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All Journal AL-ATHFAAL : JURNAL ILMIAH PENDIDIKAN ANAK USIA DINI PeTeKa Jurnal Pengabdian Masyarakat Bhinneka Journal of Islamic Communication Studies
Aisyah, Fitri
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Religion Agriculture, Biological Sciences & Forestry Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Public Health Social Sciences

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Journal : Journal of Islamic Communication Studies

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Musik dan Identitas Sosial: Analisis Perspektif Islam Aisyah, Fitri
Journal of Islamic Communication Studies Vol. 3 No. 2 (2025): Juli
Publisher : UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jicos.2025.3.2.158-170

Abstract

This study examines the meaning of the lyrics in Merra by the band Colorcode and how the song is interpreted by the “Wong Kalahan” community within the context of their social identity formation. In contemporary society, music is not merely entertainment but also a medium for self-reflection and social communication that represents emotional experiences and collective identity. Using a qualitative approach that combines Roland Barthes’ semiotic analysis with a hermeneutic paradigm, this research interprets the denotative, connotative, and mythical meanings embedded in the lyrics of Merra. The findings show that the lyrics convey themes of regret, loss, and the desire to correct past mistakes. For the Wong Kalahan community, these themes are understood not only as emotional expression but also as a form of muhasabah (self-evaluation) from an Islamic perspective. Values such as repentance (taubat), patience (sabr), sincerity (ikhlas), and acceptance of divine decree (qadarullah) emerge in their collective interpretation, where the experience of “losing” is viewed as a spiritually maturing test.
Co-Authors Ananda, Della Dwi Anggrini, Weni Claudia, Rany Damayantri, Yulia Dinda, Dinda Himawati, Ika Pasca Lorenza, Dina Muslam Muslam Novitawati Novitawati