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All Journal Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya TRANSFORMATIKA: Jurnal Bahasa, Sastra, dan Pengajarannya
Pribalisty, Nesa Aureola
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Arts Humanities Education Languange, Linguistic, Communication & Media Other

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Strategi Ketidaksantunan dalam Film “Siap, Gan!” Putri, Nabila Destya; Pribalisty, Nesa Aureola; Hidayati, Mardliyyah; Jaya, Mido Mashela; Lukman, Lukman; Nugroho, Miftah
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 8 No. 2 (2024): TRANSFORMATIKA: JURNAL BAHASA, SASTRA DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v8i2.1639

Abstract

The politeness of speech acts can be influenced by certain sociological factors, for example, relative power, social distance, and the presence of elements of coercion. In its development, politeness in speech acts also develops in its opposite form, namely impoliteness. The focus of the study in this research is the language impoliteness strategy in the film "Siap, Gan!" which appears as a reflection of differences in social levels by focusing discussion on the five strategies of impoliteness according to Culpeper's theory. This research aims to describe impolite language strategies in films. The type of research used in this research is qualitative and the data provision technique used in this research is observation/observation techniques. Observation techniques are carried out without involving what is being observed. The data source for this research comes from a video film entitled "Siap, Gan!" obtained on the YouTube channel. The analysis carried out in this research uses contextual analysis. Contextual analysis involves several elements, namely identifying speakers and speech partners, observing the background or causes of the speech, and the goals to be achieved through the speech data analysis, it is known what types of language impoliteness appear in the film "Siap, Gan!" namely bald on record impoliteness, positive impoliteness, and negative impoliteness. The most frequently used strategy is negative impoliteness. This proves the impoliteness in the film "Siap, Gan!" This tends to be used to attack the speaker's negative face. Some of the data findings indicate that several forms of words that are personally offensive to the speaker due to different social strata are also found to be presented as directly impolite with harsh, insulting, degrading, and critical language.
Strategi Ketidaksantunan dalam Film “Siap, Gan!” Putri, Nabila Destya; Pribalisty, Nesa Aureola; Hidayati, Mardliyyah; Jaya, Mido Mashela; Lukman, Lukman; Nugroho, Miftah
TRANSFORMATIKA Vol 8, No 2 (2024): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v8i2.8751

Abstract

The politeness of speech acts can be influenced by certain sociological factors, for example, relative power, social distance, and the presence of elements of coercion. In its development, politeness in speech acts also develops in its opposite form, namely impoliteness. The focus of the study in this research is the language impoliteness strategy in the film "Siap, Gan!" which appears as a reflection of differences in social levels by focusing discussion on the five strategies of impoliteness according to Culpeper's theory. This research aims to describe impolite language strategies in films. The type of research used in this research is qualitative and the data provision technique used in this research is observation/observation techniques. Observation techniques are carried out without involving what is being observed. The data source for this research comes from a video film entitled "Siap, Gan!" obtained on the YouTube channel. The analysis carried out in this research uses contextual analysis. Contextual analysis involves several elements, namely identifying speakers and speech partners, observing the background or causes of the speech, and the goals to be achieved through the speech data analysis, it is known what types of language impoliteness appear in the film "Siap, Gan!" namely bald on record impoliteness, positive impoliteness, and negative impoliteness. The most frequently used strategy is negative impoliteness. This proves the impoliteness in the film "Siap, Gan!" This tends to be used to attack the speaker's negative face. Some of the data findings indicate that several forms of words that are personally offensive to the speaker due to different social strata are also found to be presented as directly impolite with harsh, insulting, degrading, and critical language.
Strategi Ketidaksantunan dalam Film “Siap, Gan!” Putri, Nabila Destya; Pribalisty, Nesa Aureola; Hidayati, Mardliyyah; Jaya, Mido Mashela; Lukman, Lukman; Nugroho, Miftah
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 8 No. 2 (2024): TRANSFORMATIKA: JURNAL BAHASA, SASTRA DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v8i2.1639

Abstract

The politeness of speech acts can be influenced by certain sociological factors, for example, relative power, social distance, and the presence of elements of coercion. In its development, politeness in speech acts also develops in its opposite form, namely impoliteness. The focus of the study in this research is the language impoliteness strategy in the film "Siap, Gan!" which appears as a reflection of differences in social levels by focusing discussion on the five strategies of impoliteness according to Culpeper's theory. This research aims to describe impolite language strategies in films. The type of research used in this research is qualitative and the data provision technique used in this research is observation/observation techniques. Observation techniques are carried out without involving what is being observed. The data source for this research comes from a video film entitled "Siap, Gan!" obtained on the YouTube channel. The analysis carried out in this research uses contextual analysis. Contextual analysis involves several elements, namely identifying speakers and speech partners, observing the background or causes of the speech, and the goals to be achieved through the speech data analysis, it is known what types of language impoliteness appear in the film "Siap, Gan!" namely bald on record impoliteness, positive impoliteness, and negative impoliteness. The most frequently used strategy is negative impoliteness. This proves the impoliteness in the film "Siap, Gan!" This tends to be used to attack the speaker's negative face. Some of the data findings indicate that several forms of words that are personally offensive to the speaker due to different social strata are also found to be presented as directly impolite with harsh, insulting, degrading, and critical language.
Teknik Penerjemahan pada Lirik Lagu “Nemen” Karya Gilga Sahid Pribalisty, Nesa Aureola; Putri, Tiara Ananta Helma Lia; Rahman, Zakyah Eka; Kusumastuti, Fenty
TRANSFORMATIKA Vol 9, No 1 (2025): TRANSFORMATIKA: JURNAL BAHASA, SASTRA, DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v9i1.6823

Abstract

This study examines the process of translating song lyrics from Javanese to Indonesian, focusing on the translation techniques used by Mad Lyric, a popular YouTube channel known for its song translations. The increasing popularity of Javanese songs plays a significant role in preserving cultural heritage, but translating song lyrics poses challenges in maintaining the authenticity of meaning and linguistic style. The aim of this study is to identify the translation techniques applied by Mad Lyric and to understand how they preserve meaning and style in the translated lyrics. A descriptive qualitative approach with content analysis was used, focusing on the lyrics translated by Mad Lyric on their YouTube channel. The data were analyzed based on translation techniques, such as literal translation, reduction, amplification, and modulation. The results show that Mad Lyric prioritizes maintaining the original message while adapting it into a more natural and easily understandable style in Indonesian. Modulation and amplification techniques were more dominant in preserving the original nuance of the lyrics while adjusting expressions to the target language. These findings highlight the importance of understa  nding cultural and linguistic contexts in music translation, which ultimately enhances the quality of interlanguage translation while preserving the essence of the original message.
Strategi Ketidaksantunan dalam Film “Siap, Gan!” Putri, Nabila Destya; Pribalisty, Nesa Aureola; Hidayati, Mardliyyah; Jaya, Mido Mashela; Lukman, Lukman; Nugroho, Miftah
Transformatika: Jurnal Bahasa, Sastra, dan Pengajarannya Vol. 8 No. 2 (2024): TRANSFORMATIKA: JURNAL BAHASA, SASTRA DAN PENGAJARANNYA
Publisher : Universitas Tidar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/transformatika.v8i2.1639

Abstract

The politeness of speech acts can be influenced by certain sociological factors, for example, relative power, social distance, and the presence of elements of coercion. In its development, politeness in speech acts also develops in its opposite form, namely impoliteness. The focus of the study in this research is the language impoliteness strategy in the film "Siap, Gan!" which appears as a reflection of differences in social levels by focusing discussion on the five strategies of impoliteness according to Culpeper's theory. This research aims to describe impolite language strategies in films. The type of research used in this research is qualitative and the data provision technique used in this research is observation/observation techniques. Observation techniques are carried out without involving what is being observed. The data source for this research comes from a video film entitled "Siap, Gan!" obtained on the YouTube channel. The analysis carried out in this research uses contextual analysis. Contextual analysis involves several elements, namely identifying speakers and speech partners, observing the background or causes of the speech, and the goals to be achieved through the speech data analysis, it is known what types of language impoliteness appear in the film "Siap, Gan!" namely bald on record impoliteness, positive impoliteness, and negative impoliteness. The most frequently used strategy is negative impoliteness. This proves the impoliteness in the film "Siap, Gan!" This tends to be used to attack the speaker's negative face. Some of the data findings indicate that several forms of words that are personally offensive to the speaker due to different social strata are also found to be presented as directly impolite with harsh, insulting, degrading, and critical language.
Co-Authors Hidayati, Mardliyyah Jaya, Mido Mashela Kusumastuti, Fenty LUKMAN, LUKMAN Nugroho, Miftah Putri, Nabila Destya Putri, Tiara Ananta Helma Lia Rahman, Zakyah Eka