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All Journal Jejak digital: Jurnal Ilmiah Multidisiplin Jurnal Teologi Islam
Zahra Mawaddah
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Religion Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Emotional Resonance of 'Perfect': A Psycholinguistic Study of Listener Responses to Word Choice and Sentence Structure in Ed Sheeran's Lyrics Zahra Mawaddah; Otong Setiawan Djauhari
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 1 No. 4 (2025): JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/v71c8p29

Abstract

This study aims to investigate how emotions emerge from word choice and sentence structure in the song Perfect by Ed Sheeran using a psycholinguistic approach. The song is widely recognized for evoking feelings of nostalgia, love, and happiness in its listeners. Employing a qualitative method through analytical observation, this research demonstrates how linguistic elements such as diction, repetition, and simple sentence construction contribute to the creation of emotional meaning. The findings indicate that the lyrics of Perfect prompt listeners to recall their own feelings through the use of clear language, recurring themes, and straightforward sentence structures, all of which enhance emotional closeness and resonance.
Resepsi Estetik Jauss terhadap Ayat-Ayat Jilbab: Studi Komparatif Sastra Tafsir Kemenag VS. Narasi Hijab Fashion di TikTok Davin Zachary Yasa; Siti Hanifah Amaliah; Zahira Sufyan; Zahra Mawaddah; Tenny Sudjatnika
Jurnal Teologi Islam Vol. 2 No. 1 (2026): DESEMBER 2025 - MEI 2026
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/jy8de722

Abstract

The hijab phenomenon in Indonesia has undergone a radical transformation from a static theological signifier to a dynamic visual commodity in the digital era. This research aims to analyze the shift in religious authority and the interpretation of hijab verses (Surah Al-Ahzab: 59 and Surah An-Nur: 31) by comparing the official narrative of the Ministry of Religious Affairs (Kemenag) and the hijab fashion narratives on TikTok. Using Hans Robert Jauss’s Aesthetic of Reception theory, specifically the concepts of "horizon of expectation" and "aesthetic distance," the study employs a comparative analysis on diachronic and synchronic axes. The findings reveal a sharp divergence in reception: Kemenag builds a normative-institutional horizon focusing on legal compliance and moral protection, whereas TikTok constructs an aesthetic-digital horizon driven by algorithmic logic, visibility, and consumerism. This shift demonstrates a radical decentralization of religious authority, where digital influencers act as new interpreters prioritizing "visual orthopraxy" over traditional orthodoxy. Consequently, aesthetics has become a new regime of truth for the younger generation. This study concludes that religious institutions must adopt visual literacy and new interpretive approaches to remain relevant within modern visual culture.
Co-Authors Davin Zachary Yasa Otong Setiawan Djauhari Siti Hanifah Amaliah Tenny Sudjatnika Zahira Sufyan