Article Per Year (5 Year)
p-Index From 2021 - 2026
0.778
P-Index
This Author published in this journals
All Journal Journal of Arabic Literature (Jali) Afshaha: Jurnal Bahasa dan Sastra Arab Aksara CMES (Center of Middle Eastern Studies)
Ummi Hasanah
Universitas Islam Negeri Maulana Malik Ibrahim Malang
Humanities Education Languange, Linguistic, Communication & Media Social Sciences

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
ALIH KODE DAN CAMPUR KODE PADA NOVEL ‘LAUT BERCERITA’ KARYA LEILA SALIKHA CHUDORI Ghana Aldila Septiani; Madinatul Munawwarah; Ummi Hasanah; I Dewa Made Satria Wibawa; Aulia Fadhila Wirmansyah
Aksara Vol 36, No 2 (2024): AKSARA, EDISI DESEMBER 2024
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v36i2.4313.373-386

Abstract

Artikel ini bertujuan untuk mengungkap bentuk dan penyebab alih kode dan campur kode yang digunakan dalam interaksi antar tokoh dalam novel Laut Bercerita karya Leila Salikha Chudori. Alih kode dan campur kode yang ada di dalam novel ini melibatkan tiga bahasa sekaligus, yaitu bahasa Indonesia, bahasa Inggris dan bahasa Jawa. Penelitian ini menggunakan pendekatan sosiolinguistik dengan metode analisis kualitatif. Teknik pengambilan data menggunakan teknik baca-catat, dan dianalisis dengan tahapan identifikasi data, sajian data serta penarikan kesimpulan. Hasil penelitian menunjukkan bahwa terdapat dua jenis alih kode pada novel Laut Bercerita  yaitu alih kode internal yaitu bahasa Indonesia dan Jawa dan eksternal yaitu bahasa Indonesia dan Inggris dan campur kode yang terdiri dari aspek pengulangan, kata, frasa, dan kalusa. Sedangkan penyebab yang melatarbelakangi terjadinya alih kode dan campur kode pada novel adalah kemampuan berbahasa tokoh,  penyesuaian penggunaan bahasa dengan bahasa mitra tutur, dan perubahan sitausi tutur. This article aims to reveal the forms and causes of code switching and code mixing used in interactions between characters in the novel Laut Bercerita by Leila Salikha Chudori. The code switching and code mixing in this novel involves three languages at once, namely Indonesian, English and Javanese. This research uses a sociolinguistic approach with qualitative analysis methods. The data collection technique uses reading and note-taking techniques, and is analyzed using the stages of data identification, data presentation and drawing conclusions. The results showed that there are two types of code switching in the Laut Bercerita novel, namely internal code switching, namely Indonesian and Javanese, and external, namely Indonesian and English, and code mixing which consists of aspects of repetition, words, phrases and clauses. Meanwhile, the causes behind the occurrence of code switching and code mixing in novels are the characters' language skills, adapting language use to the language of the speaking partner, and changes in speech situations.
DECONSTRUCTING ‘POVERTY’ IN ALWĀN MIN AL-FAQR BY ISLĀM ṢĀDIQ: JACQUES DERRIDA’S PERSPECTIVE Muhamad Husain Rifa'i; Ummi Hasanah; Alif Zakaria; Maulana Nurul Izza; Muhammad Fahmi
CMES (Center of Middle Eastern Studies) Vol 19, No 1 (2026)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.19.1.109970

Abstract

This study analyzes the construction and deconstruction of the meaning of poverty in the short story collection Alwān min al-Faqr by Islām Ṣādiq through hierarchical binary oppositions and how these structures can be destabilized through Jacques Derrida’s deconstruction. This research employs a qualitative descriptive approach using close reading and textual note-taking techniques. The main textual source of this study is the short story collection Alwān min al-Faqr, which serves as the corpus of analysis, while secondary sources include scholarly works on deconstruction theory and studies on the representation of poverty in literary discourse. The findings reveal four patterns of binary opposition: physical versus economic poverty, social versus economic poverty, poverty without shelter versus poverty with shelter, and health versus economic poverty. A deconstructive reading shows that these hierarchies are unstable because the text contains internal contradictions that undermine the assumed superiority of one meaning over another. Consequently, poverty in the text emerges as a relational discursive construct open to multiple interpretations and contributes to expanding the application of deconstruction in contemporary Arabic literary studies.
TAMTSIL AL-HUWIYYAH WA AT-TAHMISY FI SYI’R AS-SALAMU ’ALAIKUM LI ANIS CHOUCHÈNE Dzurrotul Qomariyah; Nur Hasaniyah; Ummi Hasanah
Journal of Arabic Literature (JaLi) Vol 6, No 1 (2024): Journal of Arabic Literature (Jali)
Publisher : Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jali.v6i1.29365

Abstract

This study aims to analyze the representation of identity and marginalization in Anis Susan’s poem "As-salaam ‘alaikum" using Charles Sanders Peirce’s semiotic theory. Adopting a qualitative approach with content analysis, this study examines symbols and meanings that reflect identity and marginalization. The poem is the primary data source, while secondary sources include academic references on identity, marginalization, and Peirce’s semiotics. Data collection involves document analysis and identifying words, phrases, and sentences as symbolic elements. These symbols are categorized into three types: (1) Identity Symbols, representing cultural, religious, and ethnic aspects; (2) Marginalization Symbols, highlighting social discrimination and oppression; and (3) Social Criticism Symbols, addressing systemic or ideological issues. The study applies Peirce’s triadic model, analyzing the representamen (symbolic form), object (referenced concept), and interpretant (derived meaning). Findings reveal that the poem employs linguistic and semiotic symbols to reflect a collective identity deeply rooted in cultural and social contexts. Identity is expressed through religious and cultural references, while marginalization appears in language structures conveying victimization and protest. The poem also critiques social injustice through poetic imagery, emphasizing oppression within the existing system
SIKULUJIYYA AL-MU’ALLIF FI QASHIDAH AN-NAHDLIYYAH LI MUHAMMAD FAISOL FATAWI ‘ALA NADHARIYYAH ALLPORT Ummi Hasanah; Betty Ayunda Wulandari; Muhamad Husain Rifa’i; Nehemiah Michael Akia
Afshaha: Jurnal Bahasa dan Sastra Arab Vol 5, No 1 (2026): Afshaha: Jurnal Bahasa dan Sastra Arab
Publisher : Faculty of Humanities UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/afshaha.v5i1.40766

Abstract

This study examines the psychological profile of M. Faisol Fatawi, the author of Qasidah An-Nahdliyyah, using Gordon Allport’s personality theory, with a particular focus on how psychological dimensions are reflected in literary production. Employing a descriptive qualitative method, this research analyzes narrative data through the framework of traits, habits, and attitudes. The findings reveal that the author’s dominant traits consistency, diligence, and social awareness are systematically manifested in his writing practices and thematic choices. His habits of drawing inspiration from meaningful moments and maintaining humility, along with his reflective and service-oriented attitudes, significantly shape the construction of the text. This study offers a novel contribution by demonstrating the integration of Allport’s psychological framework into the analysis of contemporary Islamic literary works, highlighting how individual personality structures can function as a driving force in ideological and cultural expression. The Qasidah An-Nahdliyyah thus emerges not only as a literary product but also as a medium for articulating the author’s devotion to Nahdlatul Ulama and his intention to inspire broader social engagement.
Co-Authors Alif Zakaria Aulia Fadhila Wirmansyah Betty Ayunda Wulandari Dzurrotul Qomariyah Ghana Aldila Septiani I Dewa Made Satria Wibawa Madinatul Munawwarah Maulana Nurul Izza Muhamad Husain Rifa'i Muhamad Husain Rifa’i Muhammad Fahmi Nehemiah Michael Akia Nur Hasaniyah