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Emri
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Karya Tari Rang Babanjuang Interpretasi Proses Pembangunan Gaduang-Gaduang Terbuka Awal, Ramadhan; Ilham, Kurniadi; Metro, Wardi; Emri
JURNAL ILMIAH NUSANTARA Vol. 2 No. 6 (2025): Jurnal Ilmiah Nusantara
Publisher : CV. KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jinu.v2i6.6204

Abstract

The Rang Babanjuang dance is inspired by a cultural phenomenon in the Dharmasraya region, specifically on the Dareh River, namely the activities of farmers in building gaduang-gaduang (a kind of structure) in rice fields and plantations. The construction of gaduang-gaduang embodies the values of togetherness, one of which is mutual cooperation. This dance expresses how farmers carry out their work cooperatively, embodying the values of togetherness. Rang Babanjuang is a contemporary group dance with an abstract style and cultural theme, utilizing dance movements and techniques. To interpret ideas in accordance with the concept being developed, this work uses the methods of Alma M. Hawkins, namely data collection and field observation, exploration, improvisation, formation, and evaluation. This work involves seven male dancers.
Karya Tari Bakatengkang Terinspirasi Peristiwa Arak Balaki Kabupaten Solok Wansyah, Andri Syatria; Stevenson, Yan; Wahyuni, Wahida; Emri
JURNAL ILMIAH NUSANTARA Vol. 2 No. 6 (2025): Jurnal Ilmiah Nusantara
Publisher : CV. KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jinu.v2i6.6205

Abstract

The dance work "Bakatengkang" was inspired by a procession event in Nagari Koto Baru, Kubung District, Solok Regency. This event is a tradition of a procession from the house of the induak bako (paternal sister) to the anak pisang or bride in a wedding procession in Solok Regency, Kubung District, Koto Baru Nagari. Usually better known as maantan nasi kuniang from the induak bako to the anak pisang (paternal sister's child). From this event, the artist interpreted it into a dance work, especially about differences of opinion between the bako and anak pisang which were resolved through deliberation and consensus, which was performed at the Auditorium Boestanoel Arifin Adam, Indonesian Institute of the Arts, Padangpanjang. The work, which is divided into three parts, was performed by five male dancers, five female dancers, and ten additional dancers. The costumes used include beautiful stage makeup for female dancers and dashing stage makeup for male dancers. The costumes used are a floral-patterned kuruang dress with loose batik-patterned trousers for women and a Chinese-style guntiang dress for men. The methods used in creating this work include data collection, field observation, data processing, literature review, exploration, improvisation, formation, and evaluation.
“Babatehi” Kesenjangan Sosial Terhadap Pemberian Gala di Pariaman Salsabila Filjamiati; Ariefin Alham Jaya Putra; Adjuoktoza Rovylendes; Emri
JURNAL ILMIAH NUSANTARA Vol. 2 No. 6 (2025): Jurnal Ilmiah Nusantara
Publisher : CV. KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jinu.v2i6.6233

Abstract

The Babatehi dance is inspired by the tradition of giving gala to married men (urang sumando) in the Pariaman community of West Sumatra. This tradition reflects a matrilineal kinship system and respect for sons-in-law, but also gives rise to different behaviors depending on the title held, such as Sidi, Sutan, and Bagindo. These differences in behavior are a clear reflection of social inequality within the family and community. The artist interprets this social phenomenon in a dramatic dance form using seven female dancers and accompanied by live experimental music. The work is structured into three sections: differences in behavior based on social status, conflicts resulting from this inequality, and the search for human equality in the eyes of God. The concept combines elements of tradition, contemporary movement exploration, and the symbolism of props to enhance its meaning. Babatehi serves not only as an artistic representation of local tradition but also as a social critique of realities that persist today.
Co-Authors Adjuoktoza Rovylendes Ariefin Alham Jaya Putra Awal, Ramadhan Ilham, Kurniadi Metro, Wardi Salsabila Filjamiati Stevenson, Yan Wahida Wahyuni Wansyah, Andri Syatria