Fornia, S.I.Kom, M.I.Kom, Fornia, S.I.Kom, M.I.Kom
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TENDENSI PENGGUNAAN KAMERA POLAROID DI KALANGAN REMAJA Fornia, S.I.Kom, M.I.Kom, Fornia, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 1 No. 2 (2022): Volume 1, Nomer 2 - September 2022
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v1i2.16

Abstract

The far and wide utilization of moment simple cameras as of late is a fascinating peculiarity. Photography is utilized as a position of articulation by its clients to show their reality in internet based media. Subtitles are one of the significant things here, for example, inscriptions as the hashtags "#35mm" and "#indo35mm" on Instagram which are an indication that the photograph posts were taken utilizing a simple camera. The rise of virtual photography networks, like KLASTIC, denoted the start of the development of the simple photography local area in Indonesia. The return of simple photography brands, particularly moment cameras, is an exceptional peculiarity. The focal point of this examination is to dissect the main pieces of the manageable development of the simple photography industry which has started to be moved by digitalization. As a general rule, there is a developing worldwide pattern towards the presence of simple cameras and moment cameras. There are a few factors that can be explored in more profundity: innovation, correspondence channels, client fulfillment (passionate fulfillment and homophily leisure activity), time and social framework (social change specialists and assessment pioneers) as portrayed by Rogers. This exploration is a subjective spellbinding investigation concentrate on utilizing the technique for perception and writing study. The consequences of the review show that there is a connection between the hypothesis of dissemination of advancement and the improvement of patterns in the utilization of moment simple cameras. Item advancement as oddity as moment cameras is sought after among youngsters. There is a problematic peculiarity, with the rise of the Instagram web-based entertainment application, photographs from moment cameras are re-captured and transferred to Instagram. The rising pattern of utilizing moment simple cameras is likewise the effect of the advancement of the simple camera specialist local area
ANALISIS PENGGUNAAN AUDIO UNTUK ANAK TUNANETRA DI Indonesia Fornia, S.I.Kom, M.I.Kom, Fornia, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 2 No. 1 (2023): Volume 2, Nomer 1 - Maret 2023
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v2i1.20

Abstract

People who're blind are not able to see (absolutely blind) and might handiest see light (much less alert). Audio media that emphasizes listening to can useful resource human beings with imaginative and prescient problems. When blind youngsters are uncovered to this media on a normal basis, they expand extraordinarily touchy listening to. Using audio sources, this extraordinarily touchy listening to may be exploited for learning. Because blind junior high school kids have a stronger attention span than regular high school students, this medium may be appropriate for them if employed as a medium. With the help of junior excessive college pupils who are blind, this medium will resource inside the learning and obtaining of material. Audio The goal of this paper is to investigate the feasibility and usability of using audio media as a teaching tool for blind junior high school pupils. This study draws on some previous research that may be relevant to the study's title. According to preliminary studies, when blind college students use audio media, they are more motivated and can learn more easily. They can also analyze and interpret sounds heard through audio so that blind college students can better comprehend the material presented.
Studio Production Techniques for High-Quality Audio Recording and Mixing Fornia, S.I.Kom, M.I.Kom, Fornia, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 2 No. 2 (2023): Volume 2, Nomer 2 - September 2023
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v2i2.39

Abstract

Clear sound is essential in creative industries of music and film to create an immersive experience for audiences and listeners. For the reason, sound engineers must know the proper and effective sound recording techniques and the remarkable outcomes that professionals in the creative sector achieve. Some problems that are often encountered in production studios for quality audio recording and mixing are poor room acoustics, damaged or old studio equipment, limited knowledge and skills, external noise in the form of sound interference from outside the studio, not optimal audio processing, problems with mixing because bad mixing can result in unbalanced audio, instruments that are too dominant or too muffled, or other errors in level, panning, and effect settings. For this reason, the author presents the problems in this study, namely: 1). What is a good studio production technique for high-quality recording and mixing? 2). What equipment and software do studio production techniques produce superior recording and mixing? This research is qualitative research that uses descriptive research methods of analysis. Data were collected by observation, literature study and interviews. The data analysis technique used includes four stages, namely data collection, data reduction, data display and conclusions. The purpose of this study is to provide recommendations for studio production techniques to produce quality recording and mixing as well as what tools are needed and provide an understanding of how to use audio recording equipment. The conclusion of this study is that in achieving high-quality recording and mixing, recording and mixing techniques are needed in studio production including choosing high-quality equipment, having careful hearing and using known musical references to compare recording and mixing quality, developing skills and intuition through experience, practice, and experimentation with new techniques, Pay attention to good room setup and appropriate acoustics to create an optimal recording environment, ensuring the introduction of low latency in the equipment and computer systems used to avoid interruptions in recording and mixing.
Melodi dalam Gambar Fornia, S.I.Kom, M.I.Kom, Fornia, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 1 (2024): Volume 3, Nomor 1 - Maret 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i1.50

Abstract

This research addresses several important aspects of the use of music in film, including how music can convey emotions, increase tension and anticipation, aid memory and film recognition, and reinforce emotional points. In addition, this study also discusses how music can strengthen emotional points. The study used data analysis from both film content analysis to determine the use of music in various narrative contexts and analyzed the relationship between the type of music used in the film, the atmosphere created, and the emotional response of the audience. The results discuss the important role of music in films in influencing the emotions of the audience and deepening their experience in understanding visual stories. The study also reviewed various aspects, including the emotional influence of music, increased tension and anticipation, assistance in memory and film recognition, reinforcement of emotional points, requirements for music to be effective, influence on character identification and narrative consistency, as well as music composition techniques and sound effects that affect the atmosphere of the film.
Balancing Creative Freedom and Legal Boundaries: Navigating the Evolving Landscape of Entertainment Contracts Fornia, S.I.Kom, M.I.Kom, Fornia, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 3 No. 2 (2024): Volume 3 Nomor 2 - September 2024
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v3i2.68

Abstract

This research examines the shift in the entertainment industry that challenges existing legal and contractual boundaries, with a focus on creator rights and legal protections. The dispute between Taylor Swift and Big Machine Records was the main focus, illustrating important issues related to copyright, creative control, and fair contracts in the music industry. Through this case analysis, this research highlights the importance of understanding the rights to recording masters and the strategies artists can use to regain control over their work, including re-recording their songs. The method used is a literature study, with an analysis of recording  contracts, legal statements, and music industry publications. This research also examines how the media affects public perception and attitudes towards artist rights issues. The results of the study show that artists need to understand and negotiate clauses in their recording contracts, especially regarding royalty rights, contract duration, and exclusive rights, to avoid injustice. Re-recording strategies such as Taylor Swift are considered effective in regaining creative and economic control over their work. In Indonesia, the importance of education  and awareness of copyright and ownership of recording masters is crucial, considering the frequent violations and injustices in recording contracts. The research offers insights into how artists in Indonesia can ensure  ownership and control over their recording masters through clear agreements, contract renegotiations, and the use of re-recording rights. The legal implications and effective marketing strategies are also discussed, providing guidance for artists to strengthen their position in the music industry. As such, the study emphasizes the importance of copyright protection and fairness in recording contracts, and proposes concrete steps that artists can take to protect their creative rights and optimize the economic benefits of their work.
Harmoni Viral: Mengungkap Rahasia Audio Engineering dalam KesuksesanLagu K-pop yang Mengguncang Dunia Digital Fornia, S.I.Kom, M.I.Kom, Fornia, S.I.Kom, M.I.Kom
Profilm Jurnal Ilmiah Ilmu Perfilman dan Pertelevisian Vol. 4 No. 2 (2025): Volume 4 Nomor 2 - Juni 2025
Publisher : Akademi Komunikasi SAE Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56849/jpf.v4i2.93

Abstract

Fenomena global K-pop sangat bergantung pada viralitas di media sosial, namun peran teknis dari audio engineering dalam mendorong kesuksesan ini masih kurang dieksplorasi. Penelitian ini bertujuan untuk menganalisis bagaimana teknik audio engineering—meliputi mixing, mastering, dan desain suara—secara strategis berkontribusi dalam menciptakan konten musik yang memicu viralitas di platform digital, dengan menggunakan lagu-lagu K-pop sukses sebagai studi kasus.Melalui pendekatan kualitatif dengan desain studi kasus di Seoul, data dikumpulkan via triangulasi analisis konten audio dan wawancara semi-terstruktur dengan para profesional industri serta pengguna media sosial, yang kemudian dianalisis secara tematik. Temuan utama mengungkapbahwa viralitas bukanlah produk kebetulan, melainkan hasil dari arsitektur sonik berlapis yang dirancang secara sengaja. Strategi ini mencakup presisi teknis untuk kualitas superior, rekayasa psikoakustik untuk menciptakan “kaitan” (hook) yang adiktif, amplifikasi emosi melalui desain suara, dan optimalisasi audio yang sadar-platform untuk memaksimalkan daya tarik pada perangkat seluler dan format video pendek. Penelitian ini secara teoretis memposisikan audio engineering sebagai elemen strategis dalam ekonomi perhatian digital, melampaui perannya sebagai proses teknis semata. Secara praktis, temuan ini menyediakan kerangka kerja bagi para profesional industri untuk merancang konten musik yang ‘siap-viral’ (viral-ready) dalam ekosistem media kontemporer.