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All Journal Jurnal Penelitian Humaniora ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Jurnal Sosiologi Dialektika
Adiyani, Lady Khairunnisa
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Arts Humanities Social Sciences

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PATRIARCHAL CULTURE IN THE MOVIE THE PREY (2022) Adiyani, Lady Khairunnisa; Kayana, Kemala Azmi; Wijaya, Sofia Emanuella; Adha, Tharissya Pra; Pratama, Ristyawan; Karnanta, Kukuh Yudha
ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Vol 7, No 1 (2023)
Publisher : Jurusan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um006v7i12023p109-126

Abstract

This research aims to analyze the portrayal of a female character in fighting patriarchal culture in the film The Prey (2022). This research uses the theory of patriarchy by Allan G. Johnson and qualitative method by John Fiske's semiotics. This uses The Codes of Television, which are divided into three levels: reality, representation, and ideology. The results of this study show that in the movie The Prey (2022), patriarchal culture has become the root of life in the Comanche tribe. Therefore, a movement against patriarchy is required, as demonstrated by the character Naru in the film The Prey (2022). 
Consumption practices of thrifting: Cultural materialism analysis of consumer perspectives Adiyani, Lady Khairunnisa; Khusyairi, Johny Alfian
Jurnal Sosiologi Dialektika Vol. 20 No. 1 (2025): Jurnal Sosiologi Dialektika
Publisher : Department of Sociology, Faculty of Social and Political Sciences, Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/jsd.v20i1.2025.87-100

Abstract

In the global era, people are looking for alternatives in fashion through the thrifting trend. This research aims to analyze the consumption practices of thrifting in Surabaya from a consumer perspective through Marvin Harris’ Cultural Materialism approach based on economic infrastructure, social structure, and cultural superstructure. This research uses a quantitative approach with descriptive methods. The data collection technique was a questionnaire with 110 respondents in Surabaya, with ages between 15-40 years. Based on the frequency and preference of thrift shopping, thrift consumption is influenced by affordable prices, ease of access, and the role of digital technology. Economic infrastructure, including thrift stores to online platforms, makes it easy for consumers to obtain high quality stuff at low prices. Based on cultural values and meanings, thrifting is a symbol of sustainability, creativity, and identity expression. The shift in cultural superstructure reflects that second-hand clothing is accepted as a fashionable alternative that reflects social responsibility and uniqueness. Based on economic relations and local culture, thrifting is an activity that increases the potential of the informal economy by creating business opportunities and strengthening social networks. This research concludes that thrifting is not only an economic alternative but also part of a lifestyle that refers to the value of sustainability and has an impact on local culture.
CROSS-GENERATIONAL INCLUSIVITY OF TRADITIONAL PERFORMING ART PRESERVATION: A CASE STUDY OF LUDRUK MEDANG TARUNA BUDAYA Adiyani, Lady Khairunnisa; Riyanto, Edi Dwi; Afdholy, Nadya
Jurnal Penelitian Humaniora Vol 25, No 1: Februari 2024
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/humaniora.v25i1.23582

Abstract

This research explores the preservation of performing arts based on a cross-generational inclusivity perspective using a case study of ludruk Medang Taruna Budaya in Surabaya, Indonesia. This type of research uses a qualitative approach with a purposive sampling method with data analysis techniques using ethnography. The data for this research was collected using direct interviews, observation, and documentation from August to December 2023 in Surabaya. The results of this study show that the characteristics of cross-generational ludruk groups in the performing arts can maintain the existence of ludruk. In addition, the existence of cross-generational ludruk can also increase the interest of the younger generation in preserving ludruk performances as one of the traditional arts. The findings of this study underline the importance of the role of cross-generational collaboration in the process of preserving ludruk as a traditional performing art. This research also shows the importance of cross-generational regeneration in the preservation of traditional arts. Therefore, through this research, it can be concluded that for the values of traditional ludruk to survive, it must adjust to the specific needs of the community and keep up with the times by following cross-generational developments and making modifications.
Co-Authors Adha, Tharissya Pra Edi Dwi Riyanto Johny Alfian Khusyairi Kayana, Kemala Azmi Kukuh Yudha Karnanta Nadya Afdholy Pratama, Ristyawan Wijaya, Sofia Emanuella