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All Journal Laga-Laga: Jurnal Seni Pertunjukan Journal of Scientific Research, Education, and Technology Jurnal Ilmiah Nusantara
Stevenson, Yan
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MAMBALEH NAN TALIPEK TERINSPIRASI DARI KEGIATAN MANGANYAM KAMPIA DI MATUA KABUPATEN AGAM Putri, Wulan Indah; Emri, Emri; Stevenson, Yan
Laga-Laga : Jurnal Seni Pertunjukan Vol 9, No 2 (2023): Laga-laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v9i2.4017

Abstract

The Mambaleh Nan Talipek dance work departs from manganyam kampia activities in Matur, Agam Regency. The creators chose to transform the woven techniques such as the lipek technique and the twisting technique onto the dancer's body, so that in making the work they are more focused on developing the woven technique into the structure of the dance work by Mambaleh Nan Talipek which is divided into three parts. In the first part, the artist transforms the lipek technique using his hands, feet and body. The second part transforms the weaving technique by using the properties of the cloth and in this part the dancers perform complementary movements. In the third part, the artist shows the woven Kampia into dance. In this section, Kampia is used to show how the results of the two techniques are formed. This work is strengthened by live music and other compositional elements, the methods used in composing this work are methods of exploration, improvisation, observation, and formation. This work is supported by seven female dancers, with cultural themes and non-dramatic types.
Techniques and Philosophy Steps of Ampek Sasaran Junguik Sati: In the Context of Minangkabau Culture Metro, Wardi; Stevenson, Yan; Maghfirah, Auliana Mukhti
Journal of Scientific Research, Education, and Technology (JSRET) Vol. 3 No. 3 (2024): Vol. 3 No. 3 2024
Publisher : Kirana Publisher (KNPub)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58526/jsret.v3i3.471

Abstract

This research aims to investigate the technique and philosophy behind Step Ampek Sasaran Junguik Sati in the context of Minangkabau culture. Langkah Ampek is a traditional movement in Minangkabau martial arts that has been passed down from generation to generation. This research uses a qualitative approach by collecting data through direct observation, interviews with skilled practitioners, and analysis of related cultural texts. The results showed that Langkah Ampek is not only a series of physical movements, but also reflects philosophical values in Minangkabau culture. The philosophy includes spiritual, moral, and social aspects, which are reflected in each step of the movement. The techniques used in the Langkah Ampek Sasaran Junguik Sati are closely related to natural conditions, daily life, and the history of Minangkabau culture. This research also identified that Sasaran Junguik Sati plays an important role in maintaining Minangkabau cultural identity and strengthening the sense of solidarity among community members. The practical implication of this research is the importance of maintaining and developing traditional cultural heritage as an integral part of cultural sustainability and community development in Minangkabau.
KARYA TARI HORJA HALAK HITA PENGEMBANGAN TIGA RAGAM GERAK TOR-TOR Siregar, Zulfadli; Emri, Emri; Stevenson, Yan; Riyanti, Eva
Laga-Laga : Jurnal Seni Pertunjukan Vol 10, No 2 (2024): Laga-Laga: Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v10i2.5068

Abstract

Karya tari Horja Halak Hita lahir berdasarkan pengembangan tiga ragam gerak tari tor-tor di daerah Suku Batak Toba diantaranya gerak pangurdot, gerak marhembas, gerak sigale-gale. Ragam gerak pada tarian tersebut memiliki ciri khas dan keunikan masing masing, hal ini dikembangkan sesuai dengan gaya dan kemampuan yang di miliki. Karya tari ini dibuat dalam bentuk penyajian karya tari bentuk dan type murni, dengan penari berjumlah dua puluh orang diantaranya, enam penari utama dan empat belas penari kelompok. Penari kelompok muncul pada pertengahan dan akhir pertunjukan. Musik pada karya ini, adalah kolaborasi antara musik tradisional Batak dengan musik modern yang diaransemen sehingga menjadi musik baru dalam media musik komputer. Dalam penggarapan karya ini, penata menggunakan Metode konstruksi menurut Jacqueline Smith dalam B. Suharto (1985), merupakan petunjuk dalam penyusunan karya tari. Jacqueline Smith menuturkan ada lima metode kontruksi yang diseskripsikan. Karya tari ini juga diperkuat dengan dua kostum yang berbeda pada bagian awal dan akhir pertunjukan sebagai konsep hiburan bagi mata penonton.
“Bit-Bit” Sebagai Bentuk Perlawanan Dan Do’a Terhadap Eksploitasi Hutan Di Kepulauan Mentawai Muttakin, Achmad Ghozali Idham; Emri Emri; Stevenson, Yan; Metro, Wardi
JURNAL ILMIAH NUSANTARA Vol. 2 No. 6 (2025): Jurnal Ilmiah Nusantara
Publisher : CV. KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jinu.v2i6.6198

Abstract

The dance work BIT-BIT was inspired by the social phenomenon of forest exploitation currently occurring in the Mentawai Islands. This work embodies resistance and prayer against forest exploitation, which impacts the lives and culture of the Mentawai people. The artist interpreted this idea in group choreography, using eight male and female dancers to represent the artist's concerns about forest exploitation. This work was performed on the Arena stage of the Boestanoel Arifin Adam Auditorium, Indonesian Institute of the Arts, Padangpanjang. The work is divided into three parts. In the first part, the artist interprets the chanting of Urai and the property of Jejeneng to gain strength from ancestral spirits to ward off evil spirits. In the second part, the artist interprets foot stomping as a form of resistance against forest exploitation. In the third part, the artist interprets Urai as a symbol of prayer and hope to voice the Mentawai people's concerns about forest exploitation.
Karya Tari Titik Temu Temu Interpretasi Bentuk Kajanglako Dalam Prosesi Alek Bajawek Kabupaten Dharmasraya Alif, Suci Nur; Stevenson, Yan; Syahril Syahril; Wahida Wahyuni
JURNAL ILMIAH NUSANTARA Vol. 2 No. 6 (2025): Jurnal Ilmiah Nusantara
Publisher : CV. KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jinu.v2i6.6199

Abstract

The Titik Temu dance piece was inspired by a building found in a cultural procession, the Alekbajawek. Within this procession, a structure, called a kajanglako, is constructed for the needs of the Alek. The artist's work focuses on the meaning of the Kajanglako structure, namely the old pillar and the long batik cloth, which represent the important roles of men and women in this procession, without which the procession would be impossible. Awareness of the importance of these roles is discussed in the Titik Temu dance piece. This work utilizes Alma M. Hawkins' dance creation approach in her book Creating Through Dance and Choreography: Form, Technique, and Content. This approach consists of stages: data collection and field observation, exploration, improvisation, formation, and evaluation. The work is also enhanced by the use of lighting to depict the atmosphere and conflict in finding decisions when establishing the Kajanglako. The Titah Titik Temu dance piece utilizes an abstract style and is performed on the proscenium stage of the Hurijah Adam performance building.
Karya Pola Langkah Tigo Dalam Tari “Tolun Hati” Kumala, Siski Yanti; Osmond, Dony; Stevenson, Yan; Ariastuti, Idun
JURNAL ILMIAH NUSANTARA Vol. 2 No. 6 (2025): Jurnal Ilmiah Nusantara
Publisher : CV. KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jinu.v2i6.6201

Abstract

The dance work "Tolun Hati" was inspired by a cultural phenomenon in Jorong Taeh Bukik, Payakumbuh District, Lima Puluh Kota Regency, namely the Dabuih Tradition. Dabuih is one of the traditional arts in the form of games or performances that involve skills, physical strength, immunity and courage. The creator translated it into a group choreography that was performed at the Huriah Adam Performance Building, Padangpanjang Indonesian Arts Institute. The work, which is divided into three parts, was performed by seven female dancers, where the seven female dancers played the role of the male body. The make-up used is beautiful stage make-up. While the clothes used are shiny gray creative kurung clothes with black pants. The methods used in creating this work are data collection or field observation, data processing, literature study, exploration, movement arrangement, improvisation, formation and evaluation.
Karya Tari Bakatengkang Terinspirasi Peristiwa Arak Balaki Kabupaten Solok Wansyah, Andri Syatria; Stevenson, Yan; Wahyuni, Wahida; Emri
JURNAL ILMIAH NUSANTARA Vol. 2 No. 6 (2025): Jurnal Ilmiah Nusantara
Publisher : CV. KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jinu.v2i6.6205

Abstract

The dance work "Bakatengkang" was inspired by a procession event in Nagari Koto Baru, Kubung District, Solok Regency. This event is a tradition of a procession from the house of the induak bako (paternal sister) to the anak pisang or bride in a wedding procession in Solok Regency, Kubung District, Koto Baru Nagari. Usually better known as maantan nasi kuniang from the induak bako to the anak pisang (paternal sister's child). From this event, the artist interpreted it into a dance work, especially about differences of opinion between the bako and anak pisang which were resolved through deliberation and consensus, which was performed at the Auditorium Boestanoel Arifin Adam, Indonesian Institute of the Arts, Padangpanjang. The work, which is divided into three parts, was performed by five male dancers, five female dancers, and ten additional dancers. The costumes used include beautiful stage makeup for female dancers and dashing stage makeup for male dancers. The costumes used are a floral-patterned kuruang dress with loose batik-patterned trousers for women and a Chinese-style guntiang dress for men. The methods used in creating this work include data collection, field observation, data processing, literature review, exploration, improvisation, formation, and evaluation.
Proses Tawar-Menawar Di Pasar Tradisional Dalam Tari “Lantunan Suara Balai” Tertayuda, Yogi; Syahril; Stevenson, Yan; Rasmida
JURNAL ILMIAH NUSANTARA Vol. 2 No. 6 (2025): Jurnal Ilmiah Nusantara
Publisher : CV. KAMPUS AKADEMIK PUBLISING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61722/jinu.v2i6.6206

Abstract

The dance work “Lantunan Suara Balai” was inspired by a social phenomenon that exists in the Traditional Market. Traditional Market is a place where sellers and buyers meet directly, in the buying and selling process carried out between sellers and buyers there is a process of bargaining. The bargaining process carried out between sellers and buyers will cause debate because there are differences in trade prices. From this phenomenon, the artist translated it into a group choreography that was performed at the Hoerijah Adam Performance Hall, Indonesian Institute of the Arts, Padangpanjang. The work, which is divided into three parts, was performed by six male dancers and four female dancers. The methods used in creating this work are collecting field observation data, data processing, literature studies, exploration, movement arrangement, improvisation, formation and evaluation.
Co-Authors Alif, Suci Nur Emri Emri Emri EMRI, EMRI Idun Ariastuti Kumala, Siski Yanti Maghfirah, Auliana Mukhti Metro, Wardi Muttakin, Achmad Ghozali Idham Osmond, Dony Putri, Wulan Indah Rasmida Riyanti, Eva Siregar, Zulfadli Syahril Syahril Syahril Tertayuda, Yogi Wahida Wahyuni Wahida Wahyuni Wansyah, Andri Syatria