Muchlis Daroini
Universitas Islam Negeri Kiai Ageng Muhammad Besari Ponorogo

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

Gender Harmony and Household Integrity in Migrant Worker Families in Ponorogo: A Sociological Analysis Andhita Risko Faristiana; Muchlis Daroini
MUWAZAH : jurnal kajian gender Vol 17 No 2 (2025)
Publisher : Universitas Islam Negeri K.H. Abdurrahman Wahid Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28918/b88nhc38

Abstract

This research analyzes the dynamics of gender harmony and household integrity in migrant worker families in Ponorogo through a qualitative case study approach. The feminization of international migration creates complex gender role restructuring that involves negotiation between Javanese cultural values, Islamic religiosity norms, and the practical demands of transnational life. The findings reveal heterogeneity in family adaptive responses, where the redistribution of domestic roles ranges from progressive transformation to the perpetuation of patriarchy, influenced by individual gender literacy, social stigma, and the quality of digital communication. Although women*'s** economic contributions increase their bargaining power, conservative gender ideology perpetuates the double burden and relational inequality. Family resilience is determined by the convergence of extended family support, remittance management strategies, legal literacy, and religiosity as a coping mechanism. The research identifies gaps in legal protection, risks of family disintegration due to boundary ambiguity, and the transformation of younger generation aspirations. The theoretical implications enrich the transnational family sociology discourse with local cultural perspectives, while practical recommendations include developing a holistic protection framework that integrates gender-sensitive pre-departure counseling, the strengthening of community networks, and sustainable empowerment programs.
ISLAMIC ART AND ARCHITECTURE: THE INTERSECTION OF THEOLOGY, CULTURE, AND AESTHETICS IN THE MUSLIM WORLD Rashid Rahman; Nina Anis; Muchlis Daroini
Journal of Noesantara Islamic Studies Vol. 3 No. 1 (2026)
Publisher : Yayasan Adra Karima Hubbi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70177/jnis.v3i1.3462

Abstract

Islamic art and architecture represent a profound manifestation of the spiritual, cultural, and intellectual traditions of the Muslim world. Throughout history, artistic and architectural expressions in Islamic civilization have not only served aesthetic purposes but have also embodied theological principles and cultural identities. This study aims to analyze how theological concepts, cultural contexts, and aesthetic philosophies interact in shaping Islamic art and architecture across the Muslim world. The study employs a qualitative research design using an interdisciplinary analytical approach that integrates perspectives from Islamic studies, art history, cultural studies, and architectural theory. Data were collected through document analysis of architectural records, historical sources, and scholarly literature, followed by thematic interpretation and comparative analysis of selected Islamic architectural examples. The findings reveal that Islamic art and architecture consistently reflect theological concepts such as tawhid, harmony, and transcendence through geometric ornamentation, calligraphic decoration, and balanced spatial structures. Cultural diversity across regions contributes to stylistic variation while maintaining shared symbolic principles rooted in Islamic belief. The study concludes that Islamic art and architecture function as integrated expressions of theology, culture, and aesthetics, illustrating how religious worldview and cultural identity shape artistic creativity within the Muslim world.