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All Journal SULUK: Jurnal Bahasa, Sastra, dan Budaya NOBEL : Journal of Literature and Language Teaching
An Adzhani, Shabrina
Unknown Affiliation
Arts Humanities Languange, Linguistic, Communication & Media

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Madness Concept in Rusdi Mathari's Novel: A Foucauldian Reading of Merasa Pintar, Bodoh Saja Tak Punya Indriyani, Jiphie Gilia; An Adzhani, Shabrina; Shofah, Novia Adibatus
NOBEL: Journal of Literature and Language Teaching Vol. 16 No. 1 (2025): APRIL (On Progress)
Publisher : Universitas Islam Negeri Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/NOBEL.2025.16.1.74-91

Abstract

This study of the literary work Merasa Pintar, Bodoh Saja Tak Punya by Rusdi Mathari employs Michel Foucault’s theory of madness to analyze narrative data and identify the concept of madness within the epistémè of the village community where the main character, Cak Dlahom, resides. The main character gets different treatment from two groups of people he meets in his daily life. The first group is people who always need confirmation from Cak Dlahom. The second group consists of people who make a priori judgments, attribute the concept of madness to Cak Dlahom, treat him as a different person, and then laugh at and ignore him. However, Cak Dlahom managed to fight the social epistémè by creating a narrative that broke the stigma. This research successfully identifies the patterns and impacts of societal judgment on individuals who are perceived as different. Additionally, there is an image of an individual’s ability to resist the dominant view and shape their own narrative in society.
Belenggu Maskulinitas dalam Kultur Matrilineal Minangkabau: Ambivalensi Sitti Nurbaya dan Beberapa Citra Kolosal Gender pada Roman Marah Roesli Atikurrahman, Moh; Siregar, Wahidah Zein Br; An Adzhani, Shabrina
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 4 No. 2 (2022): September
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2022.4.2.94-104

Abstract

Meskipun Marah Roesli menempatkan perempuan sebagai sorot utama karya gubahannya, namun tampilan judul roman belum cukup sugestif untuk memuaskan horison harapan pembaca berlensa feminis mengenai kode-kode gender dalam Sitti Nurbaya (1920). Sebaliknya, keberadaan protagonis perempuan dalam roman justru tampak problematis. Pertama, Sitti Nurbaya tidak dilihat dari kacamata seorang perempuan (pengarangnya laki-laki). Kedua, protagonis perempuan justru ditempatkan sebagai gravitasi konflik maskulin yang menyebabkan Samsulbahri dan Datuk Meringgih berseteru. Tulisan ini mengetengahkan pelbagai citra feminitas yang dinarasikan melalui tokoh-tokoh feminin dalam roman Marah Roesli. Tidak hanya berfokus pada sosok Sitti Nurbaya, sosok seperti Putri Rabiah, Sitti Fatimah, dan Sitti Alimah justru menawarkan citra keperempuanan yang lebih menarik dan mengesankan. Putri Rabiah mewakili gambaran perempuan Minangkabau yang diberkati kultur matrilinel yang menempatkan perempuan sebagai poros sosial, ekonomi, budaya Minangkabau. Sedangkan Sitti Fatimah dan Sitti Alimah merepresentasikan citra kosmopolit dan radikal dari lingkungan keluarga saudagar Melayu di awal kemodernan Melayu.
Co-Authors Atikurrahman, Moh Indriyani, Jiphie Gilia Novia Adibatus Shofah Wahidah Zein Br. Siregar