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Symbolic Order Lacan pada Terbentuknya Identitas Masjid : (Kasus: Masjid Jami’ Aji Hasanoeddin Kutai Kertanegara) Arsita, Ema Dwi; Titisari, Ema Yunita; Asikin, Damayanti; Ahmad, A. Ghafar
RUAS Vol. 22 No. 2 (2024)
Publisher : Departemen Arsitektur Fakultas Teknik Universitas Brawijaya, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.ruas.2024.022.02.1

Abstract

The Jami Adji Amir Hasanoeddin Mosque symbolizes the development of Islam in the Kingdom of Kutai Kartanegara, which was previously a Hindu kingdom. This research aims to expose the representation of the architectural identity of the Jami Adji Amir Hasanoeddin Mosque with the perspective of Lacan's identity theory, especially the symbolic order stage. This is important to do considering that the symbolic meaning of mosques now needs to be strengthened and re-contextualized in an increasingly globalized community culture, so it requires strengthening identity. This study uses a descriptive-qualitative approach. Historical data and data on the original state of the building were collected through observation, documentation, and interviews. The analysis process is carried out through a series of identification of the process of identity formation at the mirror stage and symbolic order through the interpretation of the relationship between observation units (history, mosque architectural elements, stakeholders, and related political elements). The results of the study show that the identity of the Jami Adji Amir Hasanoeddin Mosque is as a 'leader' or center for the development of Islam. This is shown by the choice of location, role, and function of the mosque both at the beginning of its existence until the reign of Aji Sultan Muhammad Parikesit, as well as efforts to embrace various social groups through the diversity of architectural elements.
Cultural Aspects in Sustainable Development: The Dayak Tribe in East Kalimantan Hardian*, Gagas Tegar; Kusdiwanggo, Susilo; Arsita, Ema Dwi
Riwayat: Educational Journal of History and Humanities Vol 7, No 1 (2024): Januari, History of Education, and Social Science
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/jr.v7i1.37360

Abstract

Sustainable development is the goal of the SDG's, where cultural aspects can influence other aspects of life. Tribes in Indonesia also help to achieve SDG's from a cultural aspect, one of which is the Dayak Tribe. The Dayak tribe has local wisdom in the form of culture that is maintained to carry out the process of life. The Dayak tribe maintains various cultures that continue to this day as a form of concern for the surrounding environment. The cultural aspects applied by the Dayak people in carrying out their lives as a form of sustainable development. This research is a descriptive study through a library approach. The theory in this study uses cultural aspects in sustainable development. The findings of this research relate the cultural aspects that support the achievement of the cultural pillars as the 4 pillars of the SDGs.
Karakter Spasial Bangunan Masjid Jami Adji Amir Hasanoeddin Di Kabupaten Kutai Kartanegara Arsita, Ema Dwi; Titisari, Ema Yunita; Asikin, Damayanti
Action Research Literate Vol. 8 No. 3 (2024): Action Research Literate
Publisher : Ridwan Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/arl.v8i3.271

Abstract

Bangunan masjid Jami Adji Amir Hasanoeddin merupakan simbol masuknya agama Islam di Kerajaan Kutai Kartanegara yang sebelumnya merupakan kerajaan Hindu tertua di Indonesia. Masuknya Islam di Kerajaan Kutai tentu membawa pengaruh seperti dibangunnya tempat ibadah. Besarnya antusias masyarakat Kutai untuk memperdalam Ilmu Agama Islam menyebabkan bertambahnya kebutuhan ruang yang awalnya hanya musholla kecil di tepi Sungai Mahakam, hingga dibangunnya Masjid Jami Adji Amir Hasanoeddin. Kini Masjid Jami Adji Amir Hasanoeddin telah ditetapkan sebagai bangunan Cagar Budaya, sehingga penting untuk diteliti bagaimana karakter spasial masjid setelah mengalami pembangunan besar-besaran. Metode penelitian menggunakan penelitian kualitatif dengan pendekatan deskriptif dengan observasi dan wawancara terkait keadaan asli bangunan, yang dilandasi dengan teori yang berkaitan dengan karakter spasial. Dari hasil penelitian ditemukan bahwa pembentuk karakter spasial dalam arsitektur Masjid Timur Tengah menjadi penentu dan katalis bagi proses pembangunan peradaban Islam yang terletak pada fungsi dengan semua dimensinya. Di Nusantara sendiri Islam masuk dan berkembang secara perlahan hingga masuk ke Kalimantan
The Architecture Identity of Jami Adji Amir Hasanoeddin Mosque in Kutai Kartanegara Arsita, Ema Dwi; Titisari, Ema Yunita; Asikin, Damayanti
Journal of Social Research Vol. 3 No. 1 (2023): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v3i1.1668

Abstract

Jami Adji Amir Hasanoeddin mosque is a symbol of the cultural and historical development of the city, especially regarding the entry of Islam into Kutai Kartanegara. The arrival of Islam in the Kutai kingdom certainly brought great cultural influence and acculturation, including the mosque style. In the context of the development of an increasingly globalized city and as a symbol that supports the image of the city, the architectural identity of the Jami Adji Amir Hasanoeddin Mosque needs to be identified as a guide in facing possible changes. This study used a qualitative method with a descriptive approach. The data were collected through interviews and field observations. The units of observation are determined based on the research framework compiled from the theory of architectural identity. The unit of observation for architectural identity includes spatial organization, time, semantics, design principles, building form, building materials, and context with the environment. From the results of the study, it was found that there was acculturation of Kutai, Javanese, Malay, Middle Eastern, and Dutch Indis architecture from each unit of observation of Architectural Identity.