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All Journal Jurnal Cahaya Mandalika JOURNAL SCIENTIFIC OF MANDALIKA (JSM)
Muhammad Tomi
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Humanities Languange, Linguistic, Communication & Media Other

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INVENTARISASI BENTUK KERAJINAN GERABAH LOMBOK DI CREATIVE CARVING BANYUMULEK SEBAGAI BENTUK PELESTARIAN BUDAYA Pyo Aprilina; Mi’rajus Subyan Rahmat; Muhammad Tomi
Jurnal Cahaya Mandalika ISSN 2721-4796 (online) Vol. 4 No. 3 (2023)
Publisher : Institut Penelitian Dan Pengambangan Mandalika Indonesia (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jcm.v4i3.2308

Abstract

Penelitian ini bertujuan untuk melakukan inventarisasi terhadap berbagai bentuk kerajinan gerabah yang diproduksi di Creative Carving Banyumulek, Lombok Barat. Dengan tujuan utama sebagai bentuk pelestarian budaya. Metode penelitian melibatkan observasi langsung terhadap produk-produk gerabah dan wawancara dengan pengrajin lokal. Hasil penelitian menunjukkan keberagaman bentuk produk, motif, dan fungsi menjadi ciri khas kerajinan gerabah produksi Creative Carving. Peran Creative Carving dalam menjaga tradisi, mempromosikan ekonomi lokal, dan melibatkan masyarakat dalam proses pelestarian budaya sangat penting. Tantangan modernisasi dan persaingan global juga diakui, namun terdapat peluang untuk terus mengembangkan kreativitas dan meningkatkan pemasaran produk gerabah. Adapun perkembangan bentuk kerajinan Gerabah dipengaruhi dari beberapa faktor yang tidak dapat dipisahkan dari perkembangan bentuk-bentuk ornamen dan desain motif tradisional dan modern. Dalam hal ini faktor-faktor tersebut terbagi dalam faktor Internal dan Eksternal. Kesimpulannya, inventarisasi ini memberikan gambaran yang mendalam tentang pentingnya Creative Carving dalam melestarikan kebudayaan melalui kerajinan gerabah, menggambarkan kekayaan seni dan nilai-nilai tradisional yang perlu dilestarikan dan diapresiasi.
KONSTRUKSI GENDER MELALUI ORNAMEN HIAS PADA SENJATA TRADISIONAL KHAS SUMBAWA BARAT Rahmat, Mi'rajus Subyan; Muhammad Tomi; Bayu Aji Pamungkas
Jurnal Cahaya Mandalika ISSN 2721-4796 (online) Vol. 5 No. 2 (2024)
Publisher : Institut Penelitian Dan Pengambangan Mandalika Indonesia (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jcm.v5i2.2950

Abstract

This research deals with how the construction of gender is realized through decorative ornaments carved on berang traditional weapons in the community of Rempe Village, Seteluk District, West Sumbawa Regency. Berang is a traditional weapon of the Samawa tribe (Sumbawa) in the form of a cutting weapon made by a panre (blacksmith). In general, the people of Sumbawa recognize two types of berang namely the salaki berang (male), and the swai berang (female). The use of the term berang as a relative (brother), as well as the differences in the ornamentation of the two types of berang, is the reason for this research. The problem of this research is dissected by using Roland Barthes' semiotic concept. The results of this study indicate that in general, gender construction does occur through berang. This gender construction produces "standard values" that tend to be masculine but quite dynamic and negotiative. Furthermore, gender construction is illustrated by the classification of the ornaments, both in terms of the type and number of ornaments carved. This gender construction occurs, is inherited and strengthened by existing institutions in Sumbawa society such as the family, West Sumbawa District Government, Tana Samawa Traditional Institution, Rempe Village Government, schools, and the Kokar Telu group itself also plays an essential role as a legitimacy tool. in gender construction through berang. Keywords: Gender Construction, Ornament, Berang
Interpretasi Simbolik Kendi Maling dalam Konteks Kehidupan Sosial Masyarakat Banyumulek Lombok Barat Mi’rajus Subyan Rahmat; Bayu Aji Pamungkas; Muhammad Tomi
Journal Scientific of Mandalika (JSM) e-ISSN 2745-5955 | p-ISSN 2809-0543 Vol. 7 No. 1 (2026)
Publisher : Institut Penelitian dan Pengembangan Mandalika Indonesia (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/10.36312/vol7iss1pp244-249

Abstract

The kendi maling (maling jug) is a typical pottery artifact from Banyumulek Village, West Lombok, with a unique shape and symbolic meaning in the social life of the Sasak people. This study aims to uncover the symbolic interpretation of the kendi maling (maling jug) through Charles Sanders Peirce's semiotic framework, which includes the categories of icon, index, and symbol. The method used was descriptive qualitative, with data collection techniques including observation, in-depth interviews, and documentation. The results indicate that the kendi maling (maling jug) functions as an icon representing the continuity of craft traditions, as an index related to the values ​​of caution and traditional protection systems, and as a symbol reflecting the simplicity, ingenuity, and wisdom of the Banyumulek people. However, the modernization and commodification of pottery have caused a shift in meaning, with the younger generation increasingly disconnected from the philosophical values ​​contained in the artifact. This study emphasizes the importance of preserving the symbolic meaning of the kendi maling (maling jug) as part of efforts to maintain local cultural identity and support the sustainability of the Banyumulek craft tradition.
Co-Authors Bayu Aji Pamungkas Mi’Rajus Subyan Rahmat Pyo Aprilina Rahmat, Mi'rajus Subyan