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All Journal Jurnal Multidisiplin West Science West Science Interdisciplinary Studies West Science Interdisciplinary Studies Journal of Pedagogi
Gede Bagus Wira Diputra
UHN I Gusti Bagus Sugriwa Denpasar
Humanities Economics, Econometrics & Finance Education Environmental Science Social Sciences

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Tren Global dalam Integrasi Nilai-Nilai Islam dalam Manajemen Pendidikan Modern: Sebuah Analisis Bibliometrik Loso Judijanto; Muhammadong Muhammadong; Gede Bagus Wira Diputra
Jurnal Multidisiplin West Science Vol 3 No 09 (2024): Jurnal Multidisiplin West Science
Publisher : Westscience Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58812/jmws.v3i09.1605

Abstract

Penelitian ini menggunakan analisis bibliometrik melalui VOSviewer untuk mengeksplorasi tema-tema utama dalam literatur manajemen pendidikan Islam dan menilai kepadatan serta evolusi topik-topik kunci dari tahun 2016 hingga 2022. Fokus utama dari analisis ini adalah pada integrasi nilai-nilai Islam dalam manajemen dan kepemimpinan pendidikan. Hasil analisis menunjukkan bahwa "Islamic Education Management," "Leadership," dan "Islamic Values" adalah topik yang paling sering diteliti, menandakan pentingnya aspek-aspek ini dalam pengembangan lembaga pendidikan Islam yang efektif. Sementara itu, topik seperti "Islamic Work Ethic" dan "Modern Islamic Boarding School" teridentifikasi sebagai area dengan kepadatan lebih rendah dalam penelitian, menunjukkan peluang untuk penelitian lebih lanjut. Studi ini menggarisbawahi pentingnya adaptasi dan inovasi dalam pendidikan Islam untuk menghadapi tantangan global sambil mempertahankan nilai-nilai tradisional.
Ilikita Purana Pura Braban Banjar Tanggayuda Bongkasa Village Badung Regency: Hindu Anthropological Study Putu Eddy Purnomo Arta; Gede Bagus Wira Diputra
Journal of Pedagogi Vol. 3 No. 2 (2026): Journal of Pedagogi - April
Publisher : PT. Anagata Sembagi Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62872/h7m8t660

Abstract

This article examines the Ilikita Purana of Pura Braban Banjar Tanggayuda, Bongkasa Village, as a religious and cultural document that records the history, structure, functions, and ritual system of the temple within Balinese Hindu society. The study aims to analyze the role of Pura Braban from historical, structural, and functional perspectives, as well as its significance within the framework of Hindu religious anthropology. The research employs a qualitative descriptive-analytical approach, using documentation studies, literature reviews, and documented qualitative data as data collection techniques. The data were analyzed thematically based on structural-functional theory, social system theory, Hindu cosmology, and theories of symbols and rituals. The findings indicate that Pura Braban functions not only as a place of worship and spiritual purification but also as a social institution that facilitates the integration of krama subak abian, the transmission of cultural values, and norm-based social control grounded in religion and customary law. The spatial structure of the temple reflects Balinese Hindu cosmology through the concepts of tri mandala and triloka, while ritual practices serve as a medium for internalizing religious values and social solidarity. From an anthropological perspective, Pura Braban represents a cultural arena in which religion is lived as a dynamic, contextual, and sustainable system of meaning. This study underscores the importance of preserving temples and Ilikita Purana as part of sustaining religious, social, and cultural continuity in Bongkasa Village
The Changing Form of the Traditional Art of Gending Palegongan Lotring Style in Tanjung Benoa in the Global Era (Hindu Anthropology) I Wayan Deddy Sumantra; Gede Bagus Wira Diputra
West Science Interdisciplinary Studies Vol. 4 No. 04 (2026): West Science Interdisciplinary Studies
Publisher : Westscience Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58812/wsis.v4i04.2789

Abstract

This study aims to analyze the changing forms of the traditional art of Gending Palegong and Lotring style in Tanjung Benoa in the era of globalization from the perspective of Hindu Anthropology. This study views traditional art not only as an aesthetic expression, but as an integral part of the religious system, cosmology, and yadnya practices in Balinese Hindu society. The study uses a qualitative approach with a cultural studies paradigm combined with a Hindu Anthropology framework, through a synchronic and diachronic approach. Data were obtained through participatory observation, in-depth interviews, documentation studies, and literature studies, then analyzed descriptively and interpretively using the theories of hegemony, power-knowledge, deconstruction, and globalization. The results show that changes occur in two main aspects, namely intrinsic and extrinsic elements. Intrinsic changes include the transformation of aesthetic concepts, repertoire, organology, and musical identity that have implications for shifting sacred and profane meanings in artistic practice. Extrinsic changes are evident in the dialectic between the preservation of classical canons as a noble heritage and the encouragement of innovation of the younger generation, which also influences the value of feeling and spiritual orientation in art. From a Hindu anthropological perspective, this dynamic reflects a negotiation process between art's function as a sacred offering (wali and bebali) and its function as a spectacle (balih-balihan) in a global and tourism context. This study concludes that the changes in Gending Palegong and Lotring style do not represent a degradation of tradition, but rather an adaptive cultural transformation in maintaining the sustainability of Hindu values amidst the currents of globalization. This phenomenon indicates a process of glocalization, in which the religious and cultural identity of the community is maintained through creative adaptation strategies.
The Changing Form of the Traditional Art of Gending Palegongan Lotring Style in Tanjung Benoa in the Global Era (Hindu Anthropology) I Wayan Deddy Sumantra; Gede Bagus Wira Diputra
West Science Interdisciplinary Studies Vol. 4 No. 04 (2026): West Science Interdisciplinary Studies
Publisher : Westscience Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58812/wsis.v4i04.2789

Abstract

This study aims to analyze the changing forms of the traditional art of Gending Palegong and Lotring style in Tanjung Benoa in the era of globalization from the perspective of Hindu Anthropology. This study views traditional art not only as an aesthetic expression, but as an integral part of the religious system, cosmology, and yadnya practices in Balinese Hindu society. The study uses a qualitative approach with a cultural studies paradigm combined with a Hindu Anthropology framework, through a synchronic and diachronic approach. Data were obtained through participatory observation, in-depth interviews, documentation studies, and literature studies, then analyzed descriptively and interpretively using the theories of hegemony, power-knowledge, deconstruction, and globalization. The results show that changes occur in two main aspects, namely intrinsic and extrinsic elements. Intrinsic changes include the transformation of aesthetic concepts, repertoire, organology, and musical identity that have implications for shifting sacred and profane meanings in artistic practice. Extrinsic changes are evident in the dialectic between the preservation of classical canons as a noble heritage and the encouragement of innovation of the younger generation, which also influences the value of feeling and spiritual orientation in art. From a Hindu anthropological perspective, this dynamic reflects a negotiation process between art's function as a sacred offering (wali and bebali) and its function as a spectacle (balih-balihan) in a global and tourism context. This study concludes that the changes in Gending Palegong and Lotring style do not represent a degradation of tradition, but rather an adaptive cultural transformation in maintaining the sustainability of Hindu values amidst the currents of globalization. This phenomenon indicates a process of glocalization, in which the religious and cultural identity of the community is maintained through creative adaptation strategies.
Co-Authors I Wayan Deddy Sumantra Loso Judijanto Muhammadong Putu Eddy Purnomo Arta