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All Journal Asas wa Tandhim: Jurnal Hukum, Pendidikan, dan Sosial Keagamaan Canonia Religia: Jurnal Studi Teks Agama dan Sosial
MF, Moh Shofiyul Huda
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Religion Humanities Education Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Peraturan Daerah Dalam Hirarki Perundang-undangan Indonesia Isroji, Isroji; Anam, Khoirul; Irawan, Andrie; MF, Moh Shofiyul Huda; Rahman, Ahmad Syafii; Fadzlurrahman, Fadzlurrahman
Asas Wa Tandhim: Jurnal Hukum, Pendidikan Dan Sosial Keagamaan Vol. 3 No. 1 (2024)
Publisher : Universitas Cokroaminoto Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47200/awtjhpsa.v3i1.2226

Abstract

Regional regulations in Indonesia which are formed by regional heads of provinces and cities with regional representative councils in equivalent areas have been regulated in such a way that efforts for comprehensive harmonization and synchronization of all aspects must be carried out on an ongoing basis. This prescriptive normative research prioritizes careful literature searches, especially in terms of legislative documents. The formation of a region is not easy because it requires competent insight and expertise, especially regarding the techniques of its formation, so that the regional regulations that are formed do not conflict with the hierarchy of regulations and fulfill the interests of the community in the area of authority.
Interpretasi Hadis Larangan Melukis Prespektif Hermeneutika (Fazlur Rahman) Dharmawan, M. Alvin Setia; Shodiqi, Fauzan; Mukaromah, Kholila; Ma'mun, Mohamad; MF, Moh Shofiyul Huda; Masuwd, Mowafg
Canonia Religia Vol. 1 No. 2 (2024)
Publisher : Institut Agama Islam Negeri Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30762/cr.v1i2.1672

Abstract

Beauty is a quality greatly appreciated for its ability to soothe the heart and delight the eye. In art, beauty manifests through the cultural and spiritual expression of humanity. Visual arts, such as painting and photography, serve not only as adornments but also as mediums for conveying messages and emotions, linking personal expression with collective experiences. However, a hadith of the Prophet Muhammad SAW suggests that Islam does not sanction painting, stating that those who engage in it will face severe punishment in the afterlife. This necessitates a detailed and nuanced interpretative study of the hadith. This research adopts a thematic approach to analyse the hadith by reviewing its texts and related literature. Contextualisation is achieved by examining the historical context of the hadith and applying a hermeneutic method from Fazlur Rahman’s perspective, specifically through the concept of double movement. This method aims to clarify the context and purpose behind the prohibition of painting. The study explores how the hadith’s interpretation can be adjusted to fit modern social contexts and address potential misconceptions in contemporary art practices. The findings indicate that the prohibition is primarily aimed at preventing idolatry and worship. By using Fazlur Rahman’s perspective, it becomes evident that, within a modern context, painting does not necessarily involve worship and can be accepted as a form of creative expression. This highlights the need to adapt Islamic legal interpretations to social changes while maintaining core religious principles, thereby reducing misunderstandings in the development of contemporary art.
Co-Authors Ahmad Syafii Rahman Andrie Irawan Dharmawan, M. Alvin Setia Fadzlurrahman, Fadzlurrahman Isroji, Isroji KHOIRUL ANAM Ma'mun, Mohamad Masuwd, Mowafg Mukaromah, Kholila Shodiqi, Fauzan