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All Journal Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Federalisme : Jurnal Kajian Hukum Dan Ilmu Komunikasi
Zaimasuri Zaimasuri
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Arts Law, Crime, Criminology & Criminal Justice

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Analisis Wacana Kritis Van Dijk Terhadap Lirik Lagu “Bayar Bayar Bayar” oleh Band Sukatani Auni Maliki; Fauza Subhan Irawan; Purwanto Putra; Ahmad Riza Faizal; Zaimasuri Zaimasuri
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 3 (2025): Mei : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i3.609

Abstract

This study aims to analyze the song “Bayar Bayar Bayar” using the Critical Discourse Analysis (CDA) approach based on Teun A. van Dijk’s model. The song was selected due to its explicit criticism of corruption and abuse of power within the Indonesian police institution. The analysis covers three main dimensions in Van Dijk’s theory: discourse structure (macrostructure, superstructure, and microstructure), social cognition, and social context. The analysis reveals that thematically, the song represents the collective experience of society in facing bureaucratic injustice, particularly in the form of illegal levies by the authorities. Its repetitive and straightforward superstructure strengthens the main message. At the microstructural level, the use of direct language, punk-styled stylistics, and the rhetorical repetition of “bayar polisi” (pay the police) create a provocative effect and reinforce the social critique being delivered. In terms of social cognition, the song reflects the public's mental model of the police as an institution that perpetuates social inequality rather than acting as a neutral protector. From a social context perspective, the song emerges from the reality of unequal power relations between citizens and authorities, serving as a symbolic form of resistance against hegemonic power structures. “Bayar Bayar Bayar” is thus not only a musical work but also an ideological expression with critical discourse value in advocating for social justice.
Wacana Sosial dalam Penggunaan Siger Lampung: Antara Pelestarian Tradisi dan Adaptasi Budaya Evita Listi Maharani; Salma Safinatunnajah; Vivas Dwi Toti Divaldo; Purwanto Putra; Zaimasuri Zaimasuri; Ahmad Riza Faizal
Federalisme: Jurnal Kajian Hukum dan Ilmu Komunikasi Vol. 2 No. 2 (2025): Mei: Federalisme : Jurnal Kajian Hukum dan Ilmu Komunikasi
Publisher : Asosiasi Peneliti dan Pengajar Ilmu Hukum Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/federalisme.v2i2.693

Abstract

This article discusses the social phenomenon related to using Siger Lampung as one of the cultural attributes typical of the Lampung region. Currently, the use of Siger Lampung is increasingly varied, ranging from clothing, decoration, and public facilities to commercial places. Siger, which is currently more often used in the context of architecture and design, requires adjustments that some traditional and cultural figures may not approve of. This adjustment also requires a careful approach to ensure that the essence of its culture is not lost and can continue to survive. Given these obstacles and challenges, the community and government need to work together on the importance of maintaining Siger as an integral part of Lampung culture. Through support through education, promotion, and cultural initiatives, Siger can remain a symbol of recognition in this modern era. This study aims to analyze the role of Siger Lampung in preserving traditions and cultural adaptation in a multi-ethnic society. By understanding the dynamics of Siger use, this cultural symbol is expected to function as a uniform tool and collective identity in various communities.
Co-Authors Ahmad Riza Faizal Auni Maliki Evita Listi Maharani Fauza Subhan Irawan Purwanto Putra Salma Safinatunnajah Vivas Dwi Toti Divaldo