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Arsitektur sebagai Jejak Sejarah: Analisis Tipologi dan Pelestarian Bangunan Cagar Budaya di Kabupaten Garut Sugiarto, Deri; Nurcahya, Yan; Ridwan, Ahmad Fauzi; Priyatna, Haris; Basor, Saepul
Dampeng: Journal of Art, Heritage and Culture Vol. 1 No. 4 (2025): Dampeng: Journal Art, Heritage and Culture
Publisher : Yayasan Abdurrauf Cendekia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70742/dampeng.v1i4.457

Abstract

This study examines cultural heritage buildings in Garut Regency as architectural historical traces that reflect the social and cultural dynamics of the community since the colonial era. Through a qualitative-descriptive approach and architectural typology analysis, this study explores the form, function, and historical value of historic buildings such as the Pendopo Building, the Old Post Office, and the Papandayan Hotel. The results show that these buildings exhibit a blend of Dutch colonial architectural styles—such as Indische Empire and Art Deco—with adaptations to the tropical climate and Sundanese culture. The building typology is not only a visual representation of the colonial period, but also a symbol of the interaction between power, local communities, and urban space. Conservation efforts still face challenges, particularly from the lack of public awareness and the pressures of modern development. However, revitalization and adaptive reuse initiatives have emerged that open opportunities for the development of heritage-based tourism. This study emphasizes that historic architecture in Garut is not merely an artifact of the past, but a living heritage that needs to be preserved as a cultural identity and a medium for historical learning for future generations. [ Penelitian ini membahas bangunan-bangunan cagar budaya di Kabupaten Garut sebagai jejak sejarah arsitektur yang merefleksikan dinamika sosial dan budaya masyarakat sejak masa kolonial. Melalui pendekatan kualitatif-deskriptif dan analisis tipologi arsitektur, penelitian ini menelusuri bentuk, fungsi, serta nilai historis dari bangunan bersejarah seperti Gedung Pendopo, Kantor Pos Lama, dan Hotel Papandayan. Hasil penelitian menunjukkan bahwa bangunan-bangunan tersebut memperlihatkan perpaduan gaya arsitektur kolonial Belanda—seperti Indische Empire dan Art Deco—dengan penyesuaian terhadap iklim tropis dan budaya Sunda. Tipologi bangunan tidak hanya menjadi representasi visual masa kolonial, tetapi juga simbol interaksi antara kekuasaan, masyarakat lokal, dan ruang kota. Upaya pelestarian masih menghadapi tantangan, terutama dari minimnya kesadaran masyarakat dan tekanan pembangunan modern. Namun, muncul inisiatif revitalisasi dan pemanfaatan kembali (adaptive reuse) yang membuka peluang bagi pengembangan pariwisata berbasis warisan budaya. Penelitian ini menegaskan bahwa arsitektur bersejarah di Garut bukan sekadar artefak masa lalu, tetapi warisan hidup yang perlu dijaga sebagai identitas kultural dan media pembelajaran sejarah bagi generasi mendatang.]
The Tambo Tuanku Imam Bonjol Manuscript as an Authentic Historical Source of the Padri War (1803-1837) Priyatna, Haris; Supriadi, Dedi; Hidayat, Asep Achmad; Nurcahya, Yan
Socio Politica : Jurnal Ilmiah Jurusan Sosiologi Vol. 16 No. 1 (2026): Jurnal Socio-Politica
Publisher : FISIP UIN SGD Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/socio-politica.v16i1.53954

Abstract

After the Padri War (1803-1837), Tuanku Imam Bondjol was exiled by the Dutch colonial government to Minahasa and Manado. During his exile in Manado, his son, Naali Sutan Caniago, who accompanied Tuanku Imam Bondjol during his exile, wrote a manuscript about his father's struggle. This manuscript is called the Tambo Tuanku Imam Bondjol Manuscript, which is a single manuscript (codex unicus). In general, this manuscript contains a summary of the history of the Padri War in West Sumatra in the 19th century. It contains Tuanku Imam Bondjol's memoirs, his thoughts, and notes on the Padri war. In this study, the Tambo Tuanku Imam Bondjol manuscript is examined using philological and historical methods. This manuscript has been transliterated and translated by Safnir Abu Naim, However, this study will trace the philological stages carried out on the Tambo Tuanku Imam Bondjol manuscript to demonstrate its originality and authenticity. The problem examined in this study is how the Tambo Tuanku Imam Bondjol manuscript stands as a historical source of the Padri War. To that end, a textual study of the translation of the manuscript was conducted using the Critical Discourse Analysis (CDA) method modeled by Teun A. Van Dijk. This study also uses the Historical Method with the ultimate goal of compiling a historiography of the struggle of Tuanku Imam Bondjol and the Padri War. From the results of the study, it is concluded that the Tambo Tuanku Imam Bondjol manuscript is an authentic source of the Padri War, a first-hand historical source originating from indigenous records. Before the discovery of this manuscript, sources for the Padri War were generally only from colonial archives.