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PELATIHAN MUSIK SEBAGAI UPAYA MENINGKATKAN POTENSI MASYARAKAT DI DESA CISAAT Dani Nur Saputra; Dian Herdiati; Ida Bagus Ketut Sudiasa
Prosiding Conference on Research and Community Services Vol 5, No 1 (2023): Fifth Prosiding Conference on Research and Community Services
Publisher : STKIP PGRI Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Desa Wisata Cisaat, Subang, Jawa Barat memiliki potensi alam yang cukup untuk menjadikannya tujuan wisata yang menarik. Dukungan terhadap konsep desa wisata perlu ditingkatkan melalui partisipasi masyarakat dalam bidang seni, sehingga Desa Cisaat dapat menampilkan daya tarik alam dan seni yang menggugah rasa indah. Dalam menghadirkan aspek seni di Desa Cisaat, diperlukan keahlian dari penduduk setempat. Kekayaan seni yang ada di Desa Cisaat saat ini masih memerlukan upaya pengembangan, mengingat potensinya yang sangat besar. Komunitas di desa ini memiliki populasi yang signifikan dari kalangan anak-anak dan remaja, yang secara potensial bisa berperan penting dalam mengembangkan Desa Cisaat menjadi destinasi wisata yang unggul. Tantangan yang dihadapi di sini adalah keterbatasan jumlah individu yang memiliki pengalaman dan pengetahuan di bidang musik. Pembelajaran seni di Desa Cisaat masih bersifat tradisional, dengan pengetahuan seni yang diwariskan dari generasi tua hanya kepada anggota keluarga. Banyak di antara generasi muda yang belum memiliki kemampuan bermain musik, mereka hanya menjadi penonton pasif dan tidak terlibat dalam aktivitas seni yang ada di desa ini. Melalui program pengabdian, masyarakat diberi pelatihan dalam keterampilan musik, yang pada gilirannya akan membuka peluang bagi pengembangan komunitas dalam bidang seni dan pariwisata. Kegiatan ini memberikan dampak positif dalam memperkaya sektor budaya dan seni di Desa Cisaat, serta berkontribusi terhadap perkembangan desa sebagai destinasi wisata yang menarik

Visualisasi Mitologi Kala Rahu "Candra Graha" sebagai Tema dalam Penciptaan Karya Tari yang Berpijak pada Tari Legong Putri Maulida Khalifaturrahman; Ida Bagus Ketut Sudiasa; Tuteng Suwandi
Jurnal Pendidikan Tari Vol 2 No 2 (2022): Ekspresi Seni melalui Pembelajaran dan Karya Tari
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.221

This research was conducted to produce data on Balinese people's beliefs in the mythology of Kala Rahu, the mythology of Kala Rahu will be represented through a form of dance visualization that reviews the lunar eclipse which tells of each event that there is a meeting between Kala Rahu and Dewi Ratih. This research uses a qualitative research type with a phenomenological approach. . The method used in the creation of this dance work is the “Moving from Within: A New Method for Dance Making” method based on a book that has been translated by I Wayan Dibia entitled Moving According to the Heart. The stages of taking the motion steps used are based on the elements of daily movement and the Legong dance. The daily movements taken are like playing. The movement of the Legong dance, the Legong dance has several motion motifs, the motion motifs taken include agem, ulap-ulap, ngeseh, ngumbang. Candra Graha's work is packaged in a dance film shooting video format that makes it easy for the audience to see from various points of view, which will be broadcast online. By choosing to use two dancers with various roles, children, grandmothers, Dewi Ratih, Kala Rahu, Batara Guru, and Batara Narada. The selection of dancers includes the uniformity of posture in the roles performed and the dancer's movement techniques. Results The conclusion from the research can be to carry out motion exploration activities using the data that has been obtained.

Penciptaan Tari "Ngies" pada Prosesi Adat Buang Jong Suku Sawang dengan Pijakan Gerak Tari Kedidi Menggunakan Metode Moving from Within Alma M. Hawkins. Robi Maulana bujang; Ida Bagus Ketut Sudiasa; Bambang Kristiono Soewardjo
Jurnal Pendidikan Tari Vol 2 No 2 (2022): Ekspresi Seni melalui Pembelajaran dan Karya Tari
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.222

The Creation of Ngies Dance in the Buang Jong Traditional Procession of the Sawang Tribe with the Footing of the Kedidi Dance Using the Form Within Alma M Hawkins Method, Thesis (Final Choreograph), Dance Education Study Program, Faculty of Language and Arts, State University of Jakarta.This dance work raises the story of a traditional ritual that exists in one of the villages in Bangka Belitung, precisely in the Kumbung Village of South Bangka Regency, namely the Buang Jong Ritual, where throwing garbage means the boat can be interpreted as throwing jong the same as throwing the boat. The method used in this dance work Alma M Hawkins’s method from her book Moving from Within through the stages of experiencing, expressing, seeing, feeling, imagining, manifesting, forming, and evaluating. This dance work reveals how the ritual of throwing Jong was carried out through a new dance work with the footing of the Kedidi Dance movement. This work is the result of a personal observer packaged in a video with new dance moves and music.

Cerita Lisan Lukisan Bunuh Diri Raden Saleh Sebagai Inspirasi Penciptaan Tari Rundung Saleh Putri Annisa Hendrik; Ida Bagus Ketut Sudiasa; Tuteng Suwandi
Jurnal Pendidikan Tari Vol 3 No 1 (2022): Teknologi Digital dalam Pembelajaran Tari dan Penciptaan Tari
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.315

Bullying is a situation where a person or a group of people abuse their power. Saleh is taken from the name of the inspirational figure, Raden Saleh Syarif Bustaman. Rundung Saleh depicts a story of bullying experienced by Raden Saleh Syarif Bustaman. The correlation of the title and the story of bullying experienced by Raden Saleh is that bullying still happening nowadays. The "Rundung Saleh" dance work is based on the basic movements of the keurseus dance and daily movements using the Alma M Hawkins creation method. The process and results of the embodiment of the dance work is presented in dance film format, which is the result of movement variations through a cinematic process and animated by natural elements or technological manipulation. Therefore, this dance work "Rundung Saleh" is using a shooting techniques according to the concept of stage arrangement or decorative room. The presentation of the dance work uses a dramatic dance type and a double cone dramatic design with a symbolic representational presentation mode.

Visual dan Audio Mitologi Barong Landung sebagai Tema dalam Penciptaan Tari yang Berpijak pada Gerak Tari Legong Kang Cing I Dewa Ayu Ketut Ning Sastriyani; Ida Bagus Ketut Sudiasa; Tuteng Suwandi
Jurnal Pendidikan Tari Vol 3 No 1 (2022): Teknologi Digital dalam Pembelajaran Tari dan Penciptaan Tari
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.311

Barong Landung is a mythology that is believed by the Balinese people. The mythology of Barong Landung will be represented through a dance visualization that discusses the love story of King Jayapangus, Dewi Danu and Kang Cing Wie. His dance work was created to answer the problem of the original story from most of the stories circulating among the community and to answer the problem of how to create a dance work with use the mythological theme of the Barong Landung with the aim of creating a form of footing for Legong Kang Cing Wie. The method used of this dance work is the creation method of Prof. Dr. I Wayan Dibia in his book entitled "Panca Sthiti Ngawi Sani". This dance work is packaged in a dance film video format that makes it easy for the audience to see from various points of view. This dance work will be broadcast online through the YouTube channel. This dance work uses 3 dancers who play Raja Jayapangus, Dewi Danu which also acts as Kang Cing Wie and Beautiful Women.

SISTEM MANAJEMEN PAGUYUBAN REYOG PONOROGO JABODETABEK Syifa Novitasari; Nursilah; Ida Bagus Ketut Sudiasa
Jurnal Pendidikan Tari Vol 3 No 2 (2023): Karya Tari dalam Pengembangan Pendidikan Tari
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.326

This study aims to describe the management system of the Reyog Ponorogo Association in Jabodetabek. The Reyog Ponorogo Association is an organization that still exists and preserves the Reyog Ponorogo in Jabodetabek. This research is a qualitative descriptive study. The subject of this research is the Reyog Ponorogo Association in Jabodetabek. The research is focused on the study of association management exposure. Data were obtained by direct observation techniques, in- depth interviews, and documentation studies. Data were analyzed using qualitative descriptive analysis techniques. The validity of the data is obtained through triangulation through the source stage, namely checking data from various sources. These sources are the results of observations, interviews, and documentation about the Reyog Ponorogo Association in Jabodetabek. This research obtained the following results; (1) The planning process in the form of making 3-month work programs and annual work programs, logos, and ADART of the Reyog Ponorogo Jabodetabek Association (2) Organizing/implementation systems that are carried out by creating organizational parts/structures with respective fields determined by the leadership, (3) The process of directing in terms of the implementation of activities that have been planned so that it goes well, (4) Control that functions to guarantee and ensure the achievement of targets set in the planning process.

Penggambaran Legenda Sangkuriang Melalui Karya Tari “Sumbi Raksa” Menggunakan Metode Moving From Within Alma M.Hawkins Bunga Arulia Gibran; Ida Bagus Ketut Sudiasa; Deden Haerudin
Jurnal Pendidikan Tari Vol 3 No 2 (2023): Karya Tari dalam Pengembangan Pendidikan Tari
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.323

The Sumbi Raksa dance work is taken from a scene from the Legend of Sangkuriang which tells of Dayang Sumbi's inner war, namely feelings of love, longing mixed with anger, annoyance, confusion, disappointment over the fact that Sangkuriang is his child and the feeling of happiness to be reunited with his child.Sumbi is taken from the name of a figure from Dayang Sumbi and Raksa means to guard and is taken from the word rasa which means feeling. In this dance work, it tells about Dayang Sumbi who tries to protect her heart from her feelings of love and affection for Sangkuriang.The purpose of creating this dance is to convey moral and ethical values to society, how important it is for us to control our emotions and feelings in responding to a reality, even though sometimes it is not what we expect and inbreeding is not allowed because if a gene unites bad things will happen to their life.The dance work method uses Moving From Within from Alma M Hawkins. Book entitled "Moving From Within: A Method For Dancer Making" which is translated by I Wayan Dibia to become "moving according to one's heart."The dance creation techniques used include: experiencing or expressing, seeing, feeling, manifesting, imagining, and forming .

Karakteristik Tari Zapin Setapak Sebagai Bentuk Tari Kreasi di Sanggar Citra Art Studio Sheila Diani Jaya; Ida Bagus Ketut Sudiasa; Ojang Cahyadi
Jurnal Pendidikan Tari Vol 5 No 2 (2025): Pendidikan Tari untuk Meningkatkan Kepercayaan Diri dalam Membangun Keterampilan
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.526

This study aims to describe the form of presentation of the Zapin Setapak dance in the Citra Art Studio studio. This study uses a qualitative approach with descriptive and analytical research types. The subjects in this study were the studio leader, choreographer and music composer in the Zapin Setapak dance. Data collection in this study was through observation, interview, and documentation techniques. The results of this study indicate that the Zapin Setapak Dance is a manifestation of the development of the Malay Zapin dance, as evidenced by the Citra Art Studio Studio with the owner Siti Suryani, located in the DKI Jakarta area, creating a creative Zapin Setapak dance with characteristics that have their own uniqueness and characteristics by using movements that emphasize the movements of zapin, joget, silat, and are inseparable from the touch of basic Malay motif movements with a distinctive and thick taste. This study is interpreted by Soedarsono's theory on characteristics as a form of creative dance, so that in the Zapin Setapak Dance it can provide deep insight into various elements of dance, from movement to cultural meaning.

Ritme Kreatif: Peningkatan Ketrampilan Gerak Tari Lagu Tradisional 'Tak Tong-Tong' Di SMA Presiden B Kristiono Soewardjo; Selly Oktarini; Elindra Yetti; Ida Bagus Ketut Sudiasa
Prosiding Seminar Nasional Pengabdian Kepada Masyarakat Vol. 6 No. 1 (2025): PROSIDING SEMINAR NASIONAL PENGABDIAN KEPADA MASYARAKAT - SNPPM2025
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat Universitas Negeri Jakarta

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Kegiatan pengabdian kepada masyarakat ini dilaksanakan melalui kemitraan wilayah binaan fakultas, dengan fokus pada pelatihan tari Minang “Tak Ting-tong” di SMA Presiden Jababeka, Bekasi. Tujuan utama kegiatan adalah meningkatkan pemahaman siswa terhadap budaya Minang serta memperkuat karakter melalui pendekatan seni yang edukatif, kreatif, dan terampil. Pelatihan dilakukan secara intensif dengan menerapkan metode penciptaan tari Alma M. Hawkins, yang terdiri atas enam tahapan: mengalami, melihat, merasakan, mengkhayalkan, mengejawantahkan, dan pembentukan. Metode pelatihan yang digunakan adalah gerak imitasi secara langsung, dipadukan dengan eksplorasi ritme kreatif antara musik marching band dan alat musik tradisional Minang, yaitu Talempong. Pendekatan ini dirancang untuk menciptakan keseimbangan antara aktivitas fisik dan mental siswa, sekaligus merespons tekanan akademik yang tinggi melalui penguatan psikomotorik dan ekspresi diri. Hasil kegiatan menunjukkan bahwa pelatihan tari berbasis budaya lokal mampu meningkatkan apresiasi seni, memperkuat identitas budaya, serta membentuk karakter siswa secara kontekstual dan menyenangkan AbstractThis community service activity was carried out through a faculty-led regional partnership, focusing on the training of Minang traditional dance “Tak Ting-tong” at SMA Presiden Jababeka, Bekasi. The primary objective of the program was to enhance students’ understanding of Minangkabau culture and to strengthen character development through an educational, creative, and skill-based artistic approach. The training was delivered intensively using Alma M. Hawkins’ dance creation method, which comprises six stages: experiencing, seeing, sensing, imagining, transforming, and forming. The instructional method employed direct imitation of movement, combined with creative rhythm exploration that integrates marching band music and traditional Minang instruments, particularly the Talempong. This approach was designed to foster physical and mental balance among students, while addressing academic stress through psychomotor stimulation and expressive engagement. The results indicate that culturally grounded dance training can effectively improve artistic appreciation, reinforce cultural identity, and support character formation in a contextual and enjoyable manner.

PROSES KREATIF PENCIPTAAN TARI AMBREG KARYA KOREOGRAFER BATHARA SAVERIGADI DEWANDORO Malik Siregar; Ida Bagus Ketut Sudiasa; Nursilah
Jurnal Pendidikan Tari Vol 6 No 1 (2025): Inovasi dan Penguatan Metode Pembelajaran Seni Tari yang Berorientasi Pada Keterl
Publisher : LPPM UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.612

This research is grounded in the importance of understanding the creative process of choreographers in developing dance works. The study aims to: (1) background of Bathara Saverigadi Dewandoro, (2) explain the structure and characteristics of the Ambreg dance, and (3) analyze the creative process involved in its creation. A qualitative approach with a phenomenological method was employed, using interviews, observations, and documentation as data collection techniques. Bathara Saverigadi Dewandoro, who comes from a Javanese cultural background, began exploring Betawi dance in 2016 as part of his search for artistic identity. Although not ethnically Betawi, he created the Ambreg dance as a reinterpretation of Betawi movement, offering a fresh perspective on its form and dynamics. Out of the 81 choreographic works he has produced, Ambreg stands out as a significant piece that led Jakarta Province to win first place in the national FLS2N competition. Bathara's creative process is analyzed using Peter Abbs' theory, which includes five stages: creative impulse, working with the medium, realization of final form, presentation/performance, and response and evaluation. Although Bathara does not rigidly follow this framework, his personal approach enriches the creative process and offers a new perspective in developing contemporary Betawi dance. These findings are expected to serve as a valuable reference for choreographers, dancers, and dance educators. Keywords: creative process, choreographer, AmbregDance, Sanggar Swargaloka.

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