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All Journal Lumbung Aksara: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Asmara, Trinata
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Education Languange, Linguistic, Communication & Media Other

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CRITICAL DISCOURSE ANALYSIS OF SARA MILLS MODEL ON THE SHORT STORY “SI MONTOK” BY A.A NAVIS Defianty, Rina; Karyani, Afril Lita; Putri, Farhanasyah; Handayani, Sri; Asmara, Trinata; Suryani, Suryani
LUMBUNG AKSARA Vol 5 No 1 (2025): Lumbung Aksara: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa Indonesia FKIP-UNIVA Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47662/lumra.v5i1.1105

Abstract

This study analyzes the short story ‘Si Montok’ by A.A. Navis using Sara Mills’ critical discourse analysis model, focusing on the representation of women in the text and how the text reconstructs power relations in society. This analysis aims to reveal how the discourse in the short story presents and perhaps challenges the construction of gender and power in society. Through the analysis of the positions of the subject, object, and reader in the narrative structure, this study finds that the short story ‘Si Montok’ tends to represent women from a male perspective, objectifies women’s bodies, and reinforces existing social stereotypes of women. This analysis is expected to enrich Indonesian literary studies with a critical discourse analysis perspective, especially Sara Mills’ model, which emphasizes the importance of social and political context in understanding the text.
ACCEPTANCE OF GRIEF AND CHANGES IN FAMILY DYNAMICS IN THE FILM “BILA ESOK IBU TIADA”: A STUDY OF HERMENETICS Pasaribu, Gumarpi Rahis; Tarigan, Nurul Husna; Asmara, Trinata; Wulandari, Wina; Chaesar, Ari Suryawati Secio
LUMBUNG AKSARA Vol 5 No 1 (2025): Lumbung Aksara: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa Indonesia FKIP-UNIVA Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47662/lumra.v5i1.1106

Abstract

This study examines the acceptance of grief and changes in family dynamics shown in the film "Bila Esok Ibu Tiada" by Rudy Soedjarwo. The film focuses on the emotional journey of a family facing the loss of a mother, raising a deep theme of how each family member goes through the process of accepting grief. Using a hermeneutic approach, the study explores the different stages of grief identified by Kübler-Ross, including denial, anger, bargaining, depression, and acceptance, to show how the characters interact and cope with loss. The results of the analysis show that the film not only depicts the grief of loss, but also the far-reaching impact on relationships between family members, where the experience of grief can create conflict and strengthen bonds. The journal provides insights into the representation of grieving experiences in cultural contexts, and how film can serve as a medium for understanding and reflecting on the complex dynamics in family life after loss.
Co-Authors Chaesar, Ari Suryawati Secio Defianty, Rina Handayani, Sri Karyani, Afril Lita Pasaribu, Gumarpi Rahis Putri, Farhanasyah Suryani Suryani Tarigan, Nurul Husna Wina Wulandari