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EKSPLORASI MAKNA CINTA DALAM SYA'IR "الحب الصادق" KARYA IMAM SYAFI'I: KAJIAN HERMENEUTIKA BOUMAN Aeni Lukviati Urbah; Allisya Rizky Islami; Aura Nasywa Azzahra, Maman Abdul Djaliel
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 10 No. 04 (2025): Volume 10 No. 04 Desember 2025 Terbit
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v10i04.35240

Abstract

This study aims to reveal the meaning of true love (al-mahabbah al-ṣādiqah) in Imam Syafi'i's poem al-ḥubb al-ṣādiq through Bouman's hermeneutic approach. In the modern context marked by a crisis of values and emotional alienation, classical Islamic literature offers spiritual reflections that are relevant to the formation of ethical and humanitarian awareness. This study uses qualitative methods with literature study techniques, focusing on semantic and hermeneutic analysis of classical Arabic texts and their translations. The analysis was conducted by tracing the relationship between the author, the text, and the reader to find dynamic contextual meanings. The results of the study show that sya'ir al-ḥubb al-ṣādiq describes true love as a unity between words, actions, and moral consciousness. Imam Shafi'i emphasizes that sincere love requires obedience, gratitude, and responsibility towards the beloved. Through Bouman's framework, this text is understood not merely as a religious expression, but as a universal reflection on integrity and honesty in love. This finding enriches the study of Islamic literature and hermeneutics by offering a contextual perspective on the transcendental and humanistic value of love.
REPETISI DALAM PUISI AL-QASIDATU AL-MUTAWAHHISHAH DAN QITTATI ASH-SHAMIYYAH KARYA NIZAR QABBANI: KAJIAN STILISTIKA التكرار في شعر القصيدة المتوحشة والقطاطي الشامية لنزار قباني: دراسة أسلوبية Allisya Rizky Islami; Komarudin, Edi; Mawardi, Mawardi
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 02 (2026): Volume 11 No. 2, Juni 2026 Release
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i02.51737

Abstract

This study examines the use of repetition as a stylistic device in Al-Qaṣīdatu al-Mutawaḥḥishah and Qiṭṭatī ash-Shāmiyyah by Nizar Qabbani through a stylistic approach. The objectives of this study are to identify the types of repetition employed in the poems and to explain their stylistic functions. This research uses a qualitative descriptive method with observation and note-taking techniques. The data consist of words, phrases, and sentences containing repetition in both poems. The analysis is based on Gorys Keraf's theory of repetition, which includes anaphora, epistrophe, mesodiplosis, symploce, epizeuxis, tautotes, epanalepsis, and anadiplosis. The findings reveal five types of repetition: 13 instances of anaphora, 3 instances of epizeuxis, 7 instances of mesodiplosis, 4 instances of epistrophe, and 2 instances of symploce. The repetition found in both poems functions to emphasize meaning, strengthen emotional expression, build the lyrical persona’s inner atmosphere, create poetic rhythm, and enhance aesthetic value. In Al-Qaṣīdatu al-Mutawaḥḥishah, repetition is predominantly used to express anxiety, longing, and the desire for freedom. In contrast, in Qiṭṭatī ash-Shāmiyyah, repetition reinforces intimacy, protection, and emotional closeness. Therefore, repetition serves not only as a linguistic pattern of recurrence but also as an important stylistic element in constructing meaning and poetic beauty.
Co-Authors Aeni Lukviati Urbah Maman Abdul Djaliel Mawardi R. Edi Komarudin