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Prabu Siliwangi Dan Awal Islamisasi Di Tanah Sunda Antara Mitologi Dan Sejarah Politik Saepul Basor; Yan Nurcahya; Deri Sugiarto; Rian Ananda Putra; Teddiansyah Nata Negara; Muhammad Al Hafidz; Wawan Hernawan
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/en613n03

Abstract

The process of Islamization in the Sundanese Lands is a complex historical phenomenon because it involves the interaction between political power, local culture, and traditional beliefs. The legendary figure of Prabu Siliwangi from the Pajajaran Kingdom is often positioned as a transitional figure between the Hindu-Buddhist era and the arrival of Islam in Tatar Sunda. In various oral sources, chronicles, and ancient manuscripts such as the Carita Parahyangan and Babad Pajajaran, Siliwangi is depicted as a great and just king, but also as a symbol of resistance to religious change. This figure is not only a mythological icon, but also a reflection of the struggle of Sundanese cultural identity facing the increasingly strong current of Islamization in the 15th to 16th centuries AD. This study aims to explore the relationship between the mythology of Prabu Siliwangi and the early process of Islamization in the Sundanese Lands through a historical and politico-cultural approach. Using descriptive-analytical methods and a literature review of historical sources, legends, and archaeological research results, this study attempts to interpret Siliwangi's position in the context of civilizational transition. The analysis shows that the Siliwangi myth functions as an ideological medium to maintain political legitimacy and local identity amidst religious change. Thus, the narrative about Siliwangi not only contains elements of legend, but also reflects the socio-political and spiritual dynamics of Sundanese society during the transition to Islam.
Arsitektur sebagai Jejak Sejarah: Analisis Tipologi dan Pelestarian Bangunan Cagar Budaya di Kabupaten Garut Deri Sugiarto; Yan Nurcahya; Ahmad Fauzi Ridwan; Haris Priyatna; Saepul Basor
Dampeng: Journal of Art, Heritage and Culture Vol. 1 No. 4 (2025): Dampeng: Journal of Art, Heritage and Culture
Publisher : Yayasan Abdurrauf Cendekia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70742/dampeng.v1i4.457

Abstract

This study examines cultural heritage buildings in Garut Regency as architectural historical traces that reflect the social and cultural dynamics of the community since the colonial era. Through a qualitative-descriptive approach and architectural typology analysis, this study explores the form, function, and historical value of historic buildings such as the Pendopo Building, the Old Post Office, and the Papandayan Hotel. The results show that these buildings exhibit a blend of Dutch colonial architectural styles—such as Indische Empire and Art Deco—with adaptations to the tropical climate and Sundanese culture. The building typology is not only a visual representation of the colonial period, but also a symbol of the interaction between power, local communities, and urban space. Conservation efforts still face challenges, particularly from the lack of public awareness and the pressures of modern development. However, revitalization and adaptive reuse initiatives have emerged that open opportunities for the development of heritage-based tourism. This study emphasizes that historic architecture in Garut is not merely an artifact of the past, but a living heritage that needs to be preserved as a cultural identity and a medium for historical learning for future generations. [ Penelitian ini membahas bangunan-bangunan cagar budaya di Kabupaten Garut sebagai jejak sejarah arsitektur yang merefleksikan dinamika sosial dan budaya masyarakat sejak masa kolonial. Melalui pendekatan kualitatif-deskriptif dan analisis tipologi arsitektur, penelitian ini menelusuri bentuk, fungsi, serta nilai historis dari bangunan bersejarah seperti Gedung Pendopo, Kantor Pos Lama, dan Hotel Papandayan. Hasil penelitian menunjukkan bahwa bangunan-bangunan tersebut memperlihatkan perpaduan gaya arsitektur kolonial Belanda—seperti Indische Empire dan Art Deco—dengan penyesuaian terhadap iklim tropis dan budaya Sunda. Tipologi bangunan tidak hanya menjadi representasi visual masa kolonial, tetapi juga simbol interaksi antara kekuasaan, masyarakat lokal, dan ruang kota. Upaya pelestarian masih menghadapi tantangan, terutama dari minimnya kesadaran masyarakat dan tekanan pembangunan modern. Namun, muncul inisiatif revitalisasi dan pemanfaatan kembali (adaptive reuse) yang membuka peluang bagi pengembangan pariwisata berbasis warisan budaya. Penelitian ini menegaskan bahwa arsitektur bersejarah di Garut bukan sekadar artefak masa lalu, tetapi warisan hidup yang perlu dijaga sebagai identitas kultural dan media pembelajaran sejarah bagi generasi mendatang.]