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Social Criticism Representation in the Song Lyrics of Bingung by Iksan Skuter: Roland Barthes Semiotic Analysis Mukminin, Muhamad Saiful; Prasetya, Kabul; Muhhit, Ahmad Abdul; Yaman, Nurinsani; Sari, Yona Tirta
J-LELC: Journal of Language Education, Linguistics, and Culture Vol. 4 No. 3 (2024): J-LELC: Journal of Language Education, Linguistics, and Culture
Publisher : UIR Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/jlelc.2024.19217

Abstract

Social criticism in society is often presented through song lyrics. This study aims to analyze the representation of social criticism in the song Bingung by Iksan Skuter using Roland Barthes' semiotic approach. The research method employed is descriptive qualitative, with data collection techniques in the form of observation and note-taking. The primary data consist of the full transcript of the song's lyrics, while the secondary data include the relevant social, cultural, and political contexts surrounding the lyrics. The observation technique is used to comprehend the entirety of the lyrics, while the note-taking technique is employed to record and analyze the denotative, connotative, and mythical meanings that arise. The data analysis technique follows the interactive analysis model, which includes three main stages: data reduction, data presentation, and conclusion drawing. The results of the study show that the lyrics of Bingung critically reveal various social issues, such as the stigmatization of political ideologies, religious and cultural stereotypes, and the restriction of freedom of speech through narrow labels. Additionally, criticism of professions, materialism, and education highlights social injustice, while criticism of the unjust legal system reflects society's distrust of law enforcement. This study reveals that the lyrics of Bingung serve as a reflection and a medium of social criticism, encouraging the public to be more critical in understanding everyday realities. The implication of this research is that song lyrics, as a form of artistic expression, can serve effectively as a medium for social critique.
Critical Discourse Analysis on Prabowo Subianto’s Presidential Inauguration Speech Mukminin, Muhamad Saiful; Alya, Nanda Nursa; Indiraphasa, Nuriel Shiami; Wulandari, Ni Wayan Novi; Prasetya, Kabul
Journal of Language, Literature and Teaching Vol 6, No 2 (2024): August - November 2024
Publisher : Journal of Language, Literature and Teaching

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35529/jllte.v6i2.31-47

Abstract

This study examines Prabowo Subianto's presidential inauguration speech using Norman Fairclough's Critical Discourse Analysis (CDA) to explore how language shapes and is influenced by power and ideology in the context of Indonesian politics. A qualitative approach with a descriptive method is employed to provide a deep, comprehensive analysis of the speech text, without altering its original meaning. The data for this study is the text of Prabowo Subianto’s inauguration speech, sourced from official transcripts or recordings. Data collection involves observation and documentation, while data analysis utilizes the three CDA dimensions, i.e. textual analysis, discourse practice, and social practice. The findings reveal that the speech is structured to emphasize gratitude, a national vision, and a call for unity, using inclusive language and repetition to foster a sense of national responsibility. The discourse analysis shows that Prabowo’s speech aims to build a positive, inclusive image and reach a broad audience through media distribution. Socially, the speech positions Indonesia as a strong, independent nation, with Prabowo portraying himself as a leader committed to democratic values and national unity. The study concludes that the speech effectively constructs a political identity based on inclusivity, responsibility, and unity.
KLITIKS BERMAKNA NUMERIK DALAM BAHASA INDONESIA Prasetya, Kabul
ASMARALOKA: Jurnal Bidang Pendidikan, Linguistik, dan Sastra Indonesia Vol. 3 No. 1 (2025): Volume 3 nomer 1 Februari 2025
Publisher : Universitas Islam Zainul Hasan Genggong

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55210/asmaraloka.v3i1.490

Abstract

This study examines bound morphemes with numerical meanings in the Indonesian language, focusing on how the language accommodates numerical and quantitative concepts in forming efficient vocabulary. The main challenge lies in finding an appropriate mechanism to convey stable numerical meanings without altering the fundamental structure or word classes. However, the mechanisms by which numerical morphemes are used remain poorly understood, particularly in terms of their semantic stability and contribution to technology- and culture-based vocabulary. This research employs a qualitative descriptive method to explore the functions and structures of numerical morphemes such as bi- (two), tri- (three), and panca- (five) within the morphological context of the Indonesian language. Data were sourced from the Kamus Besar Bahasa Indonesia (KBBI). The findings reveal that bound numerical morphemes play a significant role in conveying quantitative information and serve as a tool for lexical development without altering the base word's class. Additionally, prefixes such as mega- and giga- enable Indonesian to align with internationally common terminology in scientific domains while retaining its agglutinative nature. These bound numerical morphemes offer an effective and flexible linguistic mechanism to support vocabulary development relevant to modern communication needs, balancing global integration with cultural identity preservation.