Article Per Year (5 Year)
p-Index From 2021 - 2026
0.61
P-Index
This Author published in this journals
All Journal Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Abdi Seni Jurnal Pakarena
R. Danang Cahyo Wijayanto
Institut Seni Indonesia Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Synesthesia of IbuIbu Belu: Bodies of Border as Contemporary Dance in Choreomusicology Perspective Maharani Luthvinda Dewi; R. Danang Cahyo Wijayanto; Renaldi Lestianto Utomo Putro
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.25920

Abstract

Penelitian ini difokuskan pada analisis bentuk sinestetik sebagai hasil perseptual dalam karya tari kontemporer Ibulbu Belu: Bodies of Border (IBUBOB) yang dipentaskan di Teater Besar ISI Surakarta tahun 2022. Urgensi studi ini didasarkan pada fakta bahwa kajian sebelumnya cenderung menganalisis dimensi tari, musik, dan ruang secara terpisah, serta belum memposisikan gejala sinestetik sebagai fokus kajian utama. Penelitian ini mengajukan argumen bahwa bentuk sinestetik adalah sebuah konstruksi perseptual yang dikonstruksi secara kausal oleh strategi koreomusikal dan teknologi pemanggungan. Metode kualitatif deskriptif dengan pendekatan analisis konten dua-tahap (formalis dan resepsi) diterapkan, menggunakan data rekaman audio-visual, observasi, wawancara, dan studi pustaka berupa narasi audiens. Penelitian menemukan hasil dua penyebab utama. Pertama, strategi koreomusikal yang mengintegrasikan body percussion dan instrumen Tihar dalam pola ritmis paralel dan unison. Kedua, desain pemanggungan yang memanfaatkan lantai kayu parkit berlapis vynil sebagai instrumen perkusif pasif dan sonifikasi melalui mic condensor yang mengubah bunyi kinetik subtil (hentakan kaki) menjadi lanskap suara imersif. Temuan membuktikan bahwa kedua elemen teknis ini secara sistematis mengarahkan persepsi audiens, yang termanifestasi dalam narasi sinestetik seperti detak jantung kolektif. Disimpulkan bahwa bentuk sinestetik adalah akibat perseptual yang dapat dirancang secara sadar oleh seniman melalui keputusan teknis yang terintegrasi.  Kata kunci: Bentuk, Sinestetik, Tari Kontemporer, IBUBOB, Sonifikasi.
Penciptaan Karya Tari Birama Morse Tubuh Ku sebagai Pilot Project Mencipta Tari Bersama Anak-Anak Tuna Rungu Jonet Sri Kuncoro; Eko Supendi; R. Danang Cahyo Wijayanto; Suroto Suroto
Abdi Seni Vol. 16 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i2.6501

Abstract

The creation of the Morse Code Body dance, as a pilot project to create dance with deaf children, is a community service activity in partnership with the Karanganyar State Special Needs School (SLB Negeri Karanganyar). This work focuses on children with hearing impairments (deaf) in the form of developing movements and beats of the feet, hands, and body. The movements are elaborated with a Morse Code reading system that uses dots (.) and dashes (-) to send and receive messages. This training system uses a demonstration learning method by providing examples directly in front of children supported by a four-step training system. This form of dance work can inspire SLB teachers to create dances and develop the potential and self-confidence of children with hearing impairments in the principle of equality as learning applied to other "normal" children. This program is expected to provide solutions to problems in Karanganyar State Special Needs School and pragmatically to class teachers and children so that they can experience the process of creating dance works and provide performance experiences outside of school. Keywords: creation, dance, morse, stomp, demonstration, training, experience.
PERFORMATIVITAS GENDER DALAM PENCIPTAAN TARI CAKIL INTERMEDIAL Eko Supriyanto; R. Danang Cahyo Wijayanto; Muhammad Nurazhariansyah
JURNAL PAKARENA Vol 11, No 1 (2026): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v11i1.83474

Abstract

This article discusses a practice-based study on the creation of an intermedial Cakil dance through a dialogue among the dancer’s body, puppet sabet idioms, and a life-size Cakil figure. Developed through studio work with seven female dancers, the study shows that the puppet functions not merely as a prop but as a choreographic agent that reorganizes weight, arm articulation, ceklekan rhythm, and spatial design. The findings argue that Cakil’s forceful quality can be produced as a technical and kinesthetic achievement rather than as a masculine essence. The article proposes an intermedial creation protocol as a contribution to arts education, creative research, and gender performativity studies.  
Co-Authors Eko Supendi Eko Supriyanto Jonet Sri Kuncoro Maharani Luthvinda Dewi Muhammad Nurazhariansyah Renaldi Lestianto Utomo Putro Suroto Suroto