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All Journal Journal of Language and Literature JSM (Jurnal Seni Musik) Academia Open Cultural Narratives
Puspita, Yulia Mega
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Understanding the Role of the Environmental Arena and Community Social Structure in Stunting Prevention Education Suwarta, Nyoman; Astutiek, Dwi; Riyanto, Edi Dwi; Fradana, Ahmad Nurefendi; Susilo, Joko; Puspita, Yulia Mega
Academia Open Vol 8 No 2 (2023): December
Publisher : Universitas Muhammadiyah Sidoarjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21070/acopen.8.2023.8667

Abstract

Indonesia is a country with the third highest incidence of stunting in Southeast Asia. Stunting has various negative impacts therefore it is important to prevent it through public education. This research aims to understand the role of the environmental arena and social structure of society in stunting prevention education. This research uses a qualitative method with a case study approach. The research analysis explains the problem of stunting through four environmental arenas and social structures that exist in communities in four cities or districts, including the educational, economic, cultural, and ideological arenas. By understanding the roots of the stunting problem identified through the environmental arena and social structure of society, we can identify effective methods for stunting prevention programs in the field, namely sustainable education based on local culture in all aspects of community life. Highlights : Interconnected Factors: The research explores how various environmental arenas and social structures intertwine to contribute to the prevalence of stunting. Local Cultural Context: Understanding the local cultural context is crucial for designing effective stunting prevention education programs. Sustainability and Community Engagement: Emphasizing sustainable education initiatives rooted in local culture ensures long-term engagement and effectiveness in combating stunting. Keywords : arena, education, economy, culture, ideology
Jamet Stereotyping in Jedag-Jedug Music: An Analysis of Jedag-Jedug Music Stereotype Tiantini, Wendy Belinda; Khusyairi, Johny Alfian; Afdholy, Nadya; Puspita, Yulia Mega
Jurnal Seni Musik Vol 12 No 2 (2023): December 2023
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v12i2.75278

Abstract

Several music genres have stereotypes from the society, especially music that comes from low culture. One of the types of music that is stereotyped is jedag-jedug music, a music that is identical with fast beats and specific video editing. This type of music is widely known due to the influence of the TikTok application, which is a social media platform that offers audio-visual content. Jedag-Jedug music is often stereotyped as jamet music and also considered as tacky or alay. This research aims to find out how jamet stereotypes in Jedag-Jedug music can change and become a popular trend on social media. The approach used in this research is a qualitative approach using in-depth interviews with participants. The criteria for participants were participants aged 18 years and over and who had listened to jedag-jedug music with various economic and educational backgrounds. Primary data in this research are interview transcripts and secondary data used are journal articles, books and other supporting sources. To analyze the data, researchers used Dual-Process by Shelly Chaiken. There are three aspects that form a stereotype which are cognitive, affective, and behavioral aspects that will be used to see how stereotypes are changed in the jedag-jedug music. The result found in this study was that participants experienced a change in their views towards the stereotypes that exist in jedag-jedug music. The shifting of the stereotypes occurred because of the popularization of jedag-jedug music in social media which influence the participants’ cognitive, affective, and behavior.
The Depiction of the Meaning of Death through Iola and Anest Character in Salt Root and Roe Puspita, Yulia Mega
Cultural Narratives Vol. 1 No. 2 (2023): December
Publisher : CV. Era Digital Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59066/cn.v1i2.553

Abstract

Death has meaning for each individual, which sometimes holds meaning about the psychological soul in literature. Anxiety, fear of abandonment, and betrayal become unconscious individual factors. These factors are not only conveyed in physical and emotional form but also in the written form of literary works such as contemporary drama. This study discusses how the meaning of death is tied to anxiety, fear of abandonment, and betrayal in a play entitled Salt Root and Roe by Tim Price. This literary work shows how the deaths of the main characters, namely Iola and Anest, twin sisters, are linked to incidents of anxiety and fear originating from childhood trauma, so this influences their subconscious decisions. To analyze and answer the study objectives, the author used qualitative research methods with Sigmund Freud's psychoanalytic theory approach. This study analyzes from the perspective of Freud's psychoanalysis using the tripartite theory of id, ego, and superego of the characters Iola and Anest to discover the character's desires and decisions influenced by their environment. In the process of this analysis, it was discovered that the twin characters, Iola and Anest, had trauma in their childhood, which resulted in anxiety, betrayal, and fear of being abandoned by each other or being abandoned by their loved ones due to the influence of an environment and family that was less than supportive during their childhood. In addition, this study found that Iola and Anest's meaning of death tied each other to each other, indicating that their relationship did not want to be abandoned again and experienced the trauma and disappointment of being abandoned in the past. Tragic death in this literary work means a togetherness created by the characters' deep-seated fears, traumas, and betrayals.
Negotiating Patriarchal Relationship: Representation of Subjectification in Doja Cat’s Woman (2021) Music Video Afriano, Reno; Hapsari, Nurul Fitri; Puspita, Yulia Mega; Tiantini, Wendy Belinda
Journal of Language and Literature Vol 24, No 2 (2024): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v24i2.7788

Abstract

This study aims to illustrate the subjectification of women's bodies as one of the notions of postfeminist sensibility. Subjectification involves depicting women in a patriarchal setting as empowered individuals with agency, highlighting their reservoirs of strength and spheres of influence, challenging the perception of complete powerlessness. The object of investigation in this study is the music video by Doja Cat entitled "WOMAN" (2021), with a primary focus on examining the dynamic interaction among female talents within the context of the surrounding characters and environment. The author employs textual and visual analysis with qualitative methods and Fiske's Television Culture. In terms of theory, the analysis of the objects was supported by drawing upon Rosalind Gill's postfeminist sensibility. The study's analysis reveals that female talents, initially characterized by power and agency, faces a threat in the presence of patriarchy. This compels them to leverage their bodies and traditional roles as tools for negotiation. This study finds out that subjectification also can be an effort for women to negotiate patriarchal relationships as the bodies were used as tools to assert control and authority over the opposite sex without engaging as an object instead as a subject. This also counters the typical male gaze that makes women look passive or disempowered.
Co-Authors Afriano, Reno Ahmad Nurefendi Fradana Astutiek, Dwi Edi Dwi Riyanto Hapsari, Nurul Fitri Johny Alfian Khusyairi Joko Susilo Nadya Afdholy Suwarta, Nyoman Tiantini, Wendy Belinda