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All Journal Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK)

Asfar Munir

Program Studi Pendidikan Seni Pertunjukan FKIP Untan Pontianak

Author-ID : 7917273

Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Mathematics Other

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STRUKTUR PENYAJIAN TARI ZAPIN ARAB (GRUP AL-BADAR) DI PONTIANAK TIMUR KALIMANTAN BARAT Syarifah Sri Rizki Khairunnisha; Imma Fretisari; Asfar Munir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 9, No 4 (2020): April 2020
Publisher : Universitas Tanjungpura

AbstractThe background of this research was to find out the basic and supporting elements found in the Arabic Zapin Dance. The researcher hopes that this research can become a corpus of data documenting the Zapin Arabic Dance so that it can be used as reference by further researchers and readers.The research method used was descriptive method of analysis with the form of qualitative research and choreographic approach. The data of this research was to describe the structure of the Arab Zapin dance. Sources of data include, Syarif Usman, Syarif Mansyur, Sy Ghozali Zein as an artist who knows the structure of the Apara Arab Zainian dance. The data collection techniques were observation, interview, and documentation with researcher as the main instrument. The persistence and triangulation of sources were used to check the validity of data. The data analysis techniques of this research were analysis during the field, data reduction, data presentation, conclusion and classification.The results of this study described the presentation structure of the Arabic Zapin Dance. There are 3 types of motion, divided into initial motion, middle motion (contents) and closing motion. The floor design used is in the form of vertical, horizontal lines. Low design, pure design, angular design, flat design, high design are the top designs used.Keywords: Presentation Structure, traditional zapin Arabic dance.

STRUKTUR MUSIK KABAWATN DALAM ACARA RITUAL BALLENGANG DI DESA SAHAN KECAMATAN SELUAS KABUPATEN BENGKAYANG Adventinus rickardo sr; Nurmila Sari Djau; Asfar Munir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 10 (2021): OKTOBER 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i10.49834

AbstractThe background of this research is the uniqueness of Kabawan't music in the Balenggang ritual, besides that the researcher's concern is in local culture, so that the Balenggang ritual, especially Kabawant music, can be documented and known by the younger generation. The purpose of this study is to describe the analysis of the structure of Kabawat'n music in the balenggang ritual event in the village of Sahan, a sub-district covering an area of Bengkayang district.The method used in this research is an explorative descriptive method. The form of this research is qualitative.This research uses a musicological approach. The data collection technique of this research is observation, direct communication. Checking the validity of research data used triangulation techniques, increasing the persistence and length of observations.The result of this research is Kabawant music is music used to accompany the balenggang ritual. The Kabawat'n music in this balenggang ritual is simple and monoton, the musical instruments used are dau induk, dau anak, tuma, tawa and gong. The results of this analysis can be implemented in school learning in the form of a design implementation of the Kabawat'n music structure in the balenggang ritual event in the seventh grade junior high school cultural arts subject with competency standards according to the traditional music background in the cultural context of the local community.Keywords: Kabawat'n music structure in the balenggang ritual

FUNGSI MUSIK DALAM RITUAL BALALAK DI DESA MONTERADO KECAMATAN MONTERADO KABUPATEN BENGKAYANG Imanuel Imanuel; Ismunandar Ismunandar; Asfar Munir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 8, No 9 (2019): September 2019
Publisher : Universitas Tanjungpura

Abstract This rescarh was based to know presentation and function Balalak music on celebration at Monterado village, Monterado district, Bengkayang district,the purpose of this study was how form presentation and function Balalak music, celebration at Monterado village ,Monterado sub- district, Bengkayang district. This research used was desctripve methodand the research reom used is qualative research. Sources of datain this study some interviewsa and relevan sources about the presentation and funcation Balalak music at Monterado village, Monterado sub district Bengkayang district. Data collection techsuch as observation interviews study literature and documentation. Technique such observation to test the validity of data used was sources triangulation, triangulation techniqueand lengthen observation data analysis techniques in thi study used was inreactive data analysis to include data presentation and deduce. Basd on data analysis it was can to concludemusik on ritual Balalak as rite of passage Balalak the accompanist, communication and entertaimen. From presentation and function Balalak music at Monterado village, Monterado sub-district, Bengkayang district. Is instrument, onstage, makeup, soundsytem and presentation order. These results can applied to the community,in the was Borne. Keywords: Balalak Music Function and Form of Presentation

ANALISIS STRUKTUR MUSIK IRINGAN TARI JONGGAN DI DESA SEBENTE KECAMATAN TERIAK KABUPATEN BENGKAYANG Selmen Selmen; Nurmila Sari Djau; Asfar Munir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 10, No 12 (2021): Desember 2021
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/jppk.v10i12.50926

AbstractThe background of this research is the analysis of the structure of the musical accompaniment of the Jonggan dance in Sebente Village, Shout District, Bengkayang Regency. The formulation of the problem in this study is 1) How is the analysis. the structure of the musical accompaniment of the Jonggan dance in Sebente Village, Shout District, Bengkayang Regency, 2) How to design the implementation of the analysis of the structure of the Jonggan dance music structure in Sebente Village, Shout District, Bengkayang Regency in the world of education. The method used in this study is a descriptive method with a qualitative form and uses an ethnomusicological approach. the data sources in this study were Ranje, Aloysius Ngansen, and Tulen. The data in this study were the results of observations, interviews, and documentation regarding the structure of the musical accompaniment of the Jonggan dance. Data collection techniques used observation, interviews and documentation techniques. The data validity test technique used triangulation technique.Keywords: Jonggan dance accompaniment music structure.

ANALISIS MAKNA GERAK TARI RADAT APE NANG DITUMBOK KABUPATEN SAMBAS KALIMANTAN BARAT Budiman Budiman; Ismunandar Ismunandar; Asfar Munir
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 8, No 6 (2019): JUNI 2019
Publisher : Universitas Tanjungpura

AbstractHaving lacked documentation to preserve information related to dance as part of the culture of the Malay in Sambas Regency has been the concern of the researcher. This study aims to analyze the meaning of movements and supporting elements used in the Radat dance titled Ape Nang Ditumbok and to document it into a video and written form. The method used in this study is descriptive analysis in the form of qualitative with the semiotic approach. The data were obtained through observation, interviews, and documentation from the local artists. The data were validated by extended observation and triangulation techniques (source triangulation). Radat dance Ape Nang Ditumbok is a group dance played by 12 women, accompanied by percussion instruments played by men. Ape Nang Ditumbok consists of 5 movements: swinging, pounding and winnowing rice, timang burung, nyiur melambai, and the movement showing sadness or happiness. The movements in this dance come from daily activities such as walking, working, movements representing animals and plants, and human expression. The Raddat dance Ape Nang Ditumbok originally functioned as entertainment in an event held in the royal palace Sambas and the wedding of the nobility. As it develops, the dance is also performed at public weddings, festivals, religious rituals, dance performances, and competitions. This traditional dance was created on the basis of a poem, and later the movements were created. Additionally, the Radat dance Ape Nang Ditumbok can be used as teaching material for teaching and learning theory and practice in the subjects of Cultural Arts and Skills. Keywords : Analysis, dance movement, Radat Dance Ape Nang Ditumbok

Co-Authors Adventinus rickardo sr Budiman Budiman Imanuel Imanuel Imma Fretisari Ismunandar Ismunandar Nurmila Sari Djau Selmen Selmen Syarifah Sri Rizki Khairunnisha

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