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NILAI RELIGIUS DAN KRITIK SOSIAL-KEAGAMAAN DALAM CERPEN “ROBOHNYA SURAU KAMI” KARYA A.A. NAVIS DENGAN PENDEKATAN HERMENEUTIKA : RELIGIOUS VALUES AND SOCIO-RELIGIOUS CRITICISM IN THE SHORT STORY “ROBOHNYA SURAU KAMI” BY A.A. NAVIS WITH A HERMENEUTICAL APPROACH Mahadewi, Syahra; Nugraheni, Adventia Christiani; Afkar, Salsabila Ainul; Asropah, Asropah
Jurnal Pendidikan Bahasa dan Sastra Indonesia Undiksha Vol. 15 No. 3 (2025)
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jpbsi.v15i3.101668

Abstract

Penelitian ini menafsirkan nilai-nilai religius dalam cerpen A.A. Navis “Robohnya Surau Kami” melalui pendekatan hermeneutika religius sastra. Metode yang digunakan bersifat deskriptif-kualitatif dengan tiga tahap hermeneutiK prapemahaman, interpretasi, dan fusi horizon melalui pembacaan mendalam teks utama serta triangulasi sumber pustaka mutakhir. Hasil analisis mengidentifikasi enam kutipan kunci yang menonjolkan ketimpangan antara ritual keagamaan dan tanggung jawab sosial. Tokoh kakek digambarkan sangat tekun beribadah, tetapi dihakimi sia-sia karena mengabaikan keluarga dan keadilan sosial. Oleh karena itu, Navis mengkritik religiositas yang hanya berorientasi vertikal sekaligus menegaskan pentingnya dimensi horizontal kemanusiaan. Kajian ini memperluas studi sastra religius dengan menekankan konsekuensi etis daripada sekadar doktrin, sekaligus menyoroti potensi karya sastra Indonesia sebagai media kritik sosial-keagamaan. Implikasi pedagogisnya, yakni analisis teks yang hendaknya disertai refleksi praksis moral agar pembaca memahami urgensi menyeimbangkan kesalehan individual dengan aksi sosial transformatif
Pelanggaran Maksim dalam Video Dakwah Gus Miftah di YouTube Tahun 2024: Studi Kasus dan Implikasinya: Violation of Maxims in Gus Miftah's Preaching Videos on YouTube in 2024: A Case Study and Its Implications Mahadewi, Syahra; Ulfiyani, Siti; Kurniawan, Latif Anshori
JBSI: Jurnal Bahasa dan Sastra Indonesia Vol. 5 No. 02 (2025): Artikel Riset Periode November 2025
Publisher : Information Technology and Science(ITScience)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47709/jbsi.v5i02.6785

Abstract

The phenomenon of digital preaching through the YouTube platform has experienced rapid development and has become a strategic tool for disseminating religious values ??in the modern era. One prominent preacher in this context is Gus Miftah, known for his relaxed, humorous, and communicative preaching style. From a pragmatic perspective, this style of delivery exhibits several indications of maxim violations, both in terms of cooperation and politeness principles. This study aims to identify forms of maxim violations in Gus Miftah's preaching videos uploaded to YouTube throughout 2024 and analyze their implications for the audience. The research method employs a qualitative descriptive approach, utilizing a listening and note-taking technique based on transcripts of ten preaching videos. Data are analyzed based on the classification of maxim violations and the interpretation of the accompanying pragmatic functions. The results show various maxim violations, including the maxim of generosity, the maxim of quality, the maxim of relevance, and the maxim of quantity. The most dominant types of violations are the maxim of generosity and the maxim of relevance. These violations arise through the use of humor, satire, and social criticism, which serve as rhetorical strategies to attract attention, build emotional connection, and create a lively lecture atmosphere. However, violating maxims also has the potential to lead to multiple interpretations, misunderstandings, and adverse effects on the audience. Therefore, preachers in the digital era must consider the ethical aspects and context of language use to ensure that religious messages are conveyed clearly, educationally, and politely in public communication.