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All Journal Jurnal Artefak JAMASAN: Jurnal Mahasiswa Pendidikan Sejarah
Iis Aisah
Universitas Galuh
Humanities Education Social Sciences Other

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Kampung Adat Pulo: Preserving the Harmony of Customs, Religion, and Traditional Sundanese Architecture Reni Fitriani; Sarah Febriyani Nur Ahyar; Iis Aisah; Habib Badrussalam; Egi Nurholis
JAMASAN: Jurnal Mahasiswa Pendidikan Sejarah Vol 1 No 1 (2025): Tradisi dan Budaya
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/jamasan.v1i1.5367

Abstract

Pulo traditional village is the embodiment of a unique combination of customs, history and architecture. The Kampung Adat Pulo has a mix of religions, starting with the community embracing Hinduism, Islam emerged with the arrival of Embah Dalem Arif Muhamad who stopped by after the defeat of the Dutch VOC and spread Islam. There are still strong customs that must be adhered to in the Kampung Adat Pulo, including not being allowed to add buildings, the traditional village can only be occupied by six houses of six heads of families from the lineage of Embah Dalem's daughters, which until now cannot be violated. And there are many other customs that cannot be violated, such as not being able to keep four-legged animals, not being allowed to hit large musical instruments such as gongs and many more. The architecture of Kampung Adat Pulo buildings is valued as a characteristic of traditional Sundanese buildings that are based on nature. which is still preserved.
Perkembangan Industri Batik Cigeureung Kota Tasikmalaya Tahun 2000–2015: Tinjauan Historis dan Ekonomi Kreatif Wulan Sondarika; Dewi Ratih; Egi Nurholis; Hana Haniyyah; Hilman Januar; Cecep Husnan Abdul; Iis Aisah; Galurawati Candra
Jurnal Artefak Vol 10, No 2 (2023): September
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v10i2.23942

Abstract

This study examines the historical development and creative economy dynamics of the Cigeureung batik industry in Tasikmalaya City, addressing a critical gap between economic history and local creative industry studies. Existing batik research predominantly focuses on major production centers in Java, while historically grounded analyses of peripheral batik industries remain limited. Employing a historical method with a qualitative approach encompassing heuristics, source criticism, interpretation, and historiography this study reveals that the Cigeureung batik industry has transformed from a traditional household-based activity into an adaptive creative industry integrating design innovation, production strategies, and digital marketing. Despite this progress, sustainability is constrained by structural challenges, including competition from mass-produced textiles and weak artisan regeneration. This study contributes to advancing economic history perspectives within the discourse of culture-based creative industries.
Sinkretisme Nilai Islam dan Adat Lokal dalam Kesenian Gembyungan pada Tradisi Nyangku di Panjalu, Ciamis Iis Aisah; Sri Pajriah; Aan Suryana
Jurnal Artefak Vol 13, No 2 (2026)
Publisher : Universitas Galuh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25157/ja.v13i2.26361

Abstract

The Gembyungan performing art in the Nyangku tradition of Panjalu, Ciamis, reflects the interaction between Islamic values and local Sundanese culture that has been maintained across generations. This study aims to analyze the forms of syncretism between Islamic values and local customs in Gembyungan and its function as a medium of cultural harmonization in the dissemination of Islamic teachings. This study employed a descriptive qualitative approach, with data collected through observation, in-depth interviews, and documentation involving cultural figures, Gembyungan performers, and community representatives. Data were analyzed through data condensation, data presentation, and conclusion drawing and verification. The findings reveal four forms of syncretism: the integration of Islamic and local elements in musical instruments, the adaptation of Al-Barzanji verses to Sundanese vocal styles, the interpretation of heirloom purification as spiritual self-purification, and the religious interpretation of the ritual's timing. Gembyungan also functions as a medium for Islamic preaching, social solidarity, cultural-religious regeneration, and harmonization between Islam and local customs. The study shows that Gembyungan serves as a cultural medium that supports the continuity of local identity and Islamic values.
Co-Authors Aan Suryana Cecep Husnan Abdul Dewi Ratih Egi Nurholis Galurawati Candra Habib Badrussalam Hana Haniyyah Hilman Januar Pajriah, Sri Reni Fitriani Sarah Febriyani Nur Ahyar Wulan Sondarika