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All Journal Gorga : Jurnal Seni Rupa Gesture: Jurnal Seni Tari TERAS: Jurnal Pengabdian Masyarakat Sosial Budaya
Amirulloh, Tifan Muhammad
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Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Digitalization of Unimed Fine Arts Gallery Through Virtual Tour 360 for Accessibility and Exhibition Purba, Rinanda; Adek Cerah Kurnia Azis; Kartono, Gamal; Amirulloh, Tifan Muhammad
Gorga : Jurnal Seni Rupa Vol. 14 No. 1 (2025): Gorga: Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v14i1.65552

Abstract

The limited accessibility to physical art galleries and the lack of comprehensive documentation of exhibitions have become challenges in preserving and promoting visual art in academic settings. Particularly in the Fine Arts Education Program at Universitas Negeri Medan (Unimed), the physical gallery space has yet to accommodate wider audience engagement, especially in digital formats. This creates a gap between the potential of technological integration and the current practices in art exhibition and education. Addressing this issue, this study aims to explore the digitalization of the Fine Arts Gallery through the development of a virtual tour as an effort to increase accessibility and improve exhibition documentation. The research employs a descriptive qualitative method with a case study approach, focusing on the process of designing and implementing a 360-degree virtual gallery experience. Data were collected through observations, interviews with lecturers, students, and gallery visitors, and open-ended surveys to capture perceptions and experiences. The findings reveal that the virtual tour not only provides broader access to art exhibitions beyond physical limitations but also enhances the visual and archival quality of gallery content. Furthermore, users perceive the platform as more engaging and educational. In conclusion, the digitalization of the gallery using virtual tour technology serves as a strategic innovation to support art learning, appreciation, and preservation in higher education. This approach may serve as a replicable model for other academic institutions seeking to modernize their art exhibition practices.
Pengembangan Desain Kemasan untuk Meningkatkan Daya Saing Produk UMKM Fahmi Ummi melalui Pendampingan Terpadu Diningrat, Raden Burhan Surya Nata; Purba, Rinanda; Azis, Adek Cerah Kurnia; Azmi, Azmi; Amirulloh, Tifan Muhammad; Yumielda, Vivi Destri
TERAS: Jurnal Pengabdian Masyarakat Sosial Budaya Vol. 1 No. 2 (2025): TERAS: Jurnal Pengabdian Masyarakat Sosial Budaya, Mei 2025
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/teras.v1i2.114

Abstract

Usaha Mikro, Kecil, dan Menengah (UMKM) memegang peranan penting dalam pembangunan ekonomi Indonesia, dengan kontribusi signifikan terhadap Produk Domestik Bruto (PDB) dan penyerapan tenaga kerja. UMKM Fahmi Ummi, yang bergerak di bidang makanan dan minuman olahan, merupakan salah satu pelaku usaha potensial yang menghadapi tantangan dalam meningkatkan daya saing di pasar. Dua kendala utama yang dihadapi adalah desain kemasan yang belum optimal dan belum diterapkannya standarisasi halal secara menyeluruh. Kemasan yang kurang menarik dan tidak mencerminkan identitas produk melemahkan daya tarik di pasar, sementara ketiadaan sertifikasi halal menghambat perluasan pasar, terutama ke konsumen Muslim dan pasar internasional. Untuk itu, pendampingan dalam optimalisasi desain kemasan dan implementasi sertifikasi halal menjadi langkah strategis yang diperlukan. Upaya ini diharapkan dapat meningkatkan kualitas, daya saing, serta kepercayaan konsumen terhadap produk UMKM Fahmi Ummi, sehingga mendorong pertumbuhan usaha secara berkelanjutan di tingkat nasional maupun global.
Tari Kinyah Mandau Representasi Kerukunan Suku Dayak di Kalimantan Tengah Wulandari, Aldia; Wartina, Tris Sofia; Amirulloh, Tifan Muhammad
Gesture: Jurnal Seni Tari Vol. 15 No. 1 (2026): Gesture: Jurnal Seni Tari (April)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v15i1.72117

Abstract

In the past, Kalimantan Island was known as a difficult-to-access region, especially during the Asang period when headhunting and slavery were common due to conflicts between Dayak tribes. Attacks were generally carried out suddenly, but the Dayak people had a tradition of preparation through the Kinyah Mandau dance, which symbolized readiness, courage, and strength in facing enemies. The tense social conditions continued even during the Dutch colonial period, until finally the Resident of Banjarmasin initiated a large meeting that gave birth to the Tumbang Anoi Peace Conference (May 22–July 24, 1894). Since this historic event, the practice of violence has ceased and the Dayak tribes are committed to living in harmony. The Kinyah Mandau dance remains preserved, but its function has transformed from a war ritual to a cultural performance. In its new form, this dance is not merely entertainment, but a symbol of harmony and a medium for passing on noble values such as courage based on truth, responsible leadership, and social solidarity. Education plays a vital role in transmitting these values to the younger generation, ensuring that the Kinyah Mandau Dance not only survives as a cultural heritage but also becomes a representation of harmony and the collective identity of the Dayak people in Central Kalimantan.
Co-Authors Azis, Adek Cerah Kurnia AZMI, AZMI Diningrat, Raden Burhan Surya Nata Gamal Kartono Rinanda Purba Wartina, Tris Sofia Wulandari, Aldia Yumielda, Vivi Destri