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MUDRA Jurnal Seni Budaya

mudra
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Published by Institut Seni Indonesia Denpasar

ISSN : 08543461 EISSN : 25410407 DOI : https://doi.org/10.31091/mudra.v37i4.2084

Core Subject : Religion, Humanities, Education, Art, Social,

Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

AIMS The journal presents as a medium to share knowledge and understanding art, culture, and design in the area of regional, national, and international levels. In accordance with the meaning of the word “Mudra”, which is a spiritual gesture and energy indicator, it is hoped that the journal will be able to vibrate the breath of art knowledge to its audience, both academics, and professionals. The journal accommodates articles from research, creation, and study of art, culture, and design without limiting authors from a variety of disciplinary/interdisciplinary approaches such as art criticism, art anthropology, history, aesthetics, sociology, art education, and other contextual approaches. SCOPE MUDRA, as the Journal of art and culture, is dedicated as a scientific dialectic vehicle that accommodates quality original articles covering the development of knowledge about art, ideas, concepts, phenomena originating from the results of scientific research, creation, presentation of fine arts, performing arts and new media from researchers, artists, academics, and students covering areas of study: Performing Arts: dance, puppetry, ethnomusicology, music, theater,performing arts education, performing arts management Fine Arts: fine arts, sculpture, craft art, fine arts education,fine arts management, including new media arts Design: interior design, graphic communication design, fashion design,product design, accessories and/or jewelry design Recording Media : photography, film, television, documentary, video art, animation,game Culture : linguistic, architecture, verbal tradition, as well as other communal tradition The object of research is explored in a variety of topics that are unique, relevant, and contextual with environmental and sustainability aspects, local wisdom, humanity and safety factors. In addition to that, the topic of research needs to be original, creative, innovative, excellence, and competitive.

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 10 Documents

Search results for , issue "Vol 24 No 1 (2009): Januari" : 10 Documents clear

Seni Pertunjukan Ritual Dalam Upacara Labuhan Di Parangkusuma Y. Murdiyati
Mudra Jurnal Seni Budaya Vol 24 No 1 (2009): Januari
Publisher : Institut Seni Indonesia Denpasar

The study aims to understand, to analyses, and to descript the meaning of the Bedaya Sangga Buwana Dance in the ritual ceremony and to add or to increase the meaning of the dance in the ritual ceremony in Parangkusuma. The existence of ritual ceremony in Parangkusuma has aim role thank to the God, and ask the health. The conclution of the article is: (a) the ceremony and traditional ritual aim to continu and to increase the culture values, (b) the ceremony and the traditional ritual are hoped as the instrument of connection between the nations in the world, and (c) the Bedaya Sangga Buwana Dance is connected with the ritual ceremony.

Inovasi Pertunjukan Teater Tradisional Ludruk Di Wilayah Budaya Arek Autar Abdillah
Mudra Jurnal Seni Budaya Vol 24 No 1 (2009): Januari
Publisher : Institut Seni Indonesia Denpasar

Ludruk is one of traditional theatre type in East Java. Jombang Regency was considered become origin place of Ludruk. Then it was spreading wide to Surabaya and generally Arek culture area. This spreading related to the Surabaya position as the big city and trade centre. Moordati stated that “... Surabaya has the own characteristic as the modern harbor city, the biggest both trade and industry through XIX century (Freek Colombijn, dkk (ed), 2005: 302). Surabaya can not compared by any other harbor cities such as Calcutta, Rangoon, Singapore, Bangkok, Hongkong and Shanghai (Howard Dick, 2000: xvii; Moordiati, 2005: 302). Surabaya and Jombang is the base of Arek culture development, except Malang, Mojokerto, Gresik, Kediri, Sidoarjo, and part of Blitar. Along with development of Surabaya city become the trade centre, many theatre groups came here, both from around the cities and Europe. The existence of “Realism” theatre from China and Arab by way of trade mission, and from Dutch and Europe in general through colonial, to establish the development of theatre particularly in Surabaya and East Java in general.

Revitalisasi Dalam Fluktuasi Kesenian Reog Ponorogo Menuju Icon Kabupaten Daerah Tingkat II Ponorogo Luh Putu Kerti Pujani
Mudra Jurnal Seni Budaya Vol 24 No 1 (2009): Januari
Publisher : Institut Seni Indonesia Denpasar

The art performance know as Reog Ponorogo is based on folklore which is certainty believed by Ponorogo Community. Reog Ponorogo consists of historical/ancestral values which are represented through specific symbols in that art performance. In it’s development Reog Ponorogo has diachronic side, fluctuated between growth and fall, well described as alienated and marginalized. Those situations were caused by domination of colonial government and political movement. The turning point was made by ingenuity of traditional Muslim student that performed “gajah-gajahan” art performance which similar to act of Reog in the period of the second fall phase caused by domination of colonial regime. Nowadays, the intensity of revitalization, contruction, reproduction is conducated by preserving the dance on village community level and also revotalization action formally by The Ponorogo regency. Thus, Reog is reproduced to achieve a distinctive existence and becomes an icon of Ponorogo area.

Pementasan Barong Dan Rangda Dalam Perspektif Estetika Dan Pendidikan Agama I Made Suta
Mudra Jurnal Seni Budaya Vol 24 No 1 (2009): Januari
Publisher : Institut Seni Indonesia Denpasar

Barong and Rangda that are performed in the temple are secred. The performance of Barong and Rangda is usually on Saturday Kliwon, Kuningan according to Balinese calendar. People believe that if Barong and Rangda are not performed, it will be epidemic disaster (grubug). The performance of Barong and Rangda are full of aesthetical values such as its ornaments, movement, and accessories used in the performance. All are bind in Three Wisesa : Satyam (Truth), Siwam (Purity), and Sundaram (beauty). The performance of Barong and Rangda also have religious, magic, social, harmony, and balance dimension. In the perspective of Hindu education the performance of Barong and Rangda teach Sraddha (faith), Tattwa (philosophy), and Susila (ethnic).

Tari Woleka: Seni Ritual Magis Masyarakat Marapu Di Sumba Barat S. Hudijono
Mudra Jurnal Seni Budaya Vol 24 No 1 (2009): Januari
Publisher : Institut Seni Indonesia Denpasar

This article aim to to study art of ritual magical which leave from social context of society culture of West Sumba which is is important to be [done/conducted] to see artistic attachment of ritual with his society. This dance have vitally function, especially for society which still embrace trust of Marapu. The function related to importance of ritual, where that related/relevant ritus is also named by party of woleka. Ritus it is a ceremony form to have an out, to blessing and of subsistence/livelihood to ancestor late.

Memahami Makna Penanda Visual Pada Patung Bambu Karya Joko Dwi Avianto Sumarwahyudi
Mudra Jurnal Seni Budaya Vol 24 No 1 (2009): Januari
Publisher : Institut Seni Indonesia Denpasar

There are a number of methods can be applied in giving critics on fine art, one of which is through the art- lover oriented approach. Basically this approach gives emphasis on the meaning of art work is fully determined by the appreciator or the lover himself/herself. This kind of approach has lately become popular particularly in order to understand the meaning of a contemporary art work. Joko Dwi Avianto’s bamboo statue “Harmony of Speed” which is used as the topic of this article is seen by the writer from his own viewpoint as an appreciator of art. The exploration of meaning for this art work makes use of Roland Barthes’ connotative semiotic approach. The connotative meaning of the statue is related to the adoption of modern civilization in traditional life. Facing the modern life, artist community cannot directly refuse or accept it instantly. They should accommodate both aspects (modern and tradition) proportionally. One compromise step is that whatsoever decision you take in art creation, one thing that you should be kept in mind is that you never neglect your own cultural identity.

Sebuah Refleksi Dan Introspeksi Budaya Dalam Journey International Openair Expressions 2008 Hiki M. Dwi Marianto
Mudra Jurnal Seni Budaya Vol 24 No 1 (2009): Januari
Publisher : Institut Seni Indonesia Denpasar

Technically speaking, the journey and experience during the IOE 2008 participation in Japan can be seen as a subject of aesthetic-cultural reflection. In this case, there is no boundary line between the art works that were exhibited in the event with the phenomena of the city which was very greatly attracted the artist. The way how to see and to perceive the phenomena of the nature and culture presented, such as the city center atmosphere, the open space, the spontaneous behaveor of the public, and the city sreets,directly and indirectly, were influenced by the content of the references.

Manunggaling Kala Desa Melintas Fenomena Ruang Dan Waktu Dalam Penciptaan Seni Lukis I Wayan Setem
Mudra Jurnal Seni Budaya Vol 24 No 1 (2009): Januari
Publisher : Institut Seni Indonesia Denpasar

Having observed and studied lingga-yoni, I have got an idea about “The Unity of Time-Space, Crossing the Phenomena of Time and Space in the Creation of Painting is the theme of my Works. What I would like to analyze here is the psycho- anthropological aspects of lingga-yoni. Hopefully this analysis is viewed as an effort to reread reinterpret the symbol of lingga- yoni in my paintings. My perception of lingga-yoni related to the unity of time-space is not merely understood as a sensing quality but as a self projection of various values involving new interpretations. I can perceive the significance of lingga-yoni so that I am fully aware of its relationship with time and space. This perception is related not only to the cognitive achievement but also to the feelings of various values such as aesthetical, moral, and religious. Thus in this context, I place the creative exploration in the painting creation as a critical reflection crossing the time and space phenomena with the theme of “Manunggaling Kala- Desa” (the unity of time-space).

Fungsi Karawitan Bali Di Yogyakarta : Sebuah Tinjauan Kontekstual I Ketut Ardana
Mudra Jurnal Seni Budaya Vol 24 No 1 (2009): Januari
Publisher : Institut Seni Indonesia Denpasar

Balinese gamelan music is an Indonesia traditional music which consist of pelog and selendro scales. The existence of Balinese gamelan music in Yogyakarta has an important function in its community. It marks by the significant development of it. The establishment of organization and Balinese gamelan groups indicate the devolopment. Balinese gamelan music uses by the Yogyanese, as good Balinese or native Yogyanese. Contextually, Balinese gamelan music in Yogyakarta has four functions, such as: ritual ceremonial, entertainment, esthetic presentation, and arts education. First, as a medium of a ritual ceremonial, Balinese gamelan music uses to accampany dewa yadnya, pitra yadnya, and buta yadnya. Second, Balinese gamelan music uses as an entertainment. Third, as an artistic presentation usually treated with some creativities and innovations. And the last but not least, Balinese gamelan music uses as course matrial at the Gamelan and Etnomusicology Departments at the Indonesia Institute Of The Arts at Yogyakarta.

Persepsi Wisatawan Lanjut Usia Pada Fasilitas Akomodasi Dan Aktivitas Pariwisata Bernuansa Seni Budaya Di Desa Sanur Yayu Indrawati
Mudra Jurnal Seni Budaya Vol 24 No 1 (2009): Januari
Publisher : Institut Seni Indonesia Denpasar

The aim of this research is to identify elder tourist perception toward accommodation facilities and tourism activities from art and cultural atmosphere point of view in Sanur Village. This research uses various approaches such as social and cultural, social exchange theory. This study took 50 (fifty) respondents, and they were used as sample using “proportional stratified random sampling”. Respondents were taken from elder tourist aged above 60 (sixty) years old comes from Australia, Nederland, German, United Kingdom and Japan. Data are taken by observation, interview, questioner and documentation. Silver age tourist’s perception is analyzed by Likert Scale and employed descriptive analysis method. The study shows that generally silver age tourist perception toward accommodation facilities is positive with average score 89.07%. Besides accommodation facilities it is also has activities related to fulfillment of physical need such as attending cultural events, exercises, hobbies and leisure.

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Contact Name
Agus Eka Aprianta

Contact Email
penerbitan@isi-dps.ac.id

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+62361-227316

Journal Mail Official
penerbitan@isi-dps.ac.id

Editorial Address
Mudra Jurnal Seni Budaya Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location
Kota denpasar,

Bali

INDONESIA

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Agus Eka Aprianta

Contact Email penerbitan@isi-dps.ac.id

Phone +62361-227316

Journal Mail Official penerbitan@isi-dps.ac.id

Editorial Address Mudra Jurnal Seni Budaya Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location Kota denpasar, Bali INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Agus Eka Aprianta

Contact Email
penerbitan@isi-dps.ac.id

Phone
+62361-227316

Journal Mail Official
penerbitan@isi-dps.ac.id

Editorial Address
Mudra Jurnal Seni Budaya Institut Seni Indonesia Denpasar Jalan Nusa Indah Denpasar 80235

Location
Kota denpasar,

Bali

INDONESIA