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All Journal JLA (Jurnal Lingua Applicata) Jurnal Cahaya Mandalika Journal of Language Education Studies and Applied Linguistics (JoLESAL)
Yamjirin, Abdussalam Jabaruddin
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Humanities Education Languange, Linguistic, Communication & Media

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Culpeper’s Impoliteness Strategies in the Devil May Cry 3 Cutscenes: Analyzing the 'Chaos’ Warm Welcome' Dialogues from Mission 13 Yamjirin, Abdussalam Jabaruddin
JLA (Jurnal Lingua Applicata) Vol 8, No 2 (2025)
Publisher : DBSMB, Vocational College of Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jla.105000

Abstract

This study focuses on analysing the impoliteness strategies used in “Devil May Cry 3: Dante’s Awakening” within Culpeper’s frameworks (1996, 2005, 2011), and Mission 13, Chaos’ Warm Welcome in particular. It forms a qualitative analysis of 48 identified instances of impolite utterances where the predominant strategy was found to be sarcastic/mock politeness (43.75%). This was followed by negative impoliteness (22.92%), bald on record (18.75%), positive impoliteness (12.5%), and withholding politeness (2.08%). The utterances serve the purpose of demeaning and provoking conflict and character idenitities, seen in Dante’s brutal counter to sharp challenges, paired with authoritarian aggression from Vergil, and Jester’s manipulative taunts. The excerpts illustrate how conflict in a power relation and emotional engagement within video game discourse is shaped by intended narrative framework through impoliteness. By using linguistic aggression, this study aims to fill a gap within pragma-interactive media by character portrayal and player involvement. It also demonstrates digital narrative frameworks show the need for deeper examination of structures by expressing how storytelling in a digital form employs elements of rudeness multifunctionally as a drivers of inner and outer conflict, character development, and immersion for the players. The findings highlight the loophole within interactive texts and the need to employ rudeness to build such texts.
STRUKTUR KLAUSA DAN INVERSI DALAM LIRIK LAGU “ROMAN PICISAN” KARYA AHMAD DHANI (KAJIAN SINTAKSIS) Yamjirin, Abdussalam Jabaruddin; Zihan, Ahmad Khawarizmy; Yosani, Yosephine Marrietta Ardhya; Sumarlam, Sumarlam
Jurnal Cahaya Mandalika ISSN 2721-4796 (online) Vol. 3 No. 3 (2022)
Publisher : Institut Penelitian Dan Pengambangan Mandalika Indonesia (IP2MI)

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Penelitian ini secara terperinci mengkaji struktur klausa dalam lirik lagu "Roman Picisan" karya Ahmad Dhani yang mencakup identifikasi dan penjelasan tentang klausa bebas dan terikat, serta menemukan struktur inversi pada baris liriknya. Dengan menggunakan pendekatan sintaksis dan metode kualitatif yang bersifat deskriptif, peneliti menyajikan analisis mendalam pada setiap baris lirik lagu untuk menggali keberadaan struktur klausa dan struktur inversi di dalamnya. Data yang diteliti berupa lirik lagu “Roman Picisan” karya Ahmad Dhani, dan metode pengumpulan data yang digunakan adalah metode simak dan teknik catat dengan transkripsi ortografis, kemudian data yang terkumpul dianalisis dengan metode agih. Hasil dari penelitian ini membuktikan bahwa dalam lirik lagu “Roman Picisan” karya Ahmad Dhani terdapat kedua jenis struktur klausa dan ditemukan pula struktur inversi dalam beberapa baris liriknya. Penelitian ini memberikan pemahaman yang baru dalam kajian linguistik mengenai struktur klausa dan inversi yang terdapat dalam lirik lagu.
Lexical Cohesion through Repetition in Three Selected Poems from the Anthology ”Aku Ingin Jadi Peluru” by Widji Thukul Yamjirin, Abdussalam Jabaruddin
Journal of Language Education Studies and Applied Linguistics Vol 1 No 2 (2025): June 2025
Publisher : Fakultas Ilmu Budaya Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jolesal.2025.1.2.13879

Abstract

This study examines lexical cohesion through repetition in three selected poems from the anthology Aku Ingin Jadi Peluru by Widji Thukul. The aim is to identify the types, functions, and meanings of repetition as linguistic and rhetorical tools for conveying ideological messages and emotional expressions. Using a descriptive qualitative approach, data were collected through observation and note-taking techniques and analyzed using the distributional method with the Immediate Constituent (IC) technique. The findings reveal three primary types of repetition: anaphora (28.57%), which emphasizes themes and personal reflection; mesodiplosis (14.29%), which highlights irony and alienation; and full repetition (57.14%), which reflects the poet's struggles and existential anxieties. These results demonstrate that repetition in Widji Thukul's poetry serves not only aesthetic purposes but also functions as a strategic tool for social critique and identity exploration. This study contributes to the field of lexical cohesion in Indonesian poetry and provides a foundation for further research on cohesion in other literary works.
Co-Authors Sumarlam Sumarlam, Sumarlam Yosani, Yosephine Marrietta Ardhya Zihan, Ahmad Khawarizmy