Garuda - Garba Rujukan Digital

BENTUK GERABAH KARAT DALAM KONTEKS TRADISI GERABAH PLERED Winata, Gita
ATRAT: Jurnal Seni Rupa Vol 3, No 3 (2015): DIALEKTIKA RUPA DALAM KEBUDAYAAN KONTEMPORER
Publisher : Jurusan Seni Rupa STSI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Gerabah Karat (Rusty pottery) is one type of pottery in Plered pottery tradition that has a rust of a metal surface character which gives ancient or antiques impression. The phenomenon of this form indicates a new symptom in the Plered pottery tradition, especially in the ideas related with the material and production process. This research tries to identify the characteristic of rusty pottery form, factors that influence the material usage and production processes, also the connection with Plered pottery tradition. In terms of these purposes, this research uses aesthetical approaches to analyze the visual, technical approaches to analyze the making process and the material, and cultural approach to see the relation within the context of Plered pottery tradition. The result of this analysis shows, with several new kind of materials and different techniques could gives rusty pottery a new unique characteristic in forms, colors, textures, structures, contours and proportions. The achievement of characteristic in rusty pottery form is a result of material exploration and technical experiment in making process. Rusty pottery is an effort to enrich Plered pottery products that stays oriented to the knowledge of pottery making heritage in Plered. Rusty pottery shows an active participation in Plered pottery tradition and gives a positive result in developing personal characteristic and also the economics of people in Plered.Keywords: Forms, Material, Production, Rusty Pottery, Tradition___________________________________________________________________Gerabah karat merupakan salah satu jenis gerabah dalam tradisi gerabah Plered yang memiliki karakteristik permukaan yang menyerupai karat logam yang menimbulkan kesan kuno atau antik. Fenomena bentuk ini menunjukkan adanya gejala yang baru dalam tradisi gerabah Plered secara umum terutama dari segi gagasan yang berkaitan dengan material dan proses produksi. Penelitian ini berupaya untuk mengidentifikasi karakteristik bentuk gerabah karat, faktor-faktor terkait material dan proses produksi, serta bagaimana hubungannya dengan tradisi gerabah Plered. Dalam kerangka tujuan tersebut penelitian ini menggunakan pendekatan estetik untuk menganalisis visual, pendekatan teknis untuk menganalisa material dan proses produksinya, dan pendekatan budaya untuk melihat hubungan secara umum dalam konteks tradisi gerabah Plered. Dari hasil analisis menunjukkan bahwa secara umum gerabah karat memiliki karakteristik bentuk yang khas pada jenis, warna, tekstur, struktur, kontur, dan proporsi, dengan menggunakan beberapa material dan teknik baru dalam proses produksinya. Pencapaian karakteristik bentuk tersebut diperoleh dari hasil eksplorasi material dan eksperimentasi teknik dalam proses produksinya. Bentuk gerabah karat merupakan upaya pengembangan ragam jenis produk gerabah Plered dengan tetap berorientasi pada pengetahuan dari pewarisan tradisi pembuatan gerabah Plered sebelumnya. Gerabah karat menunjukkan partisipasi aktif dalam tradisi gerabah Plered, yang berdampak positif dalam pengembangan karakter personal dan perekonomian masyarakat pengrajin gerabah Plered pada umumnya.Kata Kunci: Bentuk, Material, Produksi, Gerabah Karat, Tradisi

Eksplorasi dan Penerapan Ragam Hias Batik Jawa Timur Pada Kerajinan Sulam Tangan Pramita Larasati; Dudy Wiyancoko; Gita Winata
Artika Vol 3 No 1 (2018): Juli 2018
Publisher : Center for Research and Community Service, Institut Informatika Indonesia (IKADO) Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34148/artika.v3i1.215

Sulam merupakan salah satu kerajinan yang telah ada di Indonesia sejak dulu kala. Biasanya kerajinan sulam diaplikasikan pada berbagai barang keperluan adat seperti pelaminan pernikahan, penutup hantaran hingga digunakan sebagai penghias busana yang dikenakan. Kerajinan sulam di Indonesia banyak berkembang di pulau Sumatera dan Kalimantan. Namun, karna tingkat kesulitan dan lamanya waktu pembuatan kerajinan sulam khas Indonesia memiliki harga jual yang cukup tinggi. Hal ini menyebabkan kerajinan sulam di Indonesia kalah pamor dengan kriya tekstil lainnya seperti batik dan songket. Padahal kerajinan sulam ini memiliki potensi yang sangat besar untuk dikembangkan. Saat ini mulai bermunculan berbagai UKM yang mengangkat kerajinan sulam tangan. Salah satunya yang berada di Jember Jawa Timur. Para pengrajin sulam di daerah ini memiliki kemampuan sulam yang mumpuni, namun sayangnya dari segi kemampuan desain mereka masih kurang. Para pelaku UKM ini kebanyakan belum mengangkat potensi daerah yang ada di sekitar mereka. Sehingga hasil kerajinan sulam mereka masih cenderung seragam dan tidak memiliki ciri khas yang menonjol satu sama lain. Melalui penelitian ini, diharapkan para pelaku UKM nantinya mampu mengembangkan hasil desain sulaman mereka dengan menggunakan pengembangan dari ragam hias yang terdapat di batik Jawa Timur. Sehingga mereka dapat mengembangkan produk mereka ke pangsa pasar yang lebih luas.

Pemanfaatan Serat Batang padi dalam Proses Pembakaran untuk Alternatif Desain di Sentra Keramik Plered Rice Straw Utilization in Firing Process to Achieve Alternative Ceramic Design in Plered Pottery Village Gita Winata; Deni Yana; Akbar Adhi Satrio
Jurnal Sosioteknologi Vol. 16 No. 3 (2017)
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2017.16.3.8

ABSTRAK Dua isu utama yang sedang dihadapi oleh para pengrajin di sentra kerajinan keramik Plered, Purwakarta beberapa tahun terakhir ini adalah pertama isu teknologi pembakaran terutama berkaitan dengan penggunaan bahan bakar kayu yang kurang optimal, dan kedua yaitu isu desain dengan pokok masalah pada finishing dekorasi dengan bahan cat yang mengalami stagnasi, penurunan minat konsumen, serta peningkatan harga bahan baku cat. Dengan metode kajian praktis dan pendekatan eksperimentasi, penelitian ini mencoba menggali dan menawarkan solusi teknologi pembakaran dengan memanfaatkan serat batang padi yang selama ini belum termanfaaatkan, yang diaplikasikan pada bodi keramik dalam proses pembakaran. Pada akhirnya penelitian ini menghasilkan dua capaian yaitu serat batang padi dapat dimanfaatkan sebagai pendukung bahan bakar kayu sekaligus memberikan dekorasi dengan corak natural ash glaze. Penelitian ini diharapkan dapat menjadi alternatif baru pengembangan teknologi pembakaran dan desain keramik Plered.kata kunci: desain, keramik Plered, pembakaran keramik, serat batang padi. ABSTRACT There are two main issues faced by ceramic craftsmen in Plered Pottery Village, Purwakarta in the recent years. The first issue is about the fuel usage in their firing method that considered wasteful. The second issue is regarding their renown wall paint decoration for their ceramic product that did not have a significant improvement in their design and suspected to decreased in demand while at the same time the production cost for this type of decoration, especially the cost of the paint as the main ingredient, is also steadily rose. This research tried to approach this problem using practical studies and experimentation to solve these two problems by utilizing rice straw in the firing process to create a new decoration in the ceramic body. Two advantages successfully achieved as a result of this research where in the same time rice straw could improve the firing process as an additional fuel while also giving a unique natural ash glaze marks in the ceramic body. This result will give a new alternative in improving firing method and design of Plered pottery.Key words: ceramic firing, design, rice straw, Plered pottery.

KENDI INDONESIA, BENTUK DAN TRADISI Gita Winata
Jurnal Sosioteknologi Vol. 18 No. 3 (2019)
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2019.18.3.19

Kendi merupakan salah satu benda gerabah tradisional Indonesia. Keberadaan kendi tidak hanya di Indonesia, tetapi tersebar luas di daratan Asia Tenggara, Asia, Timur Tengah, dan sebagian Eropa, namun kendi sangat erat kaitannya dengan budaya Asia Tenggara. Bentuknya yang unik dengan varian yang banyak, mendorong dilakukannya kajian lebih jauh. Penelitian ini mencoba untuk mengidentifikasi fakta-fakta tentang kendi Indonesia terutama berkaitan dengan bentuk dan perkembangan tradisinya. Analisis bentuk kendi dilakukan dengan pendekatan morphological berdasarkan identifikasi tipologi bentuk objek, identifikasi anatomi bentuk objek, dan identifikasi varian bentuk objek menurut historical timeline. Dari hasil analisis diketahui bahwa bentuk dasar kendi secara umum adalah bentuk globular dengan penambahan bentuk silindris pada bagian atas yang berfungsi sebagai pegangan. Anatomi bentuk kendi terdiri dari bagian mulut, leher, corot, badan, dan kaki. Selain itu juga diperoleh data ilustrasi tentang evolusi bentuk kendi di Indonesia yang dikomparasi dengan beberapa negara lain, serta perkembangan tradisi kendi yang hingga saat ini masih dugunakan sebagai benda ritual maupun profan.Kata Kunci: kendi, bentuk, tradisi, gerabah

PENERAPAN INSTRUCTIONAL SYSTEM DESIGN (ISD) PADA PEMETAAN DAN VISUALISASI INFORMASI TEKNIK DASAR PEMBUATAN KERAMIK Rani Aryani Widjono; Gita Winata; Naomi Haswanto
ULTIMART Jurnal Komunikasi Visual Vol 12 No 2 (2019): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Ceramics Handmade in Jakarta currently has become a new hype. With hand- made ceramics people having a direct connection with the makers by how those things made. Techniques, materials, and the process are the reasons why people are more attracted to get involved by making their ceramics by themselves. The hype caused high demand of ceramic basic techniques information, but people barely find ceramic books or other types of media which commissioned and developed by the actual condition of Indonesia’s independent ceramics studio especially Jakarta. This study structured through Instructional System Design (ISD) by two main cores. The first is to formulate a mapping method to classify the information of ceramics techniques at a different level. The intention is to gather specific information for beginners that would apply on instructional media. The second is designing a media such as conventional books and virtual information video through the augmented book. The result construct augmented book with systematically measurable information. It provides people easy access information and offered a new learning experience by using the augmented book.

ANALISIS BENTUK PRODUK KERAMIK STUDIO MANDIRI DENGAN TEMA TRADISI LOKAL INDONESIA MELALUI PENDEKATAN ATUMICS Ardini, Sasanti Puri; Winata, Gita
PANGGUNG Vol 33, No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.2930

Indonesia, known for its rich cultural diversity and traditional practices, offers a wide range of ceramic products that have a strong basis in tradition. These creations appear from the artistic endeavors of individual artists, independent studios, and craft-based industries. The scope of diversity extends beyond the topic of the field of tradition, which includes a combination of technical abilities and materials used for the creation of a piece, thus implementing a transformation of a local tradition into an innovative and creative product. This article present an exhibition and analysis of independent studio and craftbased industries ceramics products that explore the theme of local Indonesian traditions through the application of the The ATUMICS method is a way of Transformation Tradition that was introduced by Adhi Nugraha. The study using the ATUMICS framework, which refers Artifact (A), Technique (T), Utility (U), Material (M), Icon (I), Concepts (C) and Shape (S). These models were utilized to define the components that were found in ceramics products originating from three different ceramic studio or craft-based industries in Indonesia. The research results provide insight into which elements can be applied and combined through the ATUMICS method to enhance local traditions in ceramics. Keywords: ceramic, craft, product, tradition, atumics

ANALISIS BENTUK PRODUK KERAMIK STUDIO MANDIRI DENGAN TEMA TRADISI LOKAL INDONESIA MELALUI PENDEKATAN ‘ATUMICS’ Sasanti Puri Ardini; Gita Winata
PANGGUNG Vol 33 No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.2930

Indonesia, known for its rich cultural diversity and traditional practices, offers a wide range of ceramic products that have a strong basis in tradition. These creations appear from the artistic endeavors of individual artists, independent studios, and craft-based industries. The scope of diversity extends beyond the topic of the field of tradition, which includes a combination of technical abilities and materials used for the creation of a piece, thus implementing a transformation of a local tradition into an innovative and creative product. This article present an exhibition and analysis of independent studio and craftbased industries ceramics products that explore the theme of local Indonesian traditions through the application of the The ATUMICS method is a way of Transformation Tradition that was introduced by Adhi Nugraha. The study using the ATUMICS framework, which refers Artifact (A), Technique (T), Utility (U), Material (M), Icon (I), Concepts (C) and Shape (S). These models were utilized to define the components that were found in ceramics products originating from three different ceramic studio or craft-based industries in Indonesia. The research results provide insight into which elements can be applied and combined through the ATUMICS method to enhance local traditions in ceramics. Keywords: ceramic, craft, product, tradition, atumics

Artistic Expression of Harvest Ceremony Ritual of Wehea Dayak Tribe Sutarya, Abdul Majid; Winata, Gita
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.65782

The Lom Plai harvest ceremony ritual is an essential tradition of the Wehea Dayak tribe in East Kalimantan that combines artistic expression with spiritual and social values. However, in-depth studies on the form and meaning of artistic expression in this ritual are still limited. This study aims to describe how visual elements such as costumes, masks, colours, motifs, musical instruments, and spatial and dance movement patterns play a role in strengthening the cultural and spiritual identity of the Dayak Wehea community. The method used is a descriptive qualitative approach with a visual ethnography model through participatory observation, in-depth interviews, and visual documentation in Nehas Liah Bing Village, East Kutai. Thematic analysis based on symbolic theory and cultural structure was used to interpret the symbolic meaning of artistic expression elements. The results show that artistic expression in the Lom Plai ritual functions as a medium of spiritual communication that strengthens human relationships with nature and ancestors and strengthens social solidarity and preservation of cultural values amid modernization.

Elemen Visual Mitologi Cirebon dalam Perancangan Kerajinan Gerabah Sitiwinangun untuk Produk Interior Almantara, Hatif Adiar; Winata, Gita; Yana, Deni
Serat Rupa: Journal of Design Vol 8 No 1 (2024): SRJD - JANUARI
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v8i1.6490

Since Sitiwinangun has announced as a pottery tourism village in 2016, various pottery development programs in this village have been initiated by several parties, including academics, government, and business entities. This research aims to develop a tradition of making pottery in Sitiwinangun with a focus on the potential of Sitiwinangun pottery, especially sculptures with the theme of Cirebon mythology that applied to the design of pottery products for interiors. The method used in this study is practice-led research through a design approach, a technical approach, and a visual approach with the stages of observation, design development, and design finalization. The results showed that the form of Cirebon's mythological sculptures could be developed through application to interior products. This research is to improve people's appreciation of local traditions, scientific development, product diversification, and the community's living standards and economy, especially in the pottery sector.

ANALISIS BENTUK PRODUK KERAMIK STUDIO MANDIRI DENGAN TEMA TRADISI LOKAL INDONESIA MELALUI PENDEKATAN ‘ATUMICS’ Ardini, Sasanti Puri; Winata, Gita
PANGGUNG Vol 33 No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.2930

Indonesia, known for its rich cultural diversity and traditional practices, offers a wide range of ceramic products that have a strong basis in tradition. These creations appear from the artistic endeavors of individual artists, independent studios, and craft-based industries. The scope of diversity extends beyond the topic of the field of tradition, which includes a combination of technical abilities and materials used for the creation of a piece, thus implementing a transformation of a local tradition into an innovative and creative product. This article present an exhibition and analysis of independent studio and craftbased industries ceramics products that explore the theme of local Indonesian traditions through the application of the The ATUMICS method is a way of Transformation Tradition that was introduced by Adhi Nugraha. The study using the ATUMICS framework, which refers Artifact (A), Technique (T), Utility (U), Material (M), Icon (I), Concepts (C) and Shape (S). These models were utilized to define the components that were found in ceramics products originating from three different ceramic studio or craft-based industries in Indonesia. The research results provide insight into which elements can be applied and combined through the ATUMICS method to enhance local traditions in ceramics. Keywords: ceramic, craft, product, tradition, atumics

Title

Found 10 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 10 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 10 Documents
Search