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Amin Sulistyowati
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EKSPLORASI WARNA ALAM KUNYIT UNTUK PRODUK MUKENA BATIK Mursidah; Dheasari Rachdantia; Amin Sulistyowati
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Natural dyes are non-toxic alternative dyes refurbished and environmentally friendly. Materials for natural dyes are selected based on its availability in nature and easy to obtain like turmeric (Curcuma domestica Val) which is a native spice and medicinal plant from Asian region. Turmeric is a plant that is commonly used as traditional medicine and herbal medicine. Apart from that, turmeric can also be used as a natural dye for batik cloth. This research aims to make turmeric an environmentally friendly natural dye for batik cloth, and produce a new product design with the idea of ​​providing additional use value to batik mukena products. The method used is qualitative research with a practice-based approach to the creative arts creation process (practice-led research). The results of this research are batik mukena products using the natural dye turmeric. Coloring using a dipping technique of 10 dips using natural turmeric dye with a fixation locking process using a tunjung. Keywords: Batik, Natural Turmeric Color, Mukena batik.
SEMIOTIKA BATIK PERANAKAN DI PEKALONGAN Andri Nur Cahyo; Yustiana Dwirainaningsih; Amin Sulistyowati
Canthing Vol. 8 No. 1 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Peranakan batik is the term for batiks produced by Indonesians of Chinese descent. The presence of Peranakan batik has contributed to the diversity and enriching of the Indonesian Batik repertoire. One of the centers producing Peranakan batik is Pekalongan. Peranakan batik in Pekalongan has its own uniqueness compared to other coastal batik. This uniqueness can be seen in the visualization of the motifs and the socio-cultural conditions of Pekalongan. This article examines the phenomenon of Peranakan batik in Pekalongan in terms of its visualization and aesthetic meaning. The approach used is Roland Barthes' semiotic theory. The focus of the reading is on three batik craftsmen of Chinese descent in Pekalongan, namely Oey Soe Tjoen, Ozzy, and Bulan. It is hoped that this article can provide information about the aesthetic elements of Peranakan batik in Pekalongan, as well as invite the public to better appreciate cultural diversity and the role of acculturation in the development of batik in Pekalongan. Keyword: Acculturation, Peranakan Batik, Pekalongan, Semiotic.