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All Journal Jurnal Pengabdian Masyarakat Nusantara Pandawa : Pusat Publikasi Hasil Pengabdian Masyarakat Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Jurnal Ilmiah Multidisiplin Ilmu
Helmi Seftiani
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Journal : Jurnal Ilmiah Multidisiplin Ilmu

 1 
KARAKTERISTIK KEBAHASAAN GENDER DALAM FILM AIR MATA DI UJUNG SAJADAH Adeliya Sindi; Helmi Seftiani; Sigit Andi Prasetya Dinata
Jurnal Ilmiah Multidisiplin Ilmu Vol. 1 No. 4 (2024): Agustus : Jurnal Ilmiah Multidisiplin Ilmu (JIMI)
Publisher : CV. Denasya Smart Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69714/xbg9p472

Abstract

The aim of this research is to create different views on the two genders' linguistic characteristics, so that in language they are both seen as having different characteristics. So basically language, gender and culture are related. In society, women are seen as gentle and emotional, while men are seen as firm and strong. Not only are women gentle and emotional, women are also known to often say things that contain uncertainty. In expressing this uncertainty, women often use a syntactic tool called a tag question. It could be said that the women and men who often use tag questions are women (Hidayati, 2016:12). This proves that men are more confident in what they say than women. Tag questions are used by women to confirm what they are saying to their interlocutor (Hidayati, 2010:11). From the explanation above, it indicates that linguistic characteristics can be found in films.
INTERFERENSI LEKSIKAL DALAM SURAT KABAR BANYUMASEKSPRES EDISI NOVEMBER 2022 DAN RELEVANSINYA TERHADAP PEMBELAJARAN TEKS BERITA Meysyah Vigiyanti; Helmi Seftiani; Agnes Apryliana
Jurnal Ilmiah Multidisiplin Ilmu Vol. 1 No. 4 (2024): Agustus : Jurnal Ilmiah Multidisiplin Ilmu (JIMI)
Publisher : CV. Denasya Smart Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69714/p2whze08

Abstract

The purpose of this study was to analyze the form of lexical interference in the November 2022 edition of the Banyumas Ekspres newspaper with newt text learning materials. This research  is part of  a qualitative descriptive research. Obtaining data in this study used the listening method, then recorded information abaout language interference contained in the November 2022 edition of the Banyumas Ekspres newspaper. The result of of the data recording were then transferred to a data card containing data and information codes. The method used in this study is the equivalent method. Based on data analysis carried out by researchers, the data found in the November 2022 edition of the Banyumas Ekspres newspaper contained three forms of lexical interference which included basic word forms, affixed words, and repeated words. The following inb the result of research on the forms of  lexical interference in the November 2022 edition of the Banyumas Ekspres newspaper, so it can be concluded as follows: The most common form pf Javanese lexical interference in indonesian is the basic word form, totaling 26 data. Another form of lexical interference that appears is the form of affixed words with 18 data, and 6 data for repeated words.
KEPRIBADIAN TOKOH UTAMA DALAM NOVEL “A+” KARYA ANANDA PUTRI DAN RELEVANSINYA DENGAN PEMBELAJARAN SASTRA DI SMA: KAJIAN PSIKOLOGI SASTRA Avi Fanani; Helmi Seftiani; Sigit Andi Prasetya Dinata
Jurnal Ilmiah Multidisiplin Ilmu Vol. 2 No. 4 (2025): Agustus : Jurnal Ilmiah Multidisiplin Ilmu (JIMI)
Publisher : CV. Denasya Smart Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69714/rpdte715

Abstract

This study focuses on the personality of the main character, Kai, in the novel "A+" by Ananda Putri and its relevance to literature learning in senior high school. The research applies Sigmund Freud's psychoanalytic theory. In addition, the researcher aims to explore how the novel’s content relates to literature teaching at the high school level. The study employs a descriptive qualitative method. The novel "A+" was selected as the object of research to align with the study's objectives. The findings reveal that the novel contains 50 sentences reflecting the psychological aspects of Kai’s character. However, this article presents only 6 data points related to the Id aspect, 8 data points to the Ego aspect, and 10 data points to the Superego aspect. The results indicate that Kai's Id is more dominant than his Ego and Superego. The predominance of the Id suggests that Kai sometimes struggles to control his impulses. Furthermore, Kai’s Superego has not yet fully managed his Id. This illustrates that although Kai possesses a love for peace and considerable empathy, he remains a human being who occasionally harbors desires he wishes to fulfill. The discussion of the main character’s psychology in Ananda Putri's novel "A+" is found to be relevant to literature learning at school, particularly in Grade XI of Senior High School, during the even semester, in line with the basic competency of identifying intrinsic and extrinsic elements of a novel.
ALUR TOKOH DAN PENOKOHAN LATAR NOVEL DAN FILM ANCIKA DIA YANG BERSAMAKU KAJIAN EKRANASI Winda Waromah; Helmi Seftiani; Dwi Setiyawan
Jurnal Ilmiah Multidisiplin Ilmu Vol. 2 No. 5 (2025): Oktober : Jurnal Ilmiah Multidisiplin Ilmu (JIMI)
Publisher : CV. Denasya Smart Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69714/7cpjd149

Abstract

This research explores the process of ekranisasi the adaptation of literary works into cinematic form through a comparative analysis of the novel "Ancika Dia yang Bersamaku 1995" by Pidi Baiq and its 2024 film adaptation directed by Benni Setiawan. The study focuses on the transformation of intrinsic narrative elements, namely plot, characters and characterization, and setting. Employing a qualitative descriptive method and content analysis, this research examines the narrative shifts that occur during adaptation using the framework of ekranisasi, which includes three key aspects: reduction, addition, and modification. The findings indicate significant changes in character representation, scene construction, and setting transitions between the two mediums. While some elements from the novel were omitted or altered due to the constraints and demands of cinematic storytelling, other components were creatively added to enhance audience engagement. These transformations highlight the interpretive nature of film as a distinct artistic medium and emphasize the need to consider both the limitations and potentials of adaptation. The study contributes to comparative literature and film studies, offering critical insight into how narrative meaning is negotiated, restructured, and reimagined in the adaptation process within the Indonesian cultural context.
Co-Authors Adeliya Sindi Agnes Aprlyliana Agnes Apryliana Arista Etania Putri Avi Fanani Dini Nurhayati Dwi Setiyawan Intan Nurul Septiana Lutfi Eskawati Melisa Delia Sari Meysyah Vigiyanti Sigit Andi Prasetya Dinata Winda Waromah