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Social Criticism Representation in the Song Lyrics of Bingung by Iksan Skuter: Roland Barthes Semiotic Analysis Mukminin, Muhamad Saiful; Prasetya, Kabul; Muhhit, Ahmad Abdul; Yaman, Nurinsani; Sari, Yona Tirta
J-LELC: Journal of Language Education, Linguistics, and Culture Vol. 4 No. 3 (2024): J-LELC: Journal of Language Education, Linguistics, and Culture
Publisher : UIR Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/jlelc.2024.19217

Social criticism in society is often presented through song lyrics. This study aims to analyze the representation of social criticism in the song Bingung by Iksan Skuter using Roland Barthes' semiotic approach. The research method employed is descriptive qualitative, with data collection techniques in the form of observation and note-taking. The primary data consist of the full transcript of the song's lyrics, while the secondary data include the relevant social, cultural, and political contexts surrounding the lyrics. The observation technique is used to comprehend the entirety of the lyrics, while the note-taking technique is employed to record and analyze the denotative, connotative, and mythical meanings that arise. The data analysis technique follows the interactive analysis model, which includes three main stages: data reduction, data presentation, and conclusion drawing. The results of the study show that the lyrics of Bingung critically reveal various social issues, such as the stigmatization of political ideologies, religious and cultural stereotypes, and the restriction of freedom of speech through narrow labels. Additionally, criticism of professions, materialism, and education highlights social injustice, while criticism of the unjust legal system reflects society's distrust of law enforcement. This study reveals that the lyrics of Bingung serve as a reflection and a medium of social criticism, encouraging the public to be more critical in understanding everyday realities. The implication of this research is that song lyrics, as a form of artistic expression, can serve effectively as a medium for social critique.

Tindak Tutur Mengkritik dan Memuji Warganet pada Kolom Komentar Akun Instagram @aniesbaswedan Mukminin, Muhamad Saiful; Fitri, Fajriani; Atikoh, Iklilah; Yaman, Nurinsani
Wicara: Jurnal Sastra, Bahasa, dan Budaya Vol 3, No 2: Oktober 2024
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/wjsbb.2024.24552

Interaksi warganet di media sosial memunculkan berbagai tanggapan berupa kritik dan pujian terhadap sosok Anies Baswedan. Penelitian ini bertujuan untuk menganalisis tindak tutur mengkritik dan memuji warganet pada kolom komentar akun Instagram @aniesbaswedan. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan pendekatan teori tindak tutur ekspresif yang berfokus pada tindak tutur mengkritik dan memuji. Data yang dianalisis terdiri dari 100 tuturan, yang meliputi 50 tindak tutur mengkritik dan 50 tindak tutur memuji. Pengumpulan data dilakukan dengan teknik simak dan catat. Data dikumpulkan dengan cara menangkap gambar komentar kemudian mentranskripsikannya dalam bentuk tulisan. Analisis data dilakukan melalui tahap reduksi, penyajian, dan penarikan kesimpulan. Hasil penelitian ini menunjukkan bahwa pujian warganet terhadap Anies Baswedan lebih dominan dibandingkan kritik dalam kategori sifat dan kepemimpinan, dengan masing-masing kategori ditemukan sejumlah 28 pujian dan 22 pujian. Namun, pada kategori agama, terdapat 20 tindak tutur mengkritik tanpa adanya pujian yang mengindikasikan fokus warganet yang lebih besar pada kritik terhadap aspek agama. Implikasi penelitian ini menunjukkan bahwa pemahaman terhadap kritik dan pujian warganet di media sosial dapat memberikan wawasan bagi pemangku kebijakan dan tokoh publik dalam mengelola citra dan komunikasi kepada publik.

A CORPUS-BASED ANALYSIS OF FIRST-PERSON PRONOUN IN NIKI’S SONG Mukminin, Muhamad Saiful; Fitri, Fajriani; Atikoh, Iklilah; Yaman, Nurinsani
Teaching English as Foreign Language, Literature and Linguistics Vol. 4 No. 2 (2024): TEFLICS
Publisher : Program Studi Pendidikan Bahasa Inggris,, Fakultas Ilmu Pendidikan, Universitas Hasyim Asy'ari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33752/teflics.v4i2.7541

This study aims to analyze the use of first-person pronouns in NIKI's song lyrics, focusing on their frequency, pattern, and context of usage. The research employs a descriptive qualitative-quantitative approach, combining corpus analysis with contextual interpretation. The data consists of song lyrics from NIKI's albums and popular tracks, formatted into a compatible text file (.txt) for analysis using AntConc software version 4.3.1. Data collection involved gathering lyrics from reliable sources, cleaning the data, and preparing it for analysis. The analysis process included identifying the frequency of first-person pronouns, observing distribution patterns through the concordance feature, and interpreting the context and meanings of pronoun usage. The findings reveal a dominance of the pronoun "I" (589 occurrences) over "We" (138 occurrences), indicating a focus on individual experiences and emotions in NIKI's lyrics. The study identifies various patterns, including "I + to be," which reflects deep emotional states, self-reflection, and regret; "I + modal," which conveys feelings and desires; and "I + verb," which directly expresses actions and emotions. Additionally, the "We" patterns, such as "We + To Be" and "We + Modal," illustrate collective experiences, possibilities, and relationship dynamics. The results highlight the contrasting roles of individual and collective perspectives in NIKI’s songwriting, enriching the emotional depth of her lyrics.

A CORPUS-BASED ANALYSIS OF FIRST-PERSON PRONOUN IN NIKI’S SONG Mukminin, Muhamad Saiful; Fitri, Fajriani; Atikoh, Iklilah; Yaman, Nurinsani
Teaching English as Foreign Language, Literature and Linguisticss Vol. 4 No. 2 (2024): TEFLICS
Publisher : Program Studi Pendidikan Bahasa Inggris,, Fakultas Ilmu Pendidikan, Universitas Hasyim Asy'ari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33752/teflics.v4i2.7541

This study aims to analyze the use of first-person pronouns in NIKI's song lyrics, focusing on their frequency, pattern, and context of usage. The research employs a descriptive qualitative-quantitative approach, combining corpus analysis with contextual interpretation. The data consists of song lyrics from NIKI's albums and popular tracks, formatted into a compatible text file (.txt) for analysis using AntConc software version 4.3.1. Data collection involved gathering lyrics from reliable sources, cleaning the data, and preparing it for analysis. The analysis process included identifying the frequency of first-person pronouns, observing distribution patterns through the concordance feature, and interpreting the context and meanings of pronoun usage. The findings reveal a dominance of the pronoun "I" (589 occurrences) over "We" (138 occurrences), indicating a focus on individual experiences and emotions in NIKI's lyrics. The study identifies various patterns, including "I + to be," which reflects deep emotional states, self-reflection, and regret; "I + modal," which conveys feelings and desires; and "I + verb," which directly expresses actions and emotions. Additionally, the "We" patterns, such as "We + To Be" and "We + Modal," illustrate collective experiences, possibilities, and relationship dynamics. The results highlight the contrasting roles of individual and collective perspectives in NIKI’s songwriting, enriching the emotional depth of her lyrics.

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