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All Journal Wahana : Tridarma Perguruan Tinggi JEELL (Journal of English Education, Linguistics and Literature)
Rindrah Kartiningsih
Universitas Dr. Soetomo
Agriculture, Biological Sciences & Forestry Humanities Decision Sciences, Operations Research & Management Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Nursing Other

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Po’s Perseverant Journey in Kung Fu Panda Movie Kusuma Wijaya; Muchammad Daffa Firzatullah; Erlis Hersetya Firda; Rindrah Kartiningsih; Rommel Utungga Pasopati
Wahana : Tridarma Perguruan Tinggi Vol 77 No 1 (2025): Wahana Tridarma Perguruan Tinggi
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/wahana.v77i1.10191

Abstract

This paper examines the theme of perseverance in the animated film Kung Fu Panda (2008), focusing on the journey of the protagonist, Po, as an embodiment of resilience and determination. The story follows Po, an overweight and unskilled panda, who dreams of becoming a kung fu master. Po is unexpectedly chosen as the Dragon Warrior, tasked with protecting the Valley of Peace. Through hard work, belief in himself, and overcoming self-doubt, Po demonstrates that perseverance, rather than natural talent, is the key to success. The purpose of this study is to analyze how Po’s character arc reflects the importance of perseverance in overcoming adversity and achieving personal growth. The research adopts a narrative analysis approach, focusing on Po’s interactions with other characters throughout the film. This paper explores how Po’s perseverant journey aligns with Albert Bandura’s concept of self-efficacy, where persistence, belief in one’s abilities, and overcoming negative feedback led to eventual success. The analysis reveals that Po’s perseverance is key not only to his success as the Dragon Warrior but also to his self-acceptance and personal fulfilment. The conclusion highlights how the film serves as an inspirational narrative, teaching audiences that persistence and belief in oneself are vital components of achieving greatness, regardless of one’s initial circumstances.
REPRESENTATIVENESS BIAS IN SYLVIA TOWNSEND WARNER’S THE PHOENIX Rommel Utungga Pasopati; Annisa Deby Aulia; Rindrah Kartiningsih; Devito Andharu; Muhammad Reza Ishadi Fadillah
JEELL (Journal of English Education, Linguistics and Literature) Vol. 12 No. 2 (2025): JEELL Volume 12 Number 2 June 2025
Publisher : LPPM Universitas PGRI Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32682/jeell.v12i2.51

Abstract

Representativeness bias occurs when possible similarity of an object shadows the real condition. This mental shortcut, as accentuated by Amos Tversky and Daniel Kahneman, is affiliated with Gambler’s Fallacy. The Phoenix is Sylvia Townsend Warner’s short story released in 1940. This story tells about a phoenix set on a display to the audience. The owner wanted to kill it since its death would show amusement of fire. The phoenix died as the fire came out and burned the place including the owner and the spectators. Then, how is representative bias illustrated on Sylvia Townsend Warner’s The Phoenix? Through qualitative methods on psychological and literary studies, this article asserts the owner’s misconception of the phoenix. The bird’s specialty was its rare exoticness and myth about being immortal. The owner was shadowed with greed by opposing the true state of nature. He then had to accept the bitter truth of death as the pyre burned all out including himself and other persons. In conclusion, the story shows how representative bias accompanied with greedy thought may ignore otherness by accentuating mere profit.
Co-Authors Annisa Deby Aulia Devito Andharu Erlis Hersetya Firda Kusuma Wijaya Muchammad Daffa Firzatullah Muhammad Reza Ishadi Fadillah Pasopati, Rommel Utungga