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All Journal Jurnal IMAJI Amarasi : Jurnal Desain Komunikasi Visual
Waret Khunacharoensap
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Arts Humanities

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Homo Ludens, Aksi-Drama, Film Ek HOMO LUDENS & PINK PASTEL; AKSI DRAMA DALAM FILM EKSPERIMENTAL DENGAN PENDEKATAN ABJECT ART Eka Wahyu Primadani, Eka Wahyu Primadani; Fossy Biosa, Sito; Waret Khunacharoensap
AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL Vol 5 No 01 (2024): Amarasi: Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstract art has penetrated the world of film. Taboo things and disgusting actions are present forcing the spectators to enjoy them with this statement of art movement. This phenomenon emerged and art writers studied it, until they succeeded in drawing a common thread about the relationship between Homo Ludens (playing humans), drama and film with artistic research (based on artistic practice); example: drama and action-acting always have cases that are never finished being discussed in film works, especially in the experimental film movement. Things that arise from the "ego" of the artist (director) become material to be dissected from a broad perspective, good and bad, positive and negative, acceptance to rejection, involving discussions related to disturbing effects that cannot be separated from elements of rejection of the works. "Elegant and neat", especially when discussing art or artistic works of an abstract or subjective nature, shows something that challenges the limits of normality, which is another normality that should be accepted by "new audiences". Describes a structure or system that can refer to something that specifically questions aesthetics, physicality, looks rude, bad gestures are taboo to be not taboo, satirizes institutions, degrades, demeans, protests, or is sarcastic towards people who live normal lives. The identity of his work is formed through a process of resistance that produces clearly delineated action-reaction deviations between different circumstances. This shows how we can interpret "bad" aesthetics, full of suffering from the experiences of the people around us, presented in action drama works with characteristics such as something disgusting, strange or strange, closeness to something with a satirical nuance, is an important component of a critical statement by the director of the film PINK PASTEL to activate awareness of opposing perceptions from an optimistic attitude about changes in drama narrative styles, to further exploring in films from increasingly intelligent spectators, ambitions against conventional or normal action-drama at the level of normality. general reality
HOMO LUDENS & PINK PASTEL; AKSI DRAMA DALAM FILM EKSPERIMENTAL DENGAN PENDEKATAN ABJECT ART Eka Wahyu Primadani; Sito Fossy Biosa; Waret Khunacharoensap
IMAJI Vol. 15 No. 1 (2024): Arsip, Wacana Visual & Film Eksperimental
Publisher : Fakultas Film dan Televisi - Institut Kesenian Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52290/i.v15i1.137

Abstract

Seni abjek merambah pada dunia film. Kajian tentang hubungan Homo Ludens (manusia yang bermain) contoh: drama maupun akting-aksi selalu memiliki kasus yang tidak pernah usai dibahas dalam karya film, terutama pada gerakan film eksperimental. Hal-hal yang muncul dari “ego” seniman (sutradara) menjadi materi untuk dibedah dari sisi yang luas, bernilai baik dan buruk, positif dan negatif, penerimaan hingga penolakan, melibatkan diskusi terkait efek mengganggu yang tidak lepas dari unsur penolakan terhadap karya-karya “anggun dan rapi”, terlebih pada pembahasan seni atau karya seni abjek atau bersifat abjektif-abjeksi, menampakkan sesuatu yang menantang batas kewajaran adalah sebuah kewajaran lainnya yang harusnya dapat diterima “penonton baru”. Menguraikan struktur atau sistem yang dapat merujuk pada sesuatu yang secara khusus mempertanyakan estetika, ketubuhan, tampak kasar, gerakan-gesture yang buruk tabu menjadi tidak tabu, menyinyir institusi, degradasi, merendahkan, protes, atau sarkastik terhadap masyarakat yang menjalani hidup dengan normal. Identitas karyanya dibentuk melalui proses penolakan yang menghasilkan penyimpangan aksi-reaksi yang digambarkan dengan jelas antara keadaan yang berbeda. Hal itu menunjukkan seberapa kita bisa memaknai estetika yang “buruk”, penuh penderitaan atas pengalaman orang-orang di sekitar kita, dihadirkan ke dalam karya-karya aksi drama dengan ciri khas seperti sesuatu yang menjijikkan, janggal atau ganjil, kedekatan terhadap sesuatu bernuansa satire, merupakan komponen penting dari sebuah pernyataan kritis sutradara film PINK PASTEL untuk mengaktifkan kesadaran persepsi yang berlawanan dari sikap optimis tentang perubahan gaya bertutur drama pada film dari penonton-spektator yang kian cerdas, ambisi melawan aksi-drama konfensional atau normal pada tataran kewajaran realita umum.
Homo Ludens, Aksi-Drama, Film Ek HOMO LUDENS & PINK PASTEL; AKSI DRAMA DALAM FILM EKSPERIMENTAL DENGAN PENDEKATAN ABJECT ART Eka Wahyu Primadani, Eka Wahyu Primadani; Fossy Biosa, Sito; Waret Khunacharoensap
AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL Vol 5 No 01 (2024): Amarasi: Jurnal Desain Komunikasi Visual
Publisher : Program Studi Desain Komunikasi Visual

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Abstract art has penetrated the world of film. Taboo things and disgusting actions are present forcing the spectators to enjoy them with this statement of art movement. This phenomenon emerged and art writers studied it, until they succeeded in drawing a common thread about the relationship between Homo Ludens (playing humans), drama and film with artistic research (based on artistic practice); example: drama and action-acting always have cases that are never finished being discussed in film works, especially in the experimental film movement. Things that arise from the "ego" of the artist (director) become material to be dissected from a broad perspective, good and bad, positive and negative, acceptance to rejection, involving discussions related to disturbing effects that cannot be separated from elements of rejection of the works. "Elegant and neat", especially when discussing art or artistic works of an abstract or subjective nature, shows something that challenges the limits of normality, which is another normality that should be accepted by "new audiences". Describes a structure or system that can refer to something that specifically questions aesthetics, physicality, looks rude, bad gestures are taboo to be not taboo, satirizes institutions, degrades, demeans, protests, or is sarcastic towards people who live normal lives. The identity of his work is formed through a process of resistance that produces clearly delineated action-reaction deviations between different circumstances. This shows how we can interpret "bad" aesthetics, full of suffering from the experiences of the people around us, presented in action drama works with characteristics such as something disgusting, strange or strange, closeness to something with a satirical nuance, is an important component of a critical statement by the director of the film PINK PASTEL to activate awareness of opposing perceptions from an optimistic attitude about changes in drama narrative styles, to further exploring in films from increasingly intelligent spectators, ambitions against conventional or normal action-drama at the level of normality. general reality
Co-Authors Eka Wahyu Primadani Fossy Biosa, Sito Sito Fossy Biosa