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An Analysis of Satire as Social Critique in Jonathan Swift’s A Modest Proposal Wafiq Aziz Wardah; Otong Setiawan Djuharie
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 1 No. 4 (2025): JULI (Edisi Spesial)
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/nmk6qt57

Abstract

This study explores the use of satire as a form of social critique in Jonathan Swift’s A Modest Proposal (1729), a canonical satirical essay that responds to the severe poverty and political oppression in 18th-century Ireland. The research adopts a descriptive qualitative method with M.H. Abrams’ theory of satire as the analytical framework, focusing on four key elements: parody, irony, allegory, and humor. Through close reading and contextual analysis, the study reveals how Swift weaponizes rhetorical strategies to expose the moral failures of British colonial rule, the economic exploitation of the Irish poor, and the inhumanity of utilitarian logic. Findings show that Swift employs layered irony and grotesque parody to mimic policy discourse, turning bureaucratic language into a tool of condemnation. Allegorical expressions and dark humor further intensify the satirical impact, forcing readers to confront the ethical absurdity of commodifying human lives. The study concludes that Swift’s satire is not merely literary art, but a powerful moral act of resistance that remains relevant to contemporary critiques of injustice, inequality, and systemic indifference.
A Study Of Spiritual Struggle In Muslim Diaspora Using The Maqāṣid Al-Sharī‘Ah Approach In Sami Yusuf’s Song Lyrics Wafiq Aziz Wardah; Tenny Sudjatnika; Nurholis
Jurnal Teologi Islam Vol. 1 No. 1 (2025): MEI 2025
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/48eygr86

Abstract

This study examines spiritual struggle and moral guidance among Muslim diaspora as represented in Sami Yusuf’s song lyrics using a qualitative descriptive method. As Bryman (2004:269) states, qualitative research prioritizes interpretation of textual meaning rather than quantification; therefore, this study analyzes selected lyric excerpts from Came To Me, Make Me Strong, and You through the framework of Maqāṣid al-Sharī‘ah, specifically ḥifẓ al-dīn (protection of faith), ḥifẓ al-nafs (protection of psychological well-being), and ḥifẓ al-‘aql (protection of intellect). In line with Wahid (2023), Maqāṣid provides a contextual ethical approach to contemporary challenges, while Auda emphasizes its orientation toward human welfare (maṣlaḥah). The findings show that Sami Yusuf’s lyrics portray faith restoration amid disorientation (ḥifẓ al-dīn), emotional resilience and inner healing under pressure (ḥifẓ al-nafs), and moral reasoning guided by divine orientation within ideological plurality (ḥifẓ al-‘aql). Overall, the songs function as contemporary Islamic literary texts that offer spiritual and moral guidance for Muslim diaspora navigating modern uncertainties.
Analisis Pragmatik dalam Kesantunan Tindak Tutur Tokoh pada Cerpen ‘Thank You, Ma’am’ Karya Langston Hughes Alifah Zahra Adhiyana; Putri Fatimah Azzahra; Wafiq Aziz Wardah; Dadan Firdaus
Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat Vol. 3 No. 3 (2026): Juli: Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat
Publisher : Asosiasi Riset Ilmu Pendidikan Agama dan Filsafat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/akhlak.v3i3.2344

Abstract

This study analyzes the politeness strategies of characters' speech acts in Langston Hughes' short story "Thank You, Ma'am" using Brown and Levinson's Politeness Theory (1987) integrated with the perspective of Islamic Moral Mysticism (Akhlak Tasawuf). A descriptive qualitative method was employed, with data collected through reading and noting techniques and purposive sampling. The primary data source consists of 15 utterances drawn from dialogues between the two main characters, Mrs. Luella Bates Washington Jones and Roger, analyzed using the Miles, Huberman, and Saldaña (2014) model. The findings identify three politeness strategies: positive politeness (53.3%), negative politeness (26.7%), and bald on record (20%), while the off-record strategy was absent. Positive politeness emerged as the dominant strategy, reflecting the characters' efforts to build solidarity and moral transformation. Concurrently, the Akhlak Tasawuf analysis identified three prevailing values—tawadhu' (humility), shiddiq (truthfulness and sincerity), and hifdzul lisan (guarding one's speech)—each correlating with the politeness strategies employed. These findings suggest that linguistic politeness in this short story functions not merely as a pragmatic face-management tool, but also as a representation of ethical and spiritual values that foster behavioral change and the restoration of interpersonal relationships.