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All Journal Jurnal Mahasiswa Jurusan Arsitektur Jurnal Ruas (Review of Urbanism and Architectural Studies) Hasta Wiyata
Ineru, Bunga Pasadena
Unknown Affiliation
Arts Civil Engineering, Building, Construction & Architecture Education Languange, Linguistic, Communication & Media Social Sciences Other

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KOMUNIKASI KONTEKS ARSITEKTURAL MELALUI VISUALISASI IDENTITAS LOKAL PADA MATA UANG KERTAS RUPIAH EMISI TAHUN 2000 – 2005 Ineru, Bunga Pasadena; Kusdiwanggo, Susilo
Jurnal Mahasiswa Departemen Arsitektur Vol. 12 No. 2 (2024): Jurnal Mahasiswa Arsitektur
Publisher : Departemen Arsitektur Fakultas Teknik Universitas Brawijaya

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Abstract

Mata uang kertas Rupiah merupakan objek budaya visual yang menampilkan elemen identitas lokal dan memiliki kemampuan menghadirkan narasi visual yang membangkitkan memori kolektif. Mata uang kertas Rupiah emisi 2000 – 2005 mempertahankan pola desain di setiap nominalnya, dengan gambar pahlawan nasional di bagian depan dan identitas lokal di bagian belakang yang mencerminkan kekayaan sejarah dan kebudayaan Indonesia. Penelitian terkait budaya visual yang berfokus pada memori kolektif yang mengarah pada konteks komunikasi arsitektural belum banyak dilakukan. Penelitian ini menggunakan metode kritik arsitektur untuk mengkaji dan mengkritisi peran visualiasi identitas lokal dalam komunikasi pada konteks arsitektural yang mengungkap memori kolektif akan kesejarahan dengan landasan konsep budaya visual. Melalui visualisasi elemen identitas lokal pada mata uang kertas Rupiah emisi 2000 - 2005 yang mengangkat tema suatu daerah pada setiap nominalnya sebagai representasi arsitektural, terbentuk komunikasi yang hadir dalam bentuk memori kolektif menarasikan pengenalan identitas budaya yang mengarah pada konteks arsitektural. Dari hasil penelitian ini, melalui kajian representasi objek aritektural dapat menambah kekayaan wawasan terkait budaya visual dan keterkaitannya dengan hadirnya memori kolektif akan identitas lokal.
Creative vs Defective: A Critical Review of Malang Creative Center (MCC) in Malang City Ineru, Bunga Pasadena; Yusran, Yusfan Adeputera; Santoso, Joko Triwinarto; Wijaya, Moch. Ardiansyah Fendy; Kusdiwanggo, Susilo
RUAS Vol. 22 No. 1 (2024)
Publisher : Departemen Arsitektur Fakultas Teknik Universitas Brawijaya, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.ruas.2024.022.01.5

Abstract

The Malang Creative Center (MCC) construction is a step taken by the Malang City government to support the flow of modernization and as a forum for Malang residents to develop their creativity. The MCC display concept is planned by combining the shape of the temple and the unique cultural background of Malangan. However, during the development process, many changes were different from the initial concept. All these things make this building interesting to study critically. Therefore, this study aims to critically identify these changes in the idea as well as rectify the perceptions that have developed. Descriptive analysis was carried out through direct observation of objects by describing real conditions and explanatory verification of the results of these observations with visitors' views via a questionnaire. The analysis results show that the public's perception of the visual MCC has a good level of compatibility with the concept and function of the building, although some aspects still require attention regarding the visitor’s safety and comfort.
Memori Kolektif Melalui Komunikasi Konteks Arsitektural Yusran, Yusfan Adeputera; Ineru, Bunga Pasadena
Hasta Wiyata Vol. 8 No. 1 (2025): Jurnal Hasta Wiayata
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.hastawiyata.2024.008.01.02

Abstract

The Rupiah banknotes are visual cultural objects with the ability to present visual narratives that evoke collective memory. The Rupiah banknotes issued between 2000 and 2005 maintain a consistent design pattern across all denominations, featuring national heroes on the front and local identities on the back, which represent the rich history and culture of Indonesia. Research on visual culture focusing on collective memory in the context of architectural communication is still limited. This study employs architectural criticism methods to examine and critique the role of visualizing local identity in revealing collective memory related to historical context and its implications for architectural communication, grounded in the concept of visual culture. The visualization of local identity elements depicted on the Rupiah banknotes from 2000 to 2005 in each denomination serves as an architectural representation that can shape communication in the form of collective memory, narrating cultural identity and leading to architectural context. The results of this study, through the analysis of architectural object representation, can enrich understanding related to visual culture and its connection to the presence of collective memory concerning local identity.
Co-Authors Joko Triwinarto Santoso Susilo Kusdiwanggo, Susilo Wijaya, Moch. Ardiansyah Fendy Yusran, Yusfan Adeputera