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All Journal PHILOSOPHICA Jurnal Bahasa, Sastra, dan Budaya Al-Ma'rifah : Jurnal Budaya, Bahasa dan Sastra Arab JILSA (Jurnal Ilmu Linguistik dan Sastra Arab)
Noriska, Zacky Aqsha
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Humanities Education Languange, Linguistic, Communication & Media Other

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Tipe Kepribadian Tokoh Utama dalam Cerpen al-Dunya> Riwa>yah Karya Tawfi>q al-H}aki>m: Kajian Psikologi Sastra Carl Gustav Jung Noriska, Zacky Aqsha; Chalis, Nur
Al-Ma‘rifah Vol 22 No 1 (2025): Al-Ma'rifah: Jurnal Budaya, Bahasa, dan Sastra Arab
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/almakrifah.22.01.07

Abstract

This study aims to analyze the personality types of the main character in the short story al-Dunyā Riwāyah by Tawfīq al-Ḥakīm. The research is based on the view that personality in literary works represents the psychological aspects of characters, which can deepen the understanding of the plot and conflict. The method used is descriptive qualitative with a psychology of literature approach, applying Carl Gustav Jung’s theory of personality. Data collection techniques include reading, note-taking, and translation, while data analysis is conducted narratively through the stages of identification, classification, and psychological interpretation of the main character. The results show that the main character in this short story represents eight personality types according to Jung: introvert-thinking, introvert-feeling, introvert-sensing, introvert-intuition, extrovert-thinking, extrovert-feeling, extrovert-sensing, and extrovert-intuition. These findings reveal the character’s psychological complexity and may serve as a reference for future research exploring Arabic literature through a psychology of literature lens, particularly using Jung’s theory.
THE NARRATIVE STRUCTURE IN SHORT STORY “IBLIS YANTASHIRU” BY TAUFIQ AL-HAKIM: A.J. GREIMAS PERSPECTIVE Noriska, Zacky Aqsha; Zulkhairi; Jafar, Abzari; Syarifuddin; Kamila, Nisaul
Philosophica: Jurnal Bahasa, Sastra, dan Budaya Vol. 8 No. 2 (2025): December 2025
Publisher : English Literature Department, Faculty of Economics, Law, and Humanities

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35473/pho.v8i2.4564

Abstract

This study aims to analyze the narrative structure of Taufiq al-Hakim’s short story “Iblis Yantashiru” by identifying both its surface and deep structures through the lens of Algirdas Julien Greimas’s narrative semiotics. The analysis of the story’s narrative structure is crucial, as it significantly influences the comprehension of the overall meaning of the text. This research employs a descriptive qualitative approach, utilizing written data derived directly from the literary work. Data collection techniques include close reading, note-taking, and library research. The data were analyzed through several stages: identification, interpretation, analysis, and conclusion drawing. The structural analysis was conducted based on Greimas’s narrative semiotic framework, which encompasses the actantial structure, functional structure, main actant, surface structure and deep structure. The findings reveal that the short story’s structure is divided into four segments: the first segment presents the theme of “Nasik’s victory,” the second highlights “Nasik’s sincerity,” the third explores “the pact between Iblis and Nasik,” and the fourth emphasizes “self-interest.” Furthermore, the study identifies the main actant based on the actants found in these four segments: the principal sender is Nasik’s faith, while the main receiver as well as the subject is Nasik himself, who pursues the object of “upholding the truth.” In this pursuit, he is obstructed by the opposant, namely “Iblis,” and supported by the helpers, namely faith and an axe. Through the above structure, it can be concluded that the narrative of Taufiq al-Hakim’s short story “Iblis Yantashiru” contains unique narrative elements and a structural pattern consistent with A.J. Greimas’s narrative semiotics.    
From Semanalysis to Intertextuality in the Song “Kalām ‘Aynīh”: A Julia Kristeva Perspective Noriska, Zacky Aqsha; Zulkhairi, Zulkhairi; Zulhelmi, Anshar; Razak, Abd; Azwir, Azwir
JILSA (Jurnal Ilmu Linguistik dan Sastra Arab) Vol. 10 No. 1 (2026): April
Publisher : Fakultas Adab dan Humaniora UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jilsa.2026.10.1.44-56

Abstract

This study aims to uncover the meaning of the lyrics yā layl yā laylī in the song kalām ‘aynīh through Julia Kristeva’s semiotic analysis. This research employs a qualitative descriptive method, utilizing written data in the form of the song lyrics of kalām ‘aynīh and netizen comments from several TikTok accounts. The data collection technique applied in this study is a note-taking and reading technique through a literature review. The data are analyzed through the stages of identification, application, analysis, and conclusion drawing. The findings indicate that the genotext is understood as an inner process encompassing feelings of love, longing, and emotional experiences, which are then expressed through the song lyrics, while the phenotext is manifested in the lyrics of Kalam Eineh that function to convey the meaning of the genotext. At the level of signification, the lyrics yā layl yā laylī signify longing for the presence of the beloved, whereas at the level of signifiance they convey an idealized specification of the female figure. Intertextually, the lyrics yā layl yā laylī represent longing for one’s beloved. Thus, the interpretation of the lyrics yā layl yā laylī provides an explanation for the shift in meaning that occurs in kalām ‘aynīh has interpreted by TikTok users in Indonesia, while simultaneously emphasizing the importance of a comprehensive and contextual understanding of song lyrics so that the meanings received remain grounded in the original text.
Co-Authors Azwir Azwir Jafar, Abzari Nisaul Kamila Nur Chalis Razak, Abd Syarifuddin Zulhelmi, Anshar Zulkhairi Zulkhairi Sofyan