Article Per Year (5 Year)
p-Index From 2020 - 2025
0.702
P-Index
This Author published in this journals
All Journal International Journal of Travel, Hospitality and Events Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Islah: Journal of Islamic Literature and History Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain
Pitutur Tustho Gumawang
Unknown Affiliation
Religion Arts Humanities Decision Sciences, Operations Research & Management Education Social Sciences Transportation Other

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
Cundaka: Analisis Gending Budhalan Wayang Kulit Purwa pada Sajian Pertunjukan Pakeliran Ki Purbo Asmoro Pitutur Tustho Gumawang; Ryndhu Puspita Lokanantasari
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 2 No. 4 (2025): Juli : Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i4.842

Abstract

The Javanese wayang kulit purwa (classical shadow puppetry) is a complex performance art form in which karawitan (gamelan music) plays a primary and crucial role, serving as accompaniment, building atmosphere, and accentuating the puppet's movements. A vital musical element within the pakeliran (puppetry performance) repertoire is the gending budhalan, a musical piece used to accompany the scene of a military departure. Ki Purbo Asmoro, one of the most influential dalang (puppeteers) of the contemporary pakeliran garap (interpretive performance style) era, is renowned for his intelligent and innovative performance concepts and musical interpretations. This study aims to analyze Gending Cundaka, a piece frequently used for this departure scene, within the context of Ki Purbo Asmoro's performances. Employing an ethnomusicological and performance studies approach, this qualitative research examines three main aspects: (1) the musical structure and aesthetics of Gending Cundaka; (2) its dramaturgical function as a gending budhalan; and (3) the uniqueness of Ki Purbo Asmoro's interpretation, or garap, that distinguishes his performances. Data were collected through participatory observation of Ki Purbo Asmoro's audio-visual performance recordings, transcription of musical arrangements, and a literature review. The findings indicate that in Ki Purbo Asmoro's interpretation, Gending Cundaka functions not merely as musical illustration but as a potent narrative instrument. Its assertive melodic structure, combined with dynamic kendhangan (drumming patterns) and dramatic tempo manipulations (seseg-kendho), effectively builds the performance's atmosphere, affirms the character of the troops, and provides psychological depth to the scene. The selection and treatment of this gending reflect Ki Purbo Asmoro's artistic intelligence in blending tradition with innovation to achieve gregel (an aesthetic thrill) and evoke a profound sense of rasa (deep feeling) in the audience.  
Potential of Gamelan Sekaten Reviewed from the Concept of 4A Tourism as a Traditional Cultural Tourism (Case Study on the Sekaten Ceremony to Commemorate the Maulid of Prophet Muhammad in Surakarta) Abdul Aziz, Ahmad; Pitutur Thusto Gumawang; Nurmaria
International Journal of Travel, Hospitality and Events Vol. 4 No. 3 (2025): International Journal of Travel, Hospitality and Events
Publisher : The Postgraduate School of Tourism Sahid Polytechnic

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56743/ijothe.v4i3.518

Abstract

Purpose: This study was conducted with the aim of identifying the potential of Gamelan Sekaten performance in terms of the 4A components (attraction, amenities, accessibility and ancillary services) of tourism. Research Methods: This study uses a descriptive qualitative approach with a case study model. The informants in this study consist of 4 (four) participants, academics, event organizers, tourists and karawitan artists. The data collection method was carried out through interview and observation techniques. Data were analyzed using data reduction and thematic analysis techniques. Results and Discussion: The results of the study indicate that Gamelan Sekaten performance is considered to have more as a cultural tourism attraction for several reasons. Gamelan Sekaten performance has several differences when compared to other gamelan performances, such as its implementation which cannot be held at any time, but only at the Sekaten ceremony which is usually held to commemorate the Maulid Prophet Muhammad, and also, the use of gamelan musical instruments with a larger and more complex size and presenting gendhing or poems with a magnificent nuance are also characteristics of Gamelan Sekaten performance. Moreover, another aspect that makes gamelan sekaten more professional is the collaboration between event organizers and academics who has a background in karawitan arts education to keep the quality, uniqueness and authenticity of the performance. On the other hand, the result shows that there are few aspects related to 4A concept such as accessibility, amenities and ancillary services  that can be improved to increase tourist satisfaction to watch this performance. Implication: Gamelan sekaten performance is one of the cultural tourism attractions owned by the city of Surakarta that has proven to be able to attract tourists to visit and watch, both tourists from Indonesia, and even foreign tourist. The results have implications for improving several aspects based on 4A concept. Things that can be improved from accessibility aspect are accessibility in the venue and accessibility of performance information. Thing that can be improved from amenities aspect is quantity of facilities such as toilets and parking area. Thing that can be improved from ancillary services is the provision of tour guide to ensure the quality of visitor’s experiences and satisfaction. On the other hand. the research highlights the need to conduct similar research, especially using quantitative-based method, to measure the level of tourist satisfaction in visiting Gamelan Sekaten activity.
Nilai Estetika Selendang Pada Sindhen Wayang Kulit Purwa di Era Digitalisasi Pitutur Tustho Gumawang; Teki Teguh Setiawan
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 2 (2025): Oktober: Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i2.6709

Abstract

This research examines the aesthetic value of the selendang (sash or shawl) worn by the sindhen (female singer) in wayang kulit purwa (Javanese shadow puppet) performances, and the shift in its meaning amidst the current of digitalization. The selendang, as an element of attire, functions not only as an aesthetic complement but is also laden with philosophical and symbolic meaning in Javanese culture. Traditionally, the selendang worn by a sindhen possesses aesthetic value that emanates from the choice of motifs, colors, and the way it is worn, reflecting elegance, social status, and spiritual depth. In performances, the selendang also serves as a dance prop that enhances movement and strengthens the sindhen's expression. The era of digitalization brings new challenges and opportunities for traditional performing arts, including wayang kulit purwa. This study employs a qualitative approach with literature review and observation of both live and digitally broadcasted wayang kulit performances. The results indicate that in the current digital era, a shift has occurred in several aesthetic aspects of the sindhen's selendang. There is a trend towards using more diverse and modern materials and motifs, sometimes adapting techniques like digital printing to create more visually appealing on-screen presentations. Nevertheless, the core values of the selendang as a symbol of refined character and artistic beauty are maintained, and even further explored to cater to a broader and more modern audience. The digitalization of the performance stage also influences the sindhen's interaction, where the selendang is sometimes used more dynamically
Historical Review of Blambangan in 1309 - 1763 nurmaria, nurmaria; Rinda Handayani; Pitutur Tustho Gumawang
Islah: Journal of Islamic Literature and History Vol. 6 No. 1 (2025): Islah: Journal of Islamic Literature and History
Publisher : Faculty of Ushuluddin, Adab, and Humanities Universitas Islam Negeri Salatiga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/islah.v6i1.4137

Abstract

Due to its geographical location at the eastern tip of Java Island, Blambangan was often contested by other kingdoms, considered strategic as it formed the border between Java and Bali. This study aims to examine the establishment and existence of Blambangan kingdom from a historical perspective. This study is based on two questions about whether Blambangan was an independent kingdom or part of another. The other kingdom referred to was either the Kingdom of Bali in the east or the Majapahit Empire in the west. The research method used was historical method, preceded by heuristic process, criticism, interpretation and historiography. Based on the research findings, Blambangan was founded in 1309 as part of the Majapahit Empire, given by Raden Jayanegara to Arya Wiraraja as a reward for his loyalty. This study discusses important events in history including the succession of kings over time, the separation of Blambangan into western and eastern regions, the transfer of the kingdom's capital, the expansion of the territory as part of the peak of the glory of the Blambangan Kingdom, and the death of King Danuningrat, which marked the end of Tawang Alun dynasty, from a historical perspective.
Co-Authors Abdul Aziz, Ahmad Lokanantasari, Ryndhu Puspita NURMARIA nurmaria, nurmaria Rinda Handayani Teki Teguh Setiawan