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Proses Kreasi Seorang Desainer Grafis (Studi Kasus : Stefan Sagmeister) Maulina, Rini
Visualita Jurnal Online Desain Komunikasi Visual Vol 4 No 1 (2012): February
Publisher : Universitas Komputer Indonesia

Proses kreasi merupakan tahapan penting bagi seorang desainer grafis dalam pencapaian karya. Proses kreasi yang dialami oleh seniman, desainer grafis atau pelaku kreatif biasanya tidak disadari oleh pelaku kreatif itu sendiri. Dalam keilmuan psikologi khususnya psikologi seni proses kreasi dapat dikategorikan berdasarkan tipe-tipe dari cara berfikir atau cara bagaimana pelaku kreatif tersebut memecahkan masalah yang dihadapi ketika bekerja kreatif. Proses kreatif seorang kreatif dipengaruhi oleh beberapa factor yang ditelaah lewat psikologi personal dari pelaku kreatif. Stefan Sagmeister adalah seorang desainer grafis sekaligus seniman yang memiliki beberapa tipe proses kreasi. Beliau adalah seorang kreatif yang pola berkreasinya dapat dijadikan sebagai pembelajaran. Penilitian ini merupakan tinjauan dari Stefan sagmeister, mengenai proses kreasi seorang desainer grafis sekaligus seniman kontemporer yang menciptakan karya desain dengan melewati batas-batas desain dan seni. Karya-karya Stefan sagmeister menggambarkan cirri-ciri kontemporer. Tinjauan ini dilakukan untuk mengetahui dan mempelajari apakah proses kreasinya dipengaruhi oleh perkembangan dunia seni rupa dan desain secara umum, dimana saat ini merupakan era kontemporer yang mengusung eksperimental, eklektik, simbolik sekaligus spiritual yang mempengaruhi pola berfikir dan berkarya di segala bidang khususnya bidang desain grafis.

KLASIFIKASI ALAT TRADISIONAL SAWAH PAYO KOMUNITAS ETNIK MELAYU JAMBI Fadilah, Nurul; Maulina, Rini
Visualita Jurnal Online Desain Komunikasi Visual Vol 7 No 2 (2019): February
Publisher : Universitas Komputer Indonesia

Jambi Malay ethnic communities in the province of Jambi have livelihoods as farmers. In farming, they use the ways and tools of traditional. Farm tools of the Jambi Malay ethnic communities are the artifacts that need to be analyzed, scrutinized, and recorded as the corpus of the thinking and creativity of the community ancestor Jambi Malay. The aim of the research is classifying the traditional tools in farming system payo on Jambi Malay ethnic communities. The approach used in this study is the ethnographic and the methods used to obtain data is a research library, observation, and interviews. The research showed that Jambi Malay ethnic community uses traditional farming tools namely Parang Panjang, Kayu Pengait, Pangkur, Keruntung, Ambung, Tajak, Sabit, Kisaran, Nyiru, dan Tikar Rumbai. The Jambi Malay ethnic communities traditional tools classified into two major class i.e cutter (dynamic) and container (static) tools. Classification obtained is expected to motivate the holding of study, research, and comprehensive archiving of traditional agricultural tools of Jambi Malay ethnic communities as part of Indonesian culture artifacts.

INDUNG PADA WADITRA KACAPI Maulina, Rini
Visualita Jurnal Online Desain Komunikasi Visual Vol 7 No 2 (2019): February
Publisher : Universitas Komputer Indonesia

Indung is a Sundanese word. The word in Indonesian and English means mother. The word Indung is found in Sundanese cultural artifacts, one of which is in the waditra, a Sundanese traditional musical instrument, for example in the waditra Kacapi called Kacapi Indung. This research is a pre-research that uses library research methods and aims to know Indung as a symbol of Sundanese culture, by conducting a study on Kacapi Indung and the theories used are psychoanalysis and culture. Analysis of Indung with the use of these theories indicates that the existence of Indung is present in all categories made by experts and shows significant suitability.

Pelatihan dan Pameran Desain Poster Daring untuk Remaja Indonesia Maulina, Rini; Cahyadi, Arif Try; Madjid, Wahyu Maulana; Dewi, Febby Permata
Visualita Jurnal Online Desain Komunikasi Visual Vol 9 No 1 (2020)
Publisher : Universitas Komputer Indonesia

Community Service (PKM) have been conducted by Lecturers and students from the Visual Communication Design Study Program, Faculty of Design, Universitas Komputer Indonesia (UNIKOM). PKM is implemented on the basis of the needs of partners, namely SMK Nasional Bandung towards the advancement of creativity, achievement and confidence of its students through competition. PKM program, namely COVID-19-themed Poster Design Training that is agreed can be attended by participants from all over Indonesia. 124 participants, conducted online. The purpose of PKM activities to increase creativity, achievement, and confidence of SMK Nasional Bandung students. The PKM method consists of the implementation method and the method of analysis of the work. The method of implementation of PKM consists of 13 stages, including need assessment, introduction, training, workshop, curation, exhibition, and awards. The visual analysis method argued was used to test the results of the training on 3 works of the best participants. As a result of the poster design training there are 52 poster design works on display on the https://ideas.my.id. the results of the visual argument analysis show trainees understand the training materials.

Representation of the Meaning of Indung in Artworks Maulina, Rini; Sabana, Setiawan; Damayanti, Nuning Yanti; Muhtadin, Teddi
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.29800

Indung means mother in Sundanese. Indung in Sundanese culture is found in Paribasa, Babasan, Carita Pantun, Waditra (Sundanese traditional musical instrument), traditional ceremonies, and others. The word indung, which is found in almost all elements of Sundanese culture and manifests in Sundanese artifacts, has an invisible meaning. The meaning of indung in the perspective of Sundanese culture that exists in todayÃ¢â‚¬â„¢s society has not been explored. The meaning of indung from a cultural perspective needs to be searched for. There have not been found artworks with the theme of indung from a Sundanese cultural perspective, so it is necessary to explore representations in artworks. This study employs the Art-based Research method, in which an investigation is carried out on the data, and the results are represented in artworks. Through questionnaires, interviews, and literature studies, the meaning of indung is extracted and then tabulated to be classified and analyzed. The results of data processing showed that indung has many meanings, the result of converging data from the literature, questionnaire and interview the whole there are 17 meanings, among which the nurse, angel, house, huge, source of life, earth, embrace, harmony, the center of life, and love. The results of data processing are represented in artworks. Artworks made based on the meaning of indung are limited to three titles, namely Sumber Kehidupan (Source of Life), Merangkul (Embracing), and Rumah yang Hangat (Warm Home). The visual exploration contained in the three titles is made using stylized forms with a decorative style, using elements of motifs and colors from West Javanese batik. The media and techniques used are found in written batik. The results of the visualization of the meaning of indung of the three artworks that are created can be concluded that the meaning of indung cannot be symbolized singly.

Ngabandungan Banda Indung Interpretasi Kepercayaan Masyarakat Sunda Rancakalong melalui Seni Visual Rini Maulina; Setiawan Sabana; Nuning Yanti Damayanti; Teddi Muhtadin
PANGGUNG Vol 30, No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

ABSTRACTIndung (mother) in Sundanese culture is not only meaningful as a mother who gives birth, but has a broadmeaning and contains motherhood. Sundanese people have a tradition of appreciating the indung, seenfrom the mention of the indung in Paribasa, Babasan, Carita Pantun, and mythology. The maternal natureof Sunan Ambu, Dayang Sumbi and Nyi Sri Pohaci, was placed in the highest position as a glorificationof the indung. The results of the study showed that the philosophy contained in the traditional ceremonyof Ngalaksa in Rancakalong, Sumedang, contains the meaning of broad indung, interpreted into the formof visual artwork “Ngabandungan Banda Indung”, based on the problem of interpretation the meaningof the mother in visual artwork has been limited to mothers who give birth. Using the Art Based Researchmethod, the creation of research-based artwork. Aimed at interpretation of the wider meaning of the landin the form of the depiction of the banda indung (mother’s wealth) such as rice plants, honje, Kawung,Kalapa, jagong, with the depiction of batik, using glass painting techniques.Keywords: Art Based Research, Banda Indung, Nyi Sri Pohaci, Rancakalong, Visual ArtABSTRAKIndung (ibu) dalam budaya Sunda tidak hanya bermakna sebagai ibu yang melahirkan, tapimemiliki makna yang luas dan mengandung sifat keibuan. Masyarakat Sunda memiliki tradisilebih menghargai indung, terlihat dari penyebutan indung pada paribasa, babasan, carita pantun,dan mitologi. Sifat keibuan terdapat pada Sunan Ambu, Dayang Sumbi, dan Nyi Sri Pohaci,ditempatkan pada posisi tertinggi sebagai pemuliaan indung. Hasil penelitian menunjukkanfalsafah yang terkandung dalam upacara adat Ngalaksa di Rancakalong, Sumedang,mengandung makna indung yang luas, diinterpretasikan ke dalam bentuk karya seni visualNgabandungan Banda Indung, berdasarkan permasalahan interpretasi terhadap makna ibu dalamkarya seni visual selama ini terbatas pada ibu yang melahirkan. Menggunakan metode ArtBased Research, penciptaan karya seni berbasis penelitian. Bertujuan sebagai interpretasi maknaindung yang lebih luas berupa penggambaran banda indung (kekayaan Ibu) seperti tanamanpadi, honje, kawung, kalapa, jagong, dengan penggambaran batik, menggunakan teknik lukiskaca.Kata Kunci: Art Based Research, Banda Indung, Nyi Sri Pohaci, Rancakalong, Seni Visual.

VISUAL BERARGUMEN PADA PERINGATAN KESEHATAN BERGAMBAR Rini Maulina
Desain Komunikasi Visual, Manajemen Desain dan Periklanan (Demandia) Vol 3 No 02 (2018): Vol 03, No 02 (September 2018) demandia - Jurnal Desain Komunikasi Visual, Manaj
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/demandia.v3i02.1546

Peringatan kesehatan bergambar adalah visual berargumen yang merupakan suatu kombinasi elemen visual dan verbal. Penelitian ini mengevaluasi efektivitas peringatan kesehatan bergambar yang berlaku di Indonesia, Singapura dan negara-negara anggota Dewan Kerja sama Teluk dengan penggunaan empat (4) metode dari para ahli komunikasi visual dan satu metode modifikasi dari penulis. Hasil evaluasi menunjukkan terdapat peringatan kesehatan bergambar yang efektif. Penelitian ini diharapkan dapat mencerahkan semua profesional dalam pengetahuan desain komunikasi visual.

Warna Sunda pada Batik Tulis Merak Ngibing Garutan Kadarisman, Asep; Maulina, Rini
Visualita Jurnal Online Desain Komunikasi Visual Vol 11 No 1 (2022)
Publisher : Universitas Komputer Indonesia

Warna memiliki peran penting dalam setiap kebudayaan di Dunia. Warna dalam kebudayaan Sunda merupakan identitas Suku Sunda yang terdapat pada setiap artefak kebudayaannya. Warna pada batik tulis Garutan memiliki ciri khas yang mencerminkan keyakinan dasar masyarakat Garut dalam kehidupannya. Warna pada batik tulis Garutan perlu ditelusuri untuk menambahkan preferensi warna Sunda sebagai identitas masyarakat Sunda dan menemukan warna Sunda yang didapatkan dari penggunaan bahan zat pewarna pada batik tulis merak ngibing Garutan. Yang belum dilakukan oleh peneliti warna Sunda melalui batik sebelumnya yaitu mengaitkan warna-warna Sunda pada batik tulis dengan bahan zat warna yang digunakan. Mengetahui asal warna dari zat warna yang digunakan penting diketahui agar warna Sunda dapat digunakan dan dikenal secara universal khususnya pada bidang desain, kriya dan seni rupa. Metode yang digunakan yaitu deskriptif untuk mengumpulkan data-data warna Sunda pada batik tulis merak ngibing Garutan, pengumpulan data melalui wawancara dengan Wawan Setiawan perajin batik Kawentar Garut, observasi terhadap batik tulis Garutan motif merak ngibing, dan literatur. Data-data warna batik ditabulasi disesuaikan dengan kelompok jenis warna dan bahan zat warna sintetis yang digunakan. Tujuan dari penelitian yaitu, Mengumpulkan warna dari batik tulis motif merak ngibing Garutan, mengelompokkan warna tersebut berdasarkan jenis warna dan penggunaan zat warna sintesisnya, dan memperoleh warna Sunda dalam penamaan melalui nama zat pewarna sintetisnya. Hasil penelitian yaitu diperoleh preferensi warna-warna Sunda yang diperoleh dari penggunaan zat pewarna sintetis sehingga dapat digunakan secara Universal.

Representation of the Meaning of Indung in Artworks Maulina, Rini; Sabana, Setiawan; Damayanti, Nuning Yanti; Muhtadin, Teddi
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.29800

Indung means mother in Sundanese. Indung in Sundanese culture is found in Paribasa, Babasan, Carita Pantun, Waditra (Sundanese traditional musical instrument), traditional ceremonies, and others. The word indung, which is found in almost all elements of Sundanese culture and manifests in Sundanese artifacts, has an invisible meaning. The meaning of indung in the perspective of Sundanese culture that exists in todayâ€™s society has not been explored. The meaning of indung from a cultural perspective needs to be searched for. There have not been found artworks with the theme of indung from a Sundanese cultural perspective, so it is necessary to explore representations in artworks. This study employs the Art-based Research method, in which an investigation is carried out on the data, and the results are represented in artworks. Through questionnaires, interviews, and literature studies, the meaning of indung is extracted and then tabulated to be classified and analyzed. The results of data processing showed that indung has many meanings, the result of converging data from the literature, questionnaire and interview the whole there are 17 meanings, among which the nurse, angel, house, huge, source of life, earth, embrace, harmony, the center of life, and love. The results of data processing are represented in artworks. Artworks made based on the meaning of indung are limited to three titles, namely Sumber Kehidupan (Source of Life), Merangkul (Embracing), and Rumah yang Hangat (Warm Home). The visual exploration contained in the three titles is made using stylized forms with a decorative style, using elements of motifs and colors from West Javanese batik. The media and techniques used are found in written batik. The results of the visualization of the meaning of indung of the three artworks that are created can be concluded that the meaning of indung cannot be symbolized singly.

Perancangan Animasi Sejarah Komunitas Dayak Losarang Hidayat, Rahman; Maulina, Rini
DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Vol 2 No 2 (2022): DIVAGATRA #04
Publisher : Fakultas Desain Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/divagatra.v2i2.8324

The Losarang Dayak community has existed since 1970, and is still surviving today. This community has nothing to do with the Kalimantan Dayak Tribe. The Losarang Dayak are not a traditional tribe, but a pure community founded by Paheran Takmad Diningrat in Losarang Indramayu. Having different characteristics makes this community part of the uniqueness of the Indramayu community. Some of the people of Indramayu know the existence of this community but not its history, the importance of public knowledge about the history of this community to increase mutual respect and respect and increase public insight and knowledge about the life of the Losarang Dayak Community. Previously, there had been information media in the form of books that explained the history and life values of the Losarang Dayak community by Abdurrahman AL-Muhaili. However, the book was printed in limited and academic nature. Therefore, it is necessary to design additional information regarding the history of the Losarang Dayak Community with the aim of presenting information in visual form packaged through motion graphic animation media published on the youtube platform so that it is easily accessible, and conveyed to the target audience.

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