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Analisis Semiotik Charles S. Pierce dalam Drama Drama Mangir Karya Pramoedya Ananta Toer Humokor, Hikma Nurcahyani; Daud, Rolan K.; Sahari, Sella; Jannah, Firdha Fadhilatul; Kadir, Herson
Jurnal Bahasa, Sastra, dan Budaya Vol 14, No 3 (2024): (September 2024)
Publisher : Jurusan Pendidikan Bahasa & Sastra Indonesia, Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/jbsb.v14i3.30703

Abstract

This research aims to determine the results of the analysis of Pramoedya Ananta Toer's "Drama Mangir" using Charles Sanders Peirce's Semiotic Theory. This research uses a descriptive method. The source of research data comes from the book "Drama Mangir" by Pramoedya Ananta. The data for this research are signs in accordance with Charles Sanders Peirce's semiotic perspective in the form of iconic signs, indexical signs, symbolic signs found in excerpts from the dialogue "Drama Mangir" by Pramoedya Ananta. This data collection technique is carried out in two ways, namely reading and recording techniques. The data analysis technique is carried out through five stages, namely, (1) classifying data, (2) describing data, (3) analyzing data, (4) interpreting data, and (5) drawing temporary conclusions. The research results that have been described show that the results of the analysis of Pramoedya Ananta Toer's "Drama Mangir" using Charles Sanders Peirce's Semiotic Theory, there are 3 iconic signs that deepen the characterization and relationships between characters,and provide deep symbolic meaning in the story narrative. followed by 3 indexical signs that help form a deep understanding of the characters, their interactions, and the social context in the story, enriching the narrative with concrete and significant details, and 3 symbolic signs that provide a deep understanding of the dynamics of relationships between characters, as well as deepening the narrative by adding layers deep emotional meaning.
Style in Non-Fiction Books: The Subtle Art of Not Giving a F*ck by Mark Manson Daud, Rolan K.; Hinta, Ellyana; Didipu, Herman
TRANSFORMATIONAL LANGUAGE, LITERATURE, AND TECHNOLOGY OVERVIEW IN LEARNING Vol. 5 No. 1 (2025): NOVEMBER
Publisher : Transpublika Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55047/transtool.v5i1.2017

Abstract

The Subtle Art of Not Giving a F*ck by Mark Manson is a popular non-fiction work that conveys life messages in an honest, assertive, and sarcastic manner. This study aims to describe the style of language in the book from three aspects: word choice, tone, and sentence structure. The study uses a qualitative descriptive method with qualitative analysis. Data was collected through a literature review of the book, then analysed through the stages of data condensation, data presentation, and conclusion drawing. The theoretical framework refers to Gorys Keraf's concept of language style, which includes classification based on word choice (formal, informal, conversational), tone (simple, noble, middle), and sentence structure (climax, anticlimax, repetition, parallelism, antithesis). The results of the study shed light that the sentence structure aspect is the most dominant with 35 data points, followed by word choice (33 data points) and tone (30 data points). The word choice tends to be straightforward and reflective, the tone is casual yet serious, while the sentence structure is used strategically to reinforce the message and emotion. These findings indicate that style is the author's main tool in conveying ideas effectively and communicatively. The distinctive style, which is direct, straightforward, and full of honesty, makes it easier for readers to understand and resonate with the reflective messages in this book. This study is expected to serve as a reference in the study of language style in popular non-fiction texts.