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All Journal Jurnal Ilmu Sosial dan Ilmu Politik (JISIP) Pendas : Jurnah Ilmiah Pendidikan Dasar NUSANTARA : Jurnal Ilmu Pengetahuan Sosial JURNAL PENDIDIKAN TAMBUSAI Jurnal Daya Mas : Media Komunikasi dan Informasi Hasil Pengabdian dan Pemberdayaan Masyarakat Sosial : Jurnal Ilmu-Ilmu Sosial JURNAL STUDIA KOMUNIKA Al-Ittishol : Jurnal Komunikasi dan Penyiaran Islam International Journal of Science and Environment Cerdika: Jurnal Ilmiah Indonesia KOLONI Horizon: Indonesian Journal of Multidisciplinary EDUJAVARE: International Journal of Educational Research PERSEPTIF: Jurnal Ilmu Sosial dan Humaniora
Fikri Hasan
Universitas Merdeka Madiun
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Physics Public Health Social Sciences Other

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The Meaning of Justice from a Mass Communication Perspective in the Film Keadilan (2025) Bintang Alfu Nugraha; Nunik Hariyani; Fikri hasan
International Journal of Science and Environment (IJSE) Vol. 6 No. 2 (2026): May 2026
Publisher : CV. Inara in Colaboration with www.stie-sampit.ac.id

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51601/ijse.v6i2.634

Abstract

This study examines the meaning of justice constructed in the film Keadilan (The Verdict, 2025) directed by Lee Chang-hee and Yusron Fuadi through a mass communication perspective using Stuart Hall's encoding/decoding theory. This Indonesian–South Korean collaboration consistently raises critiques of the legal system, class-based impunity, and institutional failures of the judiciary. The study employs a qualitative-interpretive textual analysis method. The analysis reveals that the film encodes three layered dimensions of justice: (1) procedural justice as an object of critique, where formal legal systems are portrayed as mechanisms vulnerable to manipulation by power and capital; (2) distributive justice as an ideological substructure affirming that access to legal protection follows lines of socioeconomic inequality; and (3) restorative justice as deliberate ambiguity, inviting audiences to reflect on the boundary between justice and revenge. Through narrative, character construction, mise-en-scène, cinematography, and dialogue, the film positions itself in an encoding stance of strategic subversive complicity using popular genre forms as vehicles for substantial social critique. These findings affirm the relevance of Hall's theory in dissecting film texts as arenas of ideological meaning contestation, particularly within the context of legal and justice representation in Indonesia.
Representasi Identitas Komunitas Pada Fans Sepak Bola Madiun Putra Rizhal Putra Pratama; Nunik Hariyani; Fikri Hasan
PERSEPTIF: Jurnal Ilmu Sosial dan Humaniora Vol. 4 No. 3 (2026): PERSEPTIF: Jurnal Ilmu Sosial dan Humaniora
Publisher : Lembaga Penelitian dan Pendidikan (LPP) Kalibra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70716/perseptif.v4i3.598

Abstract

This study examines the construction and representation of social identity within two football supporter communities The Mad Mania (TMM) and Great Bull Boys (GBB) as supporters of Madiun Putra football club. Employing a qualitative approach through case study method, data were collected via in-depth interviews with four key informants in 2026. Analysis was conducted using four complementary theoretical frameworks: Tajfel and Turner’s Social Identity Theory (1979), Barthes’ Semiotics (1957), Stuart Hall’s Theory of Representation (1997), and Goffman’s Dramaturgy (1959). Findings reveal that identity in both communities is constructed through three dimensions: social categorization rooted in local and historical values, positive distinctiveness derived from each community’s unique characteristics, and individual identity transformation through membership. Community symbols operate across three semiotic layers denotation, connotation, and myth with the myth of loyalty serving as the most stable value. In the digital context, both communities simultaneously manage two stages (physical and virtual) through fully conscious impression management strategies. The anthem ritual ‘Sang Pahlawan’ proves to be the most powerful mechanism for reproducing collective identity, uniting all elements of Madiun Putra supporters beyond sub-community boundaries. These findings contribute theoretically to the development of multi-theoretical social identity studies in mid-sized-city sporting communities, while offering practical value for club management and supporter communities in leveraging collective rituals to strengthen solidarity and loyalty.
Representasi Nilai-Nilai Keislaman Pada Film 99 Cahaya Di Langit Eropa Sausan Nur Shabrina; Maria M Widiantari; Fikri Hasan
Cerdika: Jurnal Ilmiah Indonesia Vol. 5 No. 3 (2025): Cerdika: Jurnal Ilmiah Indonesia
Publisher : Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59141/cerdika.v5i3.2461

Abstract

Penelitian ini menyoroti pentingnya memahami representasi nilai-nilai keislaman dalam media massa, khususnya film, sebagai alat komunikasi budaya dan agama. Tujuan penelitian ini adalah untuk menganalisis representasi nilai-nilai keislaman dalam film 99 Cahaya di Langit Eropa dan untuk mengeksplorasi bagaimana film ini dapat mempengaruhi persepsi masyarakat tentang Islam. Film ini dipilih karena mengangkat tema perjalanan spiritual seorang Muslim di Eropa, yang menggambarkan tantangan identitas dan integrasi budaya. Metode yang digunakan adalah deskriptif kualitatif, dengan pengumpulan data melalui observasi langsung terhadap film dan kajian literatur yang relevan. Data dianalisis menggunakan pendekatan semiotika Roland Barthes melalui tiga elemen utama: denotasi, konotasi, dan mitos. Hasil penelitian menunjukkan bahwa nilai-nilai keislaman, seperti aqidah, akhlak, dan syariah, direpresentasikan melalui dialog, adegan, dan simbol budaya. Nilai aqidah tercermin dalam keimanan kepada Tuhan, nilai akhlak dalam interaksi sosial, dan nilai syariah dalam praktik ajaran Islam. Analisis mitos memperlihatkan Islam sebagai agama damai dan toleran, sekaligus melawan stereotip negatif tentang Muslim di Eropa. Kesimpulannya, 99 Cahaya di Langit Eropa tidak hanya berfungsi sebagai media hiburan, tetapi juga sebagai sarana edukasi dan dakwah yang efektif dalam menyampaikan nilai-nilai keislaman kepada masyarakat luas.
Framing Nasionalisme dan Militerisme Amerika Serikat dalam Film Top Gun: Maverick: Analisis Framing Robert Entman Pranoto, Muhammad Agum; Hariyani, Nunik; Hasan, Fikri
HORIZON: Indonesian Journal of Multidisciplinary Vol. 4 No. 4 (2026): HORIZON: Indonesian Journal of Multidisciplinary
Publisher : Lembaga Intelektual Muda (LIM) Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54373/hijm.v4i4.7043

Abstract

This study aims to analyze the construction of United States nationalism in the film Top Gun: Maverick through Robert Entman's framing analysis. The study used a qualitative approach with a media textual analysis method. Data were obtained through observation and documentation of six purposively selected scenes, then analyzed using Entman's four framing devices: define problems, diagnose causes, make moral judgments, and treatment recommendations. Data validity was carried out through theoretical triangulation and expert judgment. The results show that the film frames global threats as legitimizing the use of United States military force, positioning technological superiority, professionalism, and soldier solidarity as solutions to these threats, and constructing a positive image of the military institution through representations of heroism and global leadership. These findings indicate that Top Gun: Maverick functions as a medium for legitimizing military policy through a framing strategy that integrates nationalist narratives with representations of military superiority. Academically, this research extends the application of Entman's framing model in the study of audiovisual media by showing how popular media construct ideological legitimacy for the use of military force through narrative and visual construction.
Strategi Meningkatkan Efektivitas Grebeg Suro sebagai Media Pewarisan Budaya Reog Ponorogo pada Generasi Muda Yunita Ayu Fatmawati; Maria M Widiantari; Fikri Hasan
KOLONI Vol. 5 No. 3 (2026): SEPTEMBER 2026
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/koloni.v5i3.1080

Abstract

Reog Ponorogo has been recognized as a UNESCO Intangible Cultural Heritage in Need of Urgent Safeguarding, emphasizing the critical need for structured transmission. The annual Grebeg Suro festival serves as a pivotal cultural communication channel to preserve this heritage among the younger generation. This study aims to analyze the current effectiveness of Grebeg Suro as a cultural transmission medium, identify its supporting and hindering factors, and formulate communication strategies to enhance engagement. Utilizing a descriptive qualitative approach, data were gathered through semi-structured in-depth interviews with eight informants: a cultural figure, an art teacher, a festival practitioner, and five representatives of the youth generation (ranging from passive viewers to active performers). Data analysis followed the interactive model of Miles and Huberman. The findings reveal a significant gap across communication dimensions: while cognitive and affective engagement remain remarkably high, active behavioral engagement remains limited, with many youths operating merely as passive spectators. Hindrances include excessive event durations that diverge from modern consumption patterns, administrative and budget blockages, and horizontal peer pressures labeling traditional arts as archaic. Conversely, strong institutional backing and the global prestige of UNESCO serve as vital facilitators. Grounded in Lasswell’s and Wilbur Schramm’s communication models, this study proposes an integrated strategy comprising digital co-creation, bidirectional social feedback loops, choreography adaptation, and structural youth-led committees to reduce the dissonance between presence and active participation.
HUBUNGAN LITERASI DIGITAL, SIKAP MAHASISWA DAN PEMANFAATAN ARTIFICIAL INTELLIGENCE (AI) Sulistiyanto, Figo Ferry; Maria Magdalena; Fikri Hasan
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 No. 03, September 2026 Release
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.60382

Abstract

This study examines the effects of digital literacy and students' attitudes on the utilization of Artificial Intelligence (AI) for academic communication among students of the Communication Science Study Program at Universitas Merdeka Madiun. A quantitative survey approach was employed, involving 100 respondents selected through purposive sampling. Data were collected using an online questionnaire and analyzed through multiple linear regression with the aid of SPSS software. The findings indicate that digital literacy has a positive and statistically significant effect on AI utilization (t = 3.421; p < 0.05). Students' attitudes also demonstrated a positive and statistically significant effect on AI utilization (t = 3.278, p < 0.05). Furthermore, the simultaneous test revealed that digital literacy and students' attitudes jointly had a significant effect on AI utilization (F = 28.022, p < 0.001). The coefficient of determination (R² = 0.366) further indicated that these two variables explained 36.6% of the variance in AI utilization, while the remaining 63.4% was attributable to factors not included in the regression model.
MAKNA SIMBOLIK DAN PESAN SELF HEALING DALAM LIRIK LAGU SECUKUPNYA KARYA HINDIA: ANALISIS SEMIOTIKA FERDINAND DE SAUSSURE Ryan Subastian; Nunik Hariyani; Fikri Hasan
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 03 (2026): Volume 11 Nomor 03, September 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i03.61212

Abstract

This study examines the symbolic meaning and self-healing messages in the lyrics of Secukupnya by Hindia using Ferdinand de Saussure's dyadic semiotics (signifier, signified, sign). Released on May 3, 2019 as the second single from the album Menari dengan Bayangan (2019), the song addresses existential anxiety about the future, economic precarity, collective failure, family wounds, nostalgic escape, and decay, before arriving at a resolution centered on measured grief and cyclical impermanence. This descriptive qualitative study employs a content analysis method. Data were collected through documentation and literature review, then analyzed systematically using Saussurean semiotic tables. Self-compassion theory (Neff, 2003, 2011) serves as a supporting conceptual framework. Results identify four dominant sign clusters: (1) anxiety and structural pressure signs; (2) collective failure and solidarity signs; (3) wounds, decay, and nostalgic escape signs; and (4) measured grief and cyclical impermanence signs. Contrary to its surface meaning as 'sufficient rest,' the word 'secukupnya' undergoes a significant semiotic shift across the song from a threshold that has been exceeded (negative) to a healthy unit of grieving (positive). The common humanity component of self-compassion emerges as the most dominant and explicit dimension, particularly through the sign 'we all fail' and the inverted toast ritual of grieving together, while mindfulness and self-kindness appear more implicitly. This study contributes to popular music semiotics in Indonesia and demonstrates that the song offers a socially relational, rather than purely individual, model of self-healing.
KOMUNIKASI INTERAKSI SIMBOLIK DALAM METAVERSE GTA V ROLEPLAY SERVER KOTAKITA Danendro Bari Satriawan; Nunik Hariyani; Fikri Abdat Hasan
NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Vol 12, No 4 (2025): Nusantara : Jurnal Ilmu Pengetahuan Sosial
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/jips.v12i4.2025.1368-1374

Abstract

Penelitian ini bertujuan untuk mengetahui dan memahami bagaimana komunikasi interaksi simbolik dalam metaverse GTA V Roleplay di Server Kotakita. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan pendekatan etnografi virtual. Data diperoleh menggunakan Teknik observasi, wawancara, dan dokumentasi. Analisis data dilakukan melalui 4 tahapan yaitu pengumpulan data, reduksi data, penyajian data, dan penarikan Kesimpulan. Teori yang digunakan dalam penelitian ini adalah teori interaksi simbolik. Hasil penelitian menunjukkan bahwa komunikasi interaksi simbolik yang dilakukan oleh para informan disampaikan melalui kegiatan dan aktivitas sesuai dengan rolenya masing-masing. Dengan melakukan kegiatan dan aktivitas tersebut perlu adanya pendalaman karakter agar peran yang dimainkan tampil maksimal. Didukung dengan identitas yang memiliki ciri khas dari masing-masing role yang dapat dibedakan melalui warna, logo, dan seragam. Hal tersebut bertujuan sebagai identitas sosial dari masing-masing role.
Co-Authors Bintang Alfu Nugraha Danendro Bari Satriawan Disrivia, Nafiu Hariyani, Nunik Kusuma, Gita Dwi Rahayu Maria M Widiantari Maria Magdalena Maria Magdalena Maria Magdalena Maria Magdalena Widiantari Marshanda, Nelly Muhammad Chandra Irawan Neni Utami Ardianingsih Pranoto, Muhammad Agum Renati, Nadia Rizhal Putra Pratama Ryan Subastian Sausan Nur Shabrina Sulistiyanto, Figo Ferry Yunita Ayu Fatmawati