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All Journal West Science Interdisciplinary Studies West Science Interdisciplinary Studies The Eastasouth Journal of Social Science and Humanities
I Wayan Deddy Sumantra
UHN I Gusti Bagus Sugriwa Denpasar
Humanities Economics, Econometrics & Finance Environmental Science Social Sciences

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The Role of Popular Culture and the Intensity of Online Interaction on Language Variation of Urban Indonesian Adolescents Ida Bagus Rai Putra; I Wayan Deddy Sumantra; I Wayan Gede Lamopia; Gek Diah Desi Sentana; I Gede Bagus Wisnu Bayu Temaja
The Eastasouth Journal of Social Science and Humanities Vol. 3 No. 03 (2026): The Eastasouth Journal of Social Science and Humanities (ESSSH)
Publisher : Eastasouth Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58812/esssh.v3i03.982

Abstract

The expansion of digital technology and the widespread influence of global popular culture have significantly shaped the communication patterns of urban Indonesian adolescents, leading to the emergence of new linguistic variations in everyday interaction. This study aims to analyze the role of popular culture and the intensity of online interaction in shaping language variation among urban youth in digital spaces. A mixed-method approach was employed, combining social media usage surveys, digital content observation, and limited interviews with adolescents in urban environments. The findings indicate that popular culture particularly music, fashion trends, and global online content encourages the adoption of foreign vocabulary, code-switching, and symbolic digital expressions. Meanwhile, high levels of online interaction accelerate the diffusion of linguistic innovations, strengthen group identity, and establish new communication norms among adolescents. These results demonstrate that urban youth language variation is not merely a linguistic phenomenon but also a social practice closely related to identity construction, lifestyle, and participation in digital culture.
The Changing Form of the Traditional Art of Gending Palegongan Lotring Style in Tanjung Benoa in the Global Era (Hindu Anthropology) I Wayan Deddy Sumantra; Gede Bagus Wira Diputra
West Science Interdisciplinary Studies Vol. 4 No. 04 (2026): West Science Interdisciplinary Studies
Publisher : Westscience Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58812/wsis.v4i04.2789

Abstract

This study aims to analyze the changing forms of the traditional art of Gending Palegong and Lotring style in Tanjung Benoa in the era of globalization from the perspective of Hindu Anthropology. This study views traditional art not only as an aesthetic expression, but as an integral part of the religious system, cosmology, and yadnya practices in Balinese Hindu society. The study uses a qualitative approach with a cultural studies paradigm combined with a Hindu Anthropology framework, through a synchronic and diachronic approach. Data were obtained through participatory observation, in-depth interviews, documentation studies, and literature studies, then analyzed descriptively and interpretively using the theories of hegemony, power-knowledge, deconstruction, and globalization. The results show that changes occur in two main aspects, namely intrinsic and extrinsic elements. Intrinsic changes include the transformation of aesthetic concepts, repertoire, organology, and musical identity that have implications for shifting sacred and profane meanings in artistic practice. Extrinsic changes are evident in the dialectic between the preservation of classical canons as a noble heritage and the encouragement of innovation of the younger generation, which also influences the value of feeling and spiritual orientation in art. From a Hindu anthropological perspective, this dynamic reflects a negotiation process between art's function as a sacred offering (wali and bebali) and its function as a spectacle (balih-balihan) in a global and tourism context. This study concludes that the changes in Gending Palegong and Lotring style do not represent a degradation of tradition, but rather an adaptive cultural transformation in maintaining the sustainability of Hindu values amidst the currents of globalization. This phenomenon indicates a process of glocalization, in which the religious and cultural identity of the community is maintained through creative adaptation strategies.
The Changing Form of the Traditional Art of Gending Palegongan Lotring Style in Tanjung Benoa in the Global Era (Hindu Anthropology) I Wayan Deddy Sumantra; Gede Bagus Wira Diputra
West Science Interdisciplinary Studies Vol. 4 No. 04 (2026): West Science Interdisciplinary Studies
Publisher : Westscience Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58812/wsis.v4i04.2789

Abstract

This study aims to analyze the changing forms of the traditional art of Gending Palegong and Lotring style in Tanjung Benoa in the era of globalization from the perspective of Hindu Anthropology. This study views traditional art not only as an aesthetic expression, but as an integral part of the religious system, cosmology, and yadnya practices in Balinese Hindu society. The study uses a qualitative approach with a cultural studies paradigm combined with a Hindu Anthropology framework, through a synchronic and diachronic approach. Data were obtained through participatory observation, in-depth interviews, documentation studies, and literature studies, then analyzed descriptively and interpretively using the theories of hegemony, power-knowledge, deconstruction, and globalization. The results show that changes occur in two main aspects, namely intrinsic and extrinsic elements. Intrinsic changes include the transformation of aesthetic concepts, repertoire, organology, and musical identity that have implications for shifting sacred and profane meanings in artistic practice. Extrinsic changes are evident in the dialectic between the preservation of classical canons as a noble heritage and the encouragement of innovation of the younger generation, which also influences the value of feeling and spiritual orientation in art. From a Hindu anthropological perspective, this dynamic reflects a negotiation process between art's function as a sacred offering (wali and bebali) and its function as a spectacle (balih-balihan) in a global and tourism context. This study concludes that the changes in Gending Palegong and Lotring style do not represent a degradation of tradition, but rather an adaptive cultural transformation in maintaining the sustainability of Hindu values amidst the currents of globalization. This phenomenon indicates a process of glocalization, in which the religious and cultural identity of the community is maintained through creative adaptation strategies.
Co-Authors Gede Bagus Wira Diputra Gek Diah Desi Sentana I Gede Bagus Wisnu Bayu Temaja I Wayan Gede Lamopia Ida Bagus Rai Putra