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Pelatihan Penggunaan Media Digital dalam Pembuatan Karangan Bahasa Jepang untuk Tingkat Dasar Alifah, Rahma Fitri; Roosiani, Indun; Saptaji, Hargo
Jurnal Pengabdian Masyarakat (ABDIRA) Vol 5, No 3 (2025): Abdira, Juli
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/abdira.v5i3.769

Abstract

The purpose of the community empowerment activity with the theme "Strategi Pengajaran Sakubun Tingkat Dasar" is to provide knowledge and understanding to Japanese language teachers, especially at the senior high school level or its equivalent, on how to use digital media to teach sakubun. This activity was conducted through a two-day webinar (on October 23, 2023, and February 24, 2024) using the zoom meeting platform. Participants in this Community Empowerment webinar gained insights into effective ways digital media can be used to support classroom teaching, particularly in writing Japanese compositions, or sakubun. The goal of this webinar was not only to provide knowledge to Japanese language teachers but also to address common challenges in teaching sakubun, which is a demanding learning activity that requires considerable time and effort to give students meaningful feedback. By participating in this webinar, it is hoped that these challenges can be reduced, ultimately benefiting learners of the Japanese language.
Alih Kode dan Campur Kode dalam Lirik Lagu pada Album “Crows” Karya Rapper Miyachi Kurniawan, Nandana Ardra; Djaya, Hermansyah; Saptaji, Hargo
Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 11 No 3 (2025): Ideas: Pendidikan, Sosial, dan Budaya (Agustus)
Publisher : Ideas Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32884/ideas.v11i3.2367

Abstract

In sociolinguistic studies, the phenomenon of code switching and code mixing does not only occur in everyday conversation, but also in songs. This study aims to analyze code switching and code mixing in the song lyrics on Miyachi's album Crows. The method used is descriptive qualitative, where the results of the data analysis will be explained in more depth. The results of this study are, in this album there were 24 code switching events and 194 code mixing. Of the 194 code mixings, there are 136 words, 36 phrases, and 24 clauses. 187 are external code mixing and 7 are internal code mixing, and the cause of code switching and code mixing in this album is the songwriter who is a bilingual background
Analisis Representasi Konsep Ikigai dalam Album Jepang BTS THE BEST oleh BTS (Tinjauan Pendekatan Semiotika Roland Barthes) Faidah, Rindi; Artadi, Ari; Saptaji, Hargo
JLA (Jurnal Lingua Applicata) Vol 8, No 2 (2025)
Publisher : DBSMB, Vocational College of Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jla.82940

Abstract

Losing Ikigai can happen to young people in finding their purpose in life. Lack of understanding of Ikigai makes it difficult for someone to find Ikigai. So it is very important to prepare Ikigai from a young age. BTS songs are in Japanese, there is a possibility that the implied positive meaning is not clearly conveyed to listeners. The purpose of this study is to explain the definition and concept of Ikigai, the representation of the Ikigai concept contained in the BTS Japanese Album, THE BEST using Roland Barthes' semiotics. The method used is descriptive qualitative approach. The data source was obtained from the reduced BTS song lyrics using Roland Barthes' theory and Ken Mogi's Ikigai theory as research objects. The results of this study are that there are 19 songs in BTS' Japanese album, THE BEST which represent the concept of Ikigai, 4 songs represent the first pillar 'Starting small', 4 songs represent the second pillar 'Releasing oneself', 3 songs represent the third pillar 'Harmony and sustainability', 3 songs represent the fourth pillar 'The joy of little things' and the fifth pillar 'Being in the here and now' represents the most pillars in the Ikigai concept, namely 5 songs.