Setiawan, Shafira Nandya
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Representation of Women's Beauty in the Korean Drama "True Beauty" : A Peircean Semiotics Analysis Setiawan, Shafira Nandya; Rohanda; Gia Ramadhan
Jurnal Pembelajaran Bahasa dan Sastra Vol. 4 No. 5 (2025): September 2025
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v4i5.892

Abstract

This study thoroughly examines the representation of female beauty in the Korean drama True Beauty using Charles Sanders Peirce's semiotic approach. The widespread phenomenon of the Korean Wave (Hallyu) in Indonesia has significantly impacted the construction of beauty standards, often creating social pressure, especially for teenagers and young women. True Beauty, which tells the story of Lim Ju Kyung's struggle to meet appearance expectations, serves as an interesting object for analysis. Utilizing Peirce's triadic framework (representamen, object, and interpretant), this study identifies how visual and verbal signs within the drama construct meaning. The analysis reveals that representamens, such as Ju Kyung's with her bare face, the act of self-makeup, the rejection of her bare face, and social acceptance, collectively refer to the object patriarchal Korean beauty standards demanding fair skin, a high nose bridge, and a slender physique. The resulting interpretants vary on one hand, viewers may perceive beauty as a condition for social acceptance and a source of anxiety, but on the other hand, the drama also presents alternative interpretants highlighting the importance of self- acceptance and resistance to narrow beauty standards. This study concludes that True Beauty not only reproduces dominant beauty norms but also creates space for critique and encourages critical media literacy regarding more inclusive representations of gender and body.
Verification and Moral Values in Diwam Ibnu Adim: A Study of the Science of Arudh Setiawan, Shafira Nandya; Rohanda; Halim, M. Abdul
Jurnal Pembelajaran Bahasa dan Sastra Vol. 4 No. 6 (2025): November 2025
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v4i6.943

Abstract

This study aims to analyze the versification (science of 'arudh) and moral values in Diwan Ibn al-Adim. The focus of this study includes identifying the types of bahar and zihaf used in the composition of the verses of the poem and the disclosure of the moral values ??contained therein. This study uses a qualitative descriptive method, combining the arudh science approach to analyze the structure of the poem's meter and the Islamic moral studies approach to interpret the moral messages of literary works. The research data sources are selected verses of poetry from Diwan Ibn al-Adim obtained through the Diwanul al-‘Arabi application. The data were analyzed through the following stages: (1) classification of the verses of the poem, (2) analysis of the wazan, taf'ilah, and bahar patterns according to the theory of science of 'arudh, and (3) interpretation of the content of moral values ??contained in the text. The results of the study show that Diwan Ibn al-'Adim is dominated by the use of bahar Basith, Thawîl, and Kamil with variations of zihaf such as khaban, qabdh, and idhmar. From a moral perspective, various values are found, such as tawadhu, sabar, jujur, iffah, wara, hikmah, zuhud, generosity, responsibility, and piety. In addition, this work contains moral messages on human relations with Allah SWT, fellow humans, and the social environment. This study concludes that Diwan Ibn al-'Adim is a literary work not only aesthetically superior, with a strong poetic structure, but also rich in moral education relevant throughout time. These findings are expected to contribute to the development of Arabic literary studies, especially those that integrate aspects of form and value.