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All Journal Garina An International Journal Tourism and Community Review Abdi Karya: Jurnal Pengabdian Kepada Masyarakat
Ariyana Damayanti
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Arts Computer Science & IT Decision Sciences, Operations Research & Management Education Social Sciences

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Penggunaan Pewarna Sintetis Dan Alam Pada Lukis Kain Ariyana Damayanti; Yasinta Dwi Yulinda Sari
Garina Vol. 12 No. 2 (2020): Desember: Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Des
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v12i2.51

Abstract

Coloring materials for fabric painting can be produced from natural dyes and synthetic dyes. Natural and synthetic dyes have their respective advantages and disadvantages. The combination of the two colors will give the impression of a brighter color, and slightly reduce environmental pollution. The objectives of this research are: 1) Knowing the processing of synthetic and natural dyes for fabric painting; 2) Knowing the results of applying synthetic and natural dyes to fabric painting. The method used in this research is the research and development approach model Research and Development (R&D) and data analysis. Trials in this study were carried out with dye using 4 types of cloth with the help of a validator as an assessor of the coloring results. The results of this study indicate that synthetic dyes are lighter than natural dyes. Meanwhile, the colors produced from natural dyes tend to be darker. In painting this cloth, the writer needs a combination of dark and light colors. Therefore, the use of synthetic and natural dyes requires mixing of colors. The fading test conducted by the author for the color absorption of diamond crape on the fabric is very good. Thus it can be concluded that the use of natural and synthetic dyes can be applied to fabric painting by conducting trials first to get the right color.
Penggunaan Serat Optik Sebagai Pemancar Cahaya Pada Pembuatan Cocktail Dress Ariyana Damayanti; Irmatul Afizah; Rizka Puspa Sari; Sindy Aulia Putri
Garina Vol. 13 No. 1 (2021): June : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v13i1.55

Abstract

The use of Fiber Optic as a light emitter in Cocktail Dress is expected to be a new innovation in the development of party fashion. The objectives of this study are: 1) To explain the process of making a cocktail dress using Fiber Optic as a light emitter. The method used in this research is the Research and Development (R & D) method. The R&D method is a research method that tests a product to produce the best product by conducting direct trials. In addition to using the method (R&D), it also uses the method of literature, documentation, and experiments. The experiment of making Cocktail Dress using Fiber Optic as a light emitter was carried out at the Laboratory of the Fashion Design Study Program of the Kartini Academy of Social Welfare, st. Sultan Agung, No. 77 Gajah Mungkur Village, Semarang City. The percentage of additional ingredients in making Cocktail Dress, namely: 3 meters Bridal Satin Fabric, 1meter Furing, 2 meters Trikod, 1 seed thread, zipper size 50 cm 1 item, zippers size 25 cm 1 item, Fiber Optic in amount of 0.75 mm-400 m. The results of this study indicate that the Fiber Optic Cocktail Dress has the characteristic that the resulted cocktail dress can shine with the light emitting from the Fiber Optic. Thus, it can be concluded that there is an opportunity for innovation from Cocktail Dress by adding Fiber Optic.
Pembuatan Gaun Pesta Malam Menggunakan Teknik Pola Draping dan Pola Konstruksi Ariyana Damayanti; Nimas Oktaviani Putri
Garina Vol. 13 No. 2 (2021): Desember: Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Des
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v13i2.74

Abstract

Making evening party dresses that must be considered is the pattern. Patterns are used as examples to avoid mistakes when cutting fabric. Pattern making must be adjusted to the size of the body shape of the clothing model. Patterns are very influential on the results of the clothes that will be made, therefore this study uses two different types of pattern techniques, namely draping pattern techniques and construction pattern techniques. This study aims to determine which pattern technique is good for making evening party dresses. This research uses the R&D (research and development) method or can be called research and development. The trial results show that using the draping pattern is more efficient than the construction pattern technique. The practical construction pattern technique has a weakness at the waist, namely the location of the waist that rises from the original waist. After making an assessment through the validator, the author makes evening party dresses using the pattern technique that has the highest value. The making of evening party dresses uses two pattern techniques, namely on the body pattern using a draping pattern technique and on the skirt using a construction pattern technique.
Penerapan Teknik Slashing dalam Pembuatan Ready To Wear Look Harajuku Ariyana Damayanti; Endang Eka Setianingrum
Garina Vol. 16 No. 1 (2024): Juni : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v16i1.112

Abstract

Beautifying the appearance of a garment requires modifications in dress. One way of beautifying clothing is fabric manupulation or fabric manipulation. The author chose the slashing technique, this technique is one of the fabric manipulation techniques by stacking several fabrics and then cutting one or several layers of the cloth pile so that it only makes the basic layer. The author compares many layers of fabric used. The goal is to know application of slahsing method creation in making ready to wear. The method that the author uses is the method of R&D and data analysis. The author made a comparison using 3 layers of material, 4 layers of material, and 5 layers of material. Comparisons of each slashing technique include materials, techniques, colors, and designs. The materials used to make the slashing technique are toyobo cotton fabric and drill fabric. The result of slashing 3 layers of material has a fabric thickness that is not too thick, the finished product is quite neat, and the color is suitable. Slashing 4 layers of material has a fairly thick fabric thickness, and the finished result is quite neat. Slashing 5 layers of material has a very thick thickness of fabric, and the finished result is not neat enough. Making ready to wear using a suitable slashing technique is 3 layers of fabric.
Pengembangan Kostum Carnival dengan Inspirasi Arsitektur Candi Prambanan Ariyana Damayanti; Yurista Nirmalasari
Garina Vol. 17 No. 2 (2025): Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain Mode
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v17i2.322

Abstract

Clothing is not only a primary clothing worn as body protection in everyday life, but has developed into clothing as a work of art. One of them is clothing designed for a big event with certain friends such as carnival or carnival clothing. Carnival costumes are designed to display creativity, joy, and cultural diversity. The design is often inspired by local cultural elements, such as mythology, flora, fauna, or traditional symbols. Carnival costumes are made of various materials, such as cloth, feathers, sequins, glitter, and others. This clothing is made to create a striking, beautiful, and eye-catching appearance. The author considers the historical background, mythology, architecture, and local culture related to temples in Indonesia, can produce carnival costumes that are not only visually appealing, but also rich in meaning and cultural values. The general objective of this study is to determine how the Development of Carnival Costumes with Prambanan Temple Architectural Inspiration. The method used is using the Research and Development (R&D) approach through the ADDIE development model. Each stage of ADDIE (Analysis, Design, Development, Implementation, and Evaluation) is used to systematically direct the costume creation process, from identifying needs to evaluating the final results. Determining factors such as measurements, errors, and weight of the clothing. Ergonomic design will allow carnival participants to move freely and comfortably.
Penerapan Teknik Anyam Motif Bunga Cengkeh pada Ready to Wear Annisa Kurnia Utami; Ariyana Damayanti; Romadhona Chusna Tsani
Garina Vol. 18 No. 1 (2026): Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain Mode
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v18i1.401

Abstract

Indonesia is an archipelagic country that has a diversity of ethnic groups as well as a rich heritage of arts and culture. One form of art found is weaving with clove flower motifs. The purpose of this study is “The Application of Clove Flower Motif Weaving Technique on Ready to Wear.” The main material used is shoelaces, as a weaving material that is easy to shape and unique. The method applied is Research and Development (R&D), which includes: identifying potential and problems, data collection through literature study, observation, documentation, product design, design validation, to the process of making and evaluating the final product. The results of the study show that the clove flower motif weaving technique can be well applied to ready to wear, especially on the vest and pants parts, producing a modern fashion. Applying this technique requires high precision, especially in the process of arranging the weaving pattern and integrating it with the main material. This study is expected to serve as a reference in developing innovative designs. The conclusion of this research is that the weaving technique gives a unique and aesthetic impression on ready to wear. The suggestion for making woven products applied to ready to wear is that during the process of ironing glue on the weave, the heat should not be too high because the shoelace material is easily burned, and the ends of the weave should be burned to prevent fraying.
Pelatihan Pengembangan Produk Kreatif Berbasis Upcycling Limbah Tutup Botol dalam Pembuatan Dolanan Anak Ramah Lingkungan Ariyana Damayanti; Mien Zyahratil Umami
ABDI KARYA : Pengabdian Kepada Masyarakat Vol. 3 No. 2 (2026): Agustus : ABDI KARYA : Jurnal Pengabdian Kepada Masyarakat
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/abdikarya.v3i2.427

Abstract

Training on developing creative products based on upcycling bottle cap waste in making environmentally friendly children's toys is one of the breakthroughs in waste utilization efforts. This training aims to provide additional knowledge to the community in the field of waste management. And this training is expected to add new experiences so as to improve the ability to become entrepreneurs in the field of creative waste management products. By processing plastic waste into valuable products, we can reduce the negative impact on the environment, reduce the use of new raw materials, create jobs, and reduce the amount of plastic waste that is disposed of. The stages of the method used are the preparation stage, the implementation stage and the evaluation stage. The final result of this community service is that participants are able to make upcycled creative products, namely starting from preparing tools and materials, selecting materials, the manufacturing process to adding decoration and finishing.
Co-Authors Annisa Kurnia Utami Arina Haq Dhea Savira Chairunnissa Diah Ayu Rahmawati Endang Eka Setianingrum Irmatul Afizah Mien Zyahratil Umami Nimas Oktaviani Putri Palung R L K N Sirah Rizka Puspa Sari Romadhona Chusna Tsani Sindy Aulia Putri Utari Dwi Harianti Vivi Yulia Agustina Yasinta Dwi Yulinda Sari Yulia Rike Anjarsari Yurista Nirmalasari