Article Per Year (5 Year)
p-Index From 2020 - 2025
2.346
P-Index
This Author published in this journals
All Journal Jurnal Bima: Pusat Publikasi Ilmu Pendidikan Bahasa dan Sastra Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Sintaksis: Publikasi Para Ahli Bahasa dan Sastra Inggris Dinamika Pembelajaran : Jurnal Pendidikan dan Bahasa Blaze: Jurnal Bahasa dan Sastra dalam Pendidikan Linguistik dan Pengembangan Jurnal Pustaka Cendekia Pendidikan Jejak digital: Jurnal Ilmiah Multidisiplin
Otong Setiawan Djauhari
Unknown Affiliation
Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

Published : 18 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 7 Documents
Search
Journal : Jejak digital: Jurnal Ilmiah Multidisiplin

 1 
Language Style Analysis of YouTube Streamer Windah Basudara in The Classroom Gameplay Alya Raysha Davira; Otong Setiawan Djauhari
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 1 No. 4 (2025): JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/gchsqa40

Abstract

In the digital era, a YouTuber plays a role not only in delivering content but also in creating a unique communication experience for their viewers. This study investigates the linguistic style of Windah Basudara during his gameplay of The Classroom a video that has become a popular talking point in the horror gaming community, particularly in April 2024. The game was selected because it successfully drew spontaneous and expressive reactions from the streamer, reflecting a high level of interaction in the comments section. The main focus lies in how Windah utilizes speech, greetings, humor, and spontaneous expressions to foster an emotional bond with his audience. Using a descriptive qualitative method and a light contextual pragmatic approach, this research classifies the types of linguistic style that emerge, without delving into overly complex linguistic theory. The results show that Windah’s communication strength lies in his ability to blend spontaneity, relatability, and a consistent personal style. These elements make his content feel lively and close to the viewers. The study concludes that a streamer’s success depends not only on the game played but also on their ability to connect naturally and entertainingly with their audience.
Dialect Language tn the Film Home Sweet Loan Irna Inayatul Hidayah; Otong Setiawan Djauhari
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 1 No. 4 (2025): JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/f21b6h28

Abstract

This research investigates the sociolinguistic roles of dialect and language variation in the Indonesian film Home Sweet Loan (2023), focusing on how informal expressions, regional dialects, and code-switching reveal characters' identities, emotions, and social positions. Using a descriptive qualitative method, data were collected through transcription and analysis of selected scenes featuring the main character, Kaluna. Findings indicate that linguistic choices—such as Jakarta slang, Javanese/Sundanese particles, sarcastic wordplay, and metaphor—are strategically used to portray economic struggle, gender roles, emotional fatigue, and generational pressure. The study concludes that dialects in Home Sweet Loan are more than just stylistic devices; they are critical tools for expressing urban identity, navigating socioeconomic realities, and challenging traditional norms through humor, irony, and resistance.
Psychological Manipulation in Psychological Thrillers: A Case Study of “The Housemaid” by Freida McFadden Siti Alifia Ananda Ardiani; Otong Setiawan Djauhari
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 1 No. 4 (2025): JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/f216h027

Abstract

Psychological thrillers as a genre have become a powerful vehicle for exploring the dynamics of power, trauma, and manipulation in human relationships. This article discusses psychological manipulation in the psychological thriller genre, focusing on Freida McFadden's novel The Housemaid. The main issue raised is how manipulation is constructed and displayed through the psychological behavior of the characters. The purpose of this study is to uncover the narrative techniques and psychological strategies used by the author in building tension and directing the reader's perception. This study uses a qualitative method with a psychological literary approach, analyzing the behavior of the main characters, namely Andrew Winchester, Millie, and Nina in their interactions to identify elements of manipulation. The results show that McFadden effectively uses unreliable narratives, character isolation, and changing power dynamics to enhance psychological tension. The conclusion shows that these elements work together to create an intense and disturbing reading experience, and reveal the important role of manipulation in the psychological thriller genre.
Emotional Resonance of 'Perfect': A Psycholinguistic Study of Listener Responses to Word Choice and Sentence Structure in Ed Sheeran's Lyrics Zahra Mawaddah; Otong Setiawan Djauhari
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 1 No. 4 (2025): JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/v71c8p29

Abstract

This study aims to investigate how emotions emerge from word choice and sentence structure in the song Perfect by Ed Sheeran using a psycholinguistic approach. The song is widely recognized for evoking feelings of nostalgia, love, and happiness in its listeners. Employing a qualitative method through analytical observation, this research demonstrates how linguistic elements such as diction, repetition, and simple sentence construction contribute to the creation of emotional meaning. The findings indicate that the lyrics of Perfect prompt listeners to recall their own feelings through the use of clear language, recurring themes, and straightforward sentence structures, all of which enhance emotional closeness and resonance.
Analyzing Positive Politeness in Self-Introductions by Players on the Albion Online Forum Muhammad Ziddan Akbar Assyari; Otong Setiawan Djauhari
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 1 No. 4 (2025): JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/w94bbr29

Abstract

Players often use online game forums to meet other players and to introduce themselves. This paper will examine the positive politeness strategies in self-introduction posts of the Albion Online forum. The qualitative descriptive design was applied, and fifteen posts were chosen purposely in the “Introduce Yourself!” category, with the data acquired from January to June 2025. This data was analyzed in Brown and Levinson's politeness theory by content-based pragmatic analysis. The results indicate that strategies of greeting, possessing enthusiasm, self-disclosure, joking, and inclusive language were used by the users to build relationships and decrease the social distance. These strategies indicate that users want to be accepted and aligned with the community. This research finds out that positive politeness is one of the necessary instruments of social interaction in digital gaming forums. This means that the online platforms have a major influence on communicative behavior. It is suggested that future research be conducted to add responses or interactions toward the investigation of the patterns of politeness in longer conversations.
Figurative Language Analysis in Song Lyrics 'cindy lou who' by Sabrina Carpenter Nurfitri, Yusthalya; Otong Setiawan Djauhari
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 1 No. 4 (2025): JULI (Edisi Spesial)
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/1nm4zk35

Abstract

This study aims to analyze figurative language as used in the lyrics of ‘cindy lou who’ by Sabrina Carpenter. It was selected because it uses a lot of figurative language to convey expressions making the lyrics even more feeling and full of unsaid meaning in it. This study uses a descriptive qualitative approach where the method is content analysing, and the aim is to figure out the nature of figurative language employed and the meaning behind them within the context of the whole song. The variable used to gather the information was the content of the presented lyrics, which was analysed thematically under applicable theories of figurative language. The results indicate that a lot of figurative language such as metaphor, irony, imagery, symbolism and also hyperbole dominates the lyrics of ‘cindy lou who’ are used to enhance the overall poetic style and to translate a sense of emotions and feelings of loss, regret and or longing. Through analysing the instances of these figures of speech, the study also attempts to reveal the implicit messages which are not explicitly expressed by Sabrina Carpenter and to prove how figurative language may influence emotional aspects and aesthetic norms of a musical work itself.
Figurative Language Analysis of “Berita Kepada Kawan” by Ebiet G. Ade Among UIN Bandung Students Aqil Rudya Alam; Otong Setiawan Djauhari
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 1 No. 4 (2025): JULI (Edisi Spesial)
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/59ezp378

Abstract

This study investigates the use of figurative language in the song “Berita Kepada Kawan” by Ebiet G. Ade, focusing on the widespread misinterpretation of its meaning by listeners. Many audiences perceive the song literally, overlooking the deep symbolic messages embedded in its lyrics. The purpose of this article is to reveal the figurative language used in the song and highlight how different individuals may interpret the same lyrics differently, often diverging from the songwriter’s intended message. Employing a qualitative research method, the study involved a participatory approach through an online questionnaire distributed via Google Forms to 26 respondents. The findings indicate a significant variation in interpretation among listeners, with a majority failing to grasp the figurative elements and underlying messages of the song. These results suggest that lyrical content, especially in poetic or symbolic forms, often requires contextual understanding to avoid misinterpretation. The study concludes that a lack of awareness regarding figurative language contributes to misunderstanding song lyrics, which may diminish the impact of the songwriter’s message. It recommends further research on public perception of figurative language in music and the role of educational tools in enhancing lyrical comprehension.
Co-Authors Alya Raysha Davira Andini Khairunisa Sulaiman Aqil Rudya Alam Fathimah Az Zahro Irna Inayatul Hidayah Laela Tusa’adah Laila Qadera Fitria Muhammad Ziddan Akbar Assyari Mutiara Salsabila Nuzula Nur Abqori Salma Nurfitri, Yusthalya Salwa Khuzaimatu Salwa Rismilillah Akmalia Sheilita Saputri Siti Alifia Ananda Ardiani Sri Nita, Sri Tsulis Khoerunnisa Amanah Zahra Mawaddah