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All Journal JOGED Jurnal Igel: Journal of Dance

Padmini, Tjok Istri Putra

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Author-ID : 9126194

Arts Humanities

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Tari Satriyeng Bencingah Novitasari, Ni Luh Ria; Padmini, Tjok Istri Putra; Suandewi, Gusti Ayu Ketut
Jurnal IGEL : Journal Of Dance Vol 1 No 1 (2021): Terbitan Pertama Bulan Juni
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

The Satriyeng Bencingah dance is a new dance creation that elevates the spirit of struggle carried out by Ida I Dewa Ayu Den Bencingah and his female troops using Belida weapons to fight the enemy who attacked the Bangli kingdom in 801 AD. Satriyeng means knight and hate is the name of Ida I Dewa Ayu Den Bencingah. Satriyeng Bencingah's dance creations were inspired by witnessing a sacred heirloom, namely Belida during the Panca Wali Krama ceremony in 2019 at the Kahen Bangli Temple. Belida is a weaving tool that functions as a unifier between one yarn and another.The process of creating a dance created by Satriyeng Bencingah uses the Alma M Hawkin creation method using three stages, namely exploration, improvisation, and forming. The process of creating this creative dance work uses the theory of imagination and aesthetic theory so that the work is able to convey the message desired by the stylist, namely that women are not weak, able to struggle and do not judge things from the outside.The presentation of the work of Satriyeng Bencingah dance is performed by 7 female dancers in a structured manner which is divided into flashback sections describing Belida being functioned as a loom, part one describes the majesty of Ida I Dewa Ayu Den Bencingah, part two describes inner turmoil and part three describes the spirit of struggle and victory with accompanied by Gamelan Gong Kebyar and gerong vocals.Keywords: Satriyeng Bencingah Creative Dance, Belida, Ida I Dewa Ayu Den Bencingah.

RADEN AYU PEMECUTAN Yanti, Ni Made Krisna Dwi; Padmini, Tjok Istri Putra; Negara, I Gede Oka Surya
Jurnal IGEL : Journal Of Dance Vol 1 No 2 (2021): Terbitan Kedua Bulan Oktober tahun 2021
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

The work of dance created by Raden Ayu Pemecutan is a dance pulled by seven princess dancers in the form of a new dance and raises the character of a delicate princess by highlighting the ges-the prayer moves that have been developed and reproduced. In raden ayu siti khotijah’s story, this misunderstanding is explained, because at the moment that Raden Ayu Siti Khotijah was carrying out his prayers and was seen by one instructor who thought Raden Ayu Siti Khotijah was practicing the black arts, and then one day he reported directly to king Kyai Anglurah Pemecutan III and ordered him to kill Raden Ayu Siti Khotijah.The application of Raden Ayu Pemecutan inventiveness of cane using concepts of agem, boiler, badminton, and tangle. With a princess’s subtle concept of dance developed and reinfused it into a movement-an innovative move as an identity to the work itself. The resulting musical accompaniment includes a musical accompaniment coupled with a tambourine instrument as well as with a red, white batik and green batik dress as the identity of the strip. It was created through the method of creation in the stages of exploration, improvisation and formation of the method of creation by Alma m. Hawkins. As for some of the theories used in accomplishing this work are like the theory of creative processes, the theory of imagination and aesthetic theory.Through this work gives one a contemplative and an example of keegKey words: dance to creation, princess smooth, Raden Ayu Pemecutan

Tari Bebotoh Dari Karakter Seorang Pejudi Sabung Ayam Dalam Bentuk Tari Rakyat Widnyana, Putu Widia; Padmini, Tjok Istri Putra; Wahyuni, Ni Komang Sri
Jurnal IGEL : Journal Of Dance Vol 2 No 2 (2022): Terbitan Kedua Bulan November tahun 2022
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Tari Bebotoh adalah karya tari kerakyatan yang mengambil tema kehidupan sosial yang terinspirasi dari karakter seorang pejudi sabung ayam, dengan karakter tegas dan selalu ingin kemenangan. Penata tertarik untuk mengangkat karakter bebotoh. Karya tari ini ditarikan oleh tujuh orang penari putra dengan postur tubuh yang tidak sama. Tujuan penciptaan karya tari ini adalah untuk mengingatkan semua orang agar tidak menjadi seorang bebotoh yang dikenal sebagai penjudi sabung ayam. Metode penciptaan yang digunakan dalam penciptaan karya ini menggunakan metode Alma M. Hawkins yang mencakup penjajagan, percobaan, pembentukan, karena metode tersebut lebih mudah penata pahami untuk digunakan sebagai metode dalam penciptaan karya seni. Karya tari ini menggunakan tata rias wajah dan busana berupa celana hitam, baju hitam, kamen prada, sabuk pinggang, udeng prada yang ditata sesederhana mungkin. Diharapkan karya tari ini menjadi sebuah karya seni pertunjukan yang dapat dinikmati oleh masyarakat dari semua golongan dan mampu memberikan pesan di dalam sebuah perjudian itu tidak baik. Kata kunci : Bebotoh, kerakyatan, karya tari, tradisi

Wariga Murti: Sebuah Transformasi Tumpek Wariga dalam Bentuk Karya Tari Kuswandari, Ni Kadek Diah Nanta; Santosa, Hendra; Padmini, Tjok Istri Putra; Sutirtha, I Wayan
Joged Vol 23, No 1 (2024): APRIL 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/joged.v23i1.12743

RINGKASANArtikel ini memaparkan hasil studi/projek independen program kegiatan MBKM yang dilakukan pada semester VII (September-Desember 2022). Kegiatan MBKM berupa projek independen yang bermitra kerja dengan Sanggar Semara Ratih, menciptakan sebuah karya tari hasil kolaborasi antara pencipta dengan Sanggar Semara Ratih. Proses penciptaan karya tari inovatif diwujudkan dengan menggunakan metode penciptaan Angripta Sasolahan yang tahapannya terdiri dari ngarencana, nuasen, makalin, nelesin dan ngebah. Tari Wariga Murti bertemakan tumbuhan-spirit religius, ditarikan oleh 6 orang penari. Tata rias Tari Wariga Murti menggunakan tata rias karakter untuk memperjelas karakter yang ingin ditonjolkan. Sedangkan tata busana Tari Wariga Murti yaitu memasukkan unsur atau elemen warna tumbuhan ke dalam busana. Karya tari ini memiliki struktur yang terdiri dari tiga bagian dan berdurasi 11 menit dengan musik tarinya menggunakan MIDI. Terciptanya karya Tari Wariga Murti, pencipta berharap peristiwa budaya Tumpek Wariga tetap dapat ditarikan dan terpelihara dengan baik.ABSTRACTWariga Murti : Transformation Of Tumpek Wariga In The Form Of Dance This article aims to present the results of independent studies/projects of the MBKM activity program while the creators are participating in semester VII (September-December 2022). MBKM activities are in the form of independent projects in partnership with Sanggar Semara Ratih. The independent project activity by creating a dance work is the result of a collaboration between the creator and Sanggar Semara Ratih. The process of creating innovative dance works with Sanggar Semara Ratih was realized using the Angripta Sasolahan creation method, the stages of which consisted of planning, nuasen, makalin, nelesin and singing. The Wariga Murti dance has the theme of religious plants and is danced by 6 dancers. Wariga Murti Dance make-up uses character make-up to clarify the character you want to highlight. Meanwhile, the fashion for the Wariga Murti Dance involves incorporating elements or elements of plant colors into the clothing. This dance work has a structure consisting of three parts and is 11 minutes long with dance music using MIDI. With the creation of the Wariga Murti dance, the creator hopes that the Tumpek Wariga cultural event can still be danced and maintained properly.

Co-Authors Gst.Ayu Ketut Suandewi Kuswandari, Ni Kadek Diah Nanta Negara, I Gede Oka Surya Novitasari, Ni Luh Ria Santosa, Hendra Sutirtha, I Wayan Wahyuni, Ni Komang Sri Widnyana, Putu Widia Yanti, Ni Made Krisna Dwi

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