the congregation sings the Ende Book song at GKLI Amborgang Resort Parlilitan. This research uses a qualitative method with a research procedure that produces descriptive data in the form of written or spoken words from people and observable behaviors and data collection techniques through the results of interviews, observations, and documentation, The location of the research was conducted at the GKLI Amborgang Ressort Parliltan Church, Sihashabinsaran Village, Parlilitan District, Humbang Hasundutan The object of the research was 6 people, namely to Pastors, Church Teachers, Musicians and to. Thus, it can be concluded that the meaning of the song King Natumimbul has a very deep meaning, which means that here there is a confession of the Lord God, the creator of all things, so that all that he creates praises God because he is the most exalted king of all. The song of King Natumimbul when sung is also full of enthusiasm because this song means that only God is the supreme King, only He is the king who should be worshipped. The hope is that the people of the GKLI Amborgang congregation will receive blessings from God and invite sinners to worship him.
Environmental Management: An Ecotheological Perspective Silalahi, Wolter Parlindungan; Monang Asi Sianturi; Arip Surpi Sitompul; Andar Gunawan Pasaribu; Binur Panjaitan; Lustani Samosir; Rida Gultom; Ibelala Gea; Evi Ulina Turnip; Rismawaty P Rajagukguk
SAMBARA: Jurnal Pengabdian Kepada Masyarakat Vol 3 No 3 (2025): September
Publisher : CV Putra Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58540/sambarapkm.v3i3.1023

Abstract

Krisis lingkungan saat ini menuntut upaya konkret dari seluruh elemen masyarakat. Pendekatan eko-teologis memberikan perspektif religius dan etis dalam mengelola alam sebagai ciptaan Tuhan yang harus dijaga kelestariannya. Kegiatan pengabdian masyarakat ini bertujuan untuk memberikan sosialisasi dan pelatihan kepada masyarakat dalam memahami pengelolaan lingkungan berdasarkan nilai-nilai eko-teologis. Metode yang digunakan meliputi ceramah, diskusi, dan praktik pengelolaan lingkungan sederhana. Hasil kegiatan menunjukkan peningkatan kesadaran masyarakat akan pentingnya perlindungan lingkungan dan munculnya inisiatif kolektif dalam pengelolaan sampah dan reboisasi.
Analisis Syair Lagu BE. No. 716 Di Na Mamolus Sandok Ngolu On Pada Kebaktian Minggu Di HKBP Simanungkalit Resort Sipoholon-I Andrew Fridolin Sihotang; Boho Parulian Pardede; Testi Bazarni Zebua; Monang Asi Sianturi; Roy Josep M. Hutagalung
Jurnal Budi Pekerti Agama Kristen dan Katolik Vol. 2 No. 1 (2024): Maret : Jurnal Budi Pekerti Agama Kristen dan Katolik
Publisher : Asosiasi Riset Pendidikan Agama dan Filsafat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/jbpakk.v2i1.223

Abstract

is research aims to clearly understand the poetry structure and meaning of the song Di Na Mamolus Sandok Ngolu On. This research uses a descriptive analysis method with a qualitative approach. The work process carried out is observation, interviews, documentation. Research is carried out by collecting information through field research to obtain results which are processed into original data. The meaning of the lyrics of the song Di Na Mamolus Sandok Ngolu On is first, this also applies to every difficulty and suffering that occurs in our lives. Second, the things we learn through suffering, give us a unique ability to strengthen and comfort people. -people who are experiencing similar difficulties or suffering (2 Corinthians 1:4-5). Third, God provides comfort, not so that we are comfortable, but so that we can provide comfort to others. This song was created by George S. Schuler in 1924, has a 6/8 bar with a tempo of 54 with a basic note of C=do consisting of 24 bars. The song Di Na Mamolus Sandok Ngolu On is an opening song used by Protestants which has a 6/4 meter pattern with the basic note C=do having cross rhymes, namely a, a, b, a. The meaning of the song Di Na Mamolus Sandok Ngolu On is that the things we learn through suffering give us the ability to strengthen and comfort people who are experiencing difficulties or suffering.
Co-Authors Amri Tumanggor Andar Gunawan Pasaribu Andrew Fridolin Sihotang Aprinaldi Simorangkir Arip Surpi Sitompul Binur Panjaitan Boho P. Pardede Boho Parulian Pardede Eben Haezarni Telaumbanua Epsan Harianja Evi Ulina Turnip Helmalia Diwani Lumban Tobing Ibelala Gea Jeverwandi Sitohang Lamtulus Nainggolan Lustani Samosir Rida Gultom Rismawaty P Rajagukguk Rowilson Nadeak Roy J. M. Hutagalung Roy JM. Hutagalung Roy Josep Hutagalung Roy Josep M. Hutagalung Silalahi, Wolter Parlindungan Testi Bazarni Zebua Testi Zebua Tezti Bazarni Zebua Yefta Sihombing Yoseph Fransiscus Sihombing